Maike Sarah Reinerth is a Research Associate for Media and Communication Studies at the University of Hamburg, Germany. Research interests include representations of subjectivity (Ph.D. project), cognitive film theory, and animation studies. Her most recent publication is "Metaphors of the Mind in Film: A Cognitive-Cultural Perspective" (Embodied Metaphors in Film, Television, and Video Games, 2016).Jan-Noël Thon is a Postdoctoral Research Associate at the Department of Media Studies of the University of Tuebingen, Germany. Research interests include film studies, television studies, comics studies, game studies, transmedial narratology, media convergence, and post/documentary in digital media culture. He has published widely in these areas, most recently Transmedial Narratology and Contemporary Media Culture (2016).

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• Introduction: Subjectivity across MediaMaike Sarah Reinerth and Jan-Noël ThonPART I: VERBAL REPRESENTATIONS OF SUBJECTIVITY1. The Expression of Subjectivity in Fiction: The Case of Internal FocalizationTilmann Köppe2. Child Minds through Gaps and Metaphors: On Two Strategies for Consciousness Representation in Literary NarrativeMarco Caracciolo and Cécile Guédon3. Cybernetic and Kinetic: Representing Subjectivity in Digital FictionDavid CiccoriccoPART II: VERBAL-PICTORIAL REPRESENTATIONS OF SUBJECTIVITY4. The Body at Work: Subjectivity in Graphic MemoirSilke Horstkotte and Nancy Pedri5. Visible Hand? Subjectivity and Its Stylistic Markers in Graphic NarrativesLukas Etter6. The Drawn-Out Gaze of the Cartoon: A Psychosemiotic Look at Subjectivity in Comic Book StorytellingStephan PackardPART III: AUDIOVISUAL REPRESENTATIONS OF SUBJECTIVITY7. Experiencing Extended Point-of-View Shots: A Film-Phenomenological Perspective on Extreme Character SubjectivityJulian Hanich8. Color and Subjectivity in FilmBarbara Flueckiger9. Immersed in History Films: Subjectivity, Memory, and Fictional PrivilegeCasper TybjergPART IV: INTERACTIVE REPRESENTATIONS OF SUBJECTIVITY10. Film Aesthetics and Interactive Representations of Subjectivity in Video GamesBenjamin Beil11. Walk a Mile in My Shoes: Subjectivity and Embodiment in Video GamesFelix Schröter12. "As Only a Game Can": Re-creating Subjective Lived Experiences through Interactivity in Non-Fictional Video GamesEvelyn Chew and Alex Mitchell

Maike Sarah Reinerth is a Research Associate for Media and Communication Studies at the University of Hamburg, Germany. Research interests include representations of subjectivity (Ph.D. project), cognitive film theory, and animation studies. Her most recent publication is "Metaphors of the Mind in Film: A Cognitive-Cultural Perspective" (Embodied Metaphors in Film, Television, and Video Games, 2016).Jan-Noël Thon is a Postdoctoral Research Associate at the Department of Media Studies of the University of Tuebingen, Germany. Research interests include film studies, television studies, comics studies, game studies, transmedial narratology, media convergence, and post/documentary in digital media culture. He has published widely in these areas, most recently Transmedial Narratology and Contemporary Media Culture (2016).

Select Guide Rating

• Introduction: Subjectivity across MediaMaike Sarah Reinerth and Jan-Noël ThonPART I: VERBAL REPRESENTATIONS OF SUBJECTIVITY1. The Expression of Subjectivity in Fiction: The Case of Internal FocalizationTilmann Köppe2. Child Minds through Gaps and Metaphors: On Two Strategies for Consciousness Representation in Literary NarrativeMarco Caracciolo and Cécile Guédon3. Cybernetic and Kinetic: Representing Subjectivity in Digital FictionDavid CiccoriccoPART II: VERBAL-PICTORIAL REPRESENTATIONS OF SUBJECTIVITY4. The Body at Work: Subjectivity in Graphic MemoirSilke Horstkotte and Nancy Pedri5. Visible Hand? Subjectivity and Its Stylistic Markers in Graphic NarrativesLukas Etter6. The Drawn-Out Gaze of the Cartoon: A Psychosemiotic Look at Subjectivity in Comic Book StorytellingStephan PackardPART III: AUDIOVISUAL REPRESENTATIONS OF SUBJECTIVITY7. Experiencing Extended Point-of-View Shots: A Film-Phenomenological Perspective on Extreme Character SubjectivityJulian Hanich8. Color and Subjectivity in FilmBarbara Flueckiger9. Immersed in History Films: Subjectivity, Memory, and Fictional PrivilegeCasper TybjergPART IV: INTERACTIVE REPRESENTATIONS OF SUBJECTIVITY10. Film Aesthetics and Interactive Representations of Subjectivity in Video GamesBenjamin Beil11. Walk a Mile in My Shoes: Subjectivity and Embodiment in Video GamesFelix Schröter12. "As Only a Game Can": Re-creating Subjective Lived Experiences through Interactivity in Non-Fictional Video GamesEvelyn Chew and Alex Mitchell