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    Terror and Performance

    AvRustom Bharucha

    Inbunden, Engelska, 2014

    2 495 kr

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    Häftad

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    Beskrivning

    ‘This work goes where other books fear to tread. It reaches the parts other scholars might imagine in their dreams but would neither have the international reach nor the critical acumen and forensic flourish to deliver.’ Alan Read, King's College London‘This book is not only timely. It is overdue – and it is a masterpiece unrivalled by any book I know of.’ Erika Fischer-Lichte, Freie Universität Berlin‘The first and only book that focuses on the intersections of performance, terror and terrorism as played out beyond a Euro-American context post-9/11. It is an important work, both substantively and methodologically.’ Jenny Hughes, University of Manchester ‘A profound and tightly bound sequence of reflections … a rigorously provocative book.’ Stephen Barber, Kingston University LondonIn this exceptional investigation Rustom Bharucha considers the realities of Islamophobia, the legacies of Truth and Reconciliation, the deadly certitudes of State-controlled security systems and the legitimacy of counter-terror terrorism, drawing on a vast spectrum of human cruelties across the global South. The outcome is a brilliantly argued case for seeing terror as a volatile and mutant phenomenon that is deeply lived, experienced, and performed within the cultures of everyday life.

    Produktinformation

    • Utgivningsdatum:2014-04-09
    • Mått:156 x 234 x 18 mm
    • Vikt:498 g
    • Format:Inbunden
    • Språk:Engelska
    • Antal sidor:240
    • Förlag:Taylor & Francis Ltd
    • ISBN:9781138014237

    Utforska kategorier

    • Teater inom Kultur
    • Kulturvetenskap inom Samhälle och politik

    Mer om författaren

    Rustom Bharucha is Professor of Theatre and Performance Studies at the Jawaharlal Nehru University in Delhi. He is a writer, director, dramaturg and cultural critic, as well as the author of several books, including Theatre and the World: Performance and the Politics of Culture (Routledge, 1993).

    Recensioner i media

    'Rustom Bharucha’s Terror and Performance stages a rigorous and challenging analysis of the relation between terror and performance. The book unpacks the entangled relations between performance, embodiment, violence and history. In the course of his book, Bharucha raises provocative questions that unsettle doxic understandings of both terror and terrorism. His book, I argue, works to materialise unspeakable truths that shed light on the complex aporias that inscribe the relation between terror and performance.' - Joseph Pugliese, Macquarie University"[Bharucha’s] text overall as well as major geopolitical developments since its publication in spring 2014 suggest a far more conflicting temporality of deferment, suspended between a ‘justice to come’ and a ‘terror-in-waiting.’" – Professor Markus Wessendorf, University of Hawaii

    Innehållsförteckning

    • Preface i-vii Introduction: Mapping Terror in the War of Words 1-39ProvocationImpulseDoublespeak of ‘terrorism’Risks of misunderstandingAmbivalences of terrorHoly TerrorTerror through a literary lensVisual overkillPerformance/performativity/theatreDangerous liaisons: terror and performance1. Genet in Manila: ‘September 11’ in Retrospect 40-88IPre-TerrorDeadly InnocenceIntentionalityPolitics of the ‘real’Event/betrayal: rethinking the political‘September 11’: first exposureIIDiscourseGenres of terror tragedy Theatre of CrueltyThe terror of repetitionDeconstructing terror trauma autoimmunityControversies Stockhausen’s blunder The politics of empathyIIIExit the Theatre2. ‘Muslims’ in a Time of Terror: Deceptions, Demonization, and Uncertainties of Evidence 89-130IPassing as a MuslimConstructing ‘Muslims’Phenomenology of passingQueering the Muslim terrorist: beards and penisesThe beautiful terroristThe Sikh as MuslimIIRecapitulationThe Indian Muslim as OtherGenocide in Godhra‘Dead certainty’: the limits of performativityOuting the self3. Countering Terror? The Search for Justice through Truth and Reconciliation 131-186IMapping the TerrainMultiple locations, different stakesThe right to interveneIIRwandaThe terror of statisticsRealizing the unthinkable: the provocation of gacacaGacaca as performance: a theoretical trap?Dramaturgy of gacacaThe evidence of experiencePerforming RwandanicityIIISouth AfricaThe ‘impossible machine’The theatricality of hearingsAmnesty in performanceBetween performance and justice: an ethical impasseThe ‘truth’ of story-tellingIVKey Motifs of Truth and ReconciliationPerforming silenceForgiveness, or ‘living with evil’?Time and reconciliationCoda 4. Performing Non-Violence in the Age of Terror 187-231Enter GandhiGandhi as Truth CommissionPerforming the Truth CommissionThe performativity of saltNon-violence: sacrifice or suicide?Suicide bombing: acts of performance‘Just War’: ambivalences and duplicitiesTraining to die?: the viability of non-violence The violence of non-violenceLip-sewing and blood graffiti: the weapons of the weakTowards justice?Postscript 232-239Notes 240-285Bibliography 286-300 Index