Jane Costlow is the Clark A. Griffiths Professor of Environmental Studies at Bates College in Lewiston, Maine, USA. Her scholarly work has focused primarily on nineteenth-century Russian literature and visual culture, ranging from the novels of Ivan Turgenev to writing by Russian women writers and representations of the bear in late Imperial culture. Recent publications include Heart-Pine Russia: Walking and Writing the 19th century Forest (Cornell University Press, 2013) and, with Amy Nelson, Other Animals: Beyond the Human in Russian Culture and History (University of Pittsburgh Press, 2010). At Bates she teaches courses in Environmental Humanities and Russian Literature, interests reflected in recent papers and conference presentations on disaster narratives in film and oral history. Her translation of Lydia Zinovieva-Annibal’s The Tragic Menagerie received the AATSEEL prize for best translation in 1999.Arja Rosenholm is Professor of Russian Language and Culture at the University of Tampere, Finland. Her research interests include the history of Russian literature and culture, gender studies, Russian popular culture and mass media, ecocriticism, space, and culture. She is currently heading the Academy of Finland-funded project "Water as Cultural Space: Changing Values and Representations" (2012–2016). Rosenholm has edited several scholarly volumes in English, Russian, and Finnish, and published numerous peer-reviewed articles in international and national journals. Recent books include Women in Russian Cultural History (in Finnish), with Suvi Salmenniemi and Marja Sorvari. (Gaudeamus, 2014), and Topografii populiarnoi kul’tury together with Irina Savkina. (NLO, 2015).

• IntroductionSection One: Language and Myths of Water1 Ivan Podiukov, "Cultural Semantics of Aquatic Imagery in the Russian Language" 2 Nicholas Breyfogle, "Sacred Waters: The Spiritual World of Lake Baikal"3 Evgeny Platonov, "Wells of Superstition: The History of Holy Springs in Russia, 18th – 19th Centuries" 4 Dmitrii Zamyatin: "Thinking with Water in a Russian Context" Section Two: Socio-Cultural Identities of Water5 Oleg Riabov, "Mother Volga and the Construction of Russian Identity"6 Maria Litovskaia, "The Chief Worker of the Urals": Metanarrative of the Chusovaia River and its Creation"7 Sveta Yamin–Pasternak, Andrew Kliskey, Lilian Alessa and Peters Schweitzer, "A Cup of Tundra: Ethnography of Thirst in the Bering Strait"Section Three: Water Rebuilding Landscapes8 Elena Miliugina and Mikhail Stroganov, "Water on the Russian Gentry Estate"9 Polina Barskova, "Celebrating the Return of the Flood of Petersburg: 1824/1924"10 Cynthia Ruder, "Imagined and Real: The Moscow Canal as the Port of Five Seas" Section Four: Aesthetics and Poetics of Water11 Anastasia Kostetskaya, "A Woman in Nature/A Woman is Nature: The Eternal Feminine as a Conceptual Blend of Human and Water Ontologies in Russian Symbolist Poetics" 12 Jane Costlow, "Parched: Water and its Absence in the Films of Larisa Shepit’ko" 13 Arja Rosenholm, "The Energizing Flow of Water in Marietta Shaginian’s Novel Hydrocentral"14 Gitta Hammarberg, "Spatriotism: Water in Literary Polemics (Early 19th century Russia"

Jane Costlow is the Clark A. Griffiths Professor of Environmental Studies at Bates College in Lewiston, Maine, USA. Her scholarly work has focused primarily on nineteenth-century Russian literature and visual culture, ranging from the novels of Ivan Turgenev to writing by Russian women writers and representations of the bear in late Imperial culture. Recent publications include Heart-Pine Russia: Walking and Writing the 19th century Forest (Cornell University Press, 2013) and, with Amy Nelson, Other Animals: Beyond the Human in Russian Culture and History (University of Pittsburgh Press, 2010). At Bates she teaches courses in Environmental Humanities and Russian Literature, interests reflected in recent papers and conference presentations on disaster narratives in film and oral history. Her translation of Lydia Zinovieva-Annibal’s The Tragic Menagerie received the AATSEEL prize for best translation in 1999.Arja Rosenholm is Professor of Russian Language and Culture at the University of Tampere, Finland. Her research interests include the history of Russian literature and culture, gender studies, Russian popular culture and mass media, ecocriticism, space, and culture. She is currently heading the Academy of Finland-funded project "Water as Cultural Space: Changing Values and Representations" (2012–2016). Rosenholm has edited several scholarly volumes in English, Russian, and Finnish, and published numerous peer-reviewed articles in international and national journals. Recent books include Women in Russian Cultural History (in Finnish), with Suvi Salmenniemi and Marja Sorvari. (Gaudeamus, 2014), and Topografii populiarnoi kul’tury together with Irina Savkina. (NLO, 2015).

• IntroductionSection One: Language and Myths of Water1 Ivan Podiukov, "Cultural Semantics of Aquatic Imagery in the Russian Language" 2 Nicholas Breyfogle, "Sacred Waters: The Spiritual World of Lake Baikal"3 Evgeny Platonov, "Wells of Superstition: The History of Holy Springs in Russia, 18th – 19th Centuries" 4 Dmitrii Zamyatin: "Thinking with Water in a Russian Context" Section Two: Socio-Cultural Identities of Water5 Oleg Riabov, "Mother Volga and the Construction of Russian Identity"6 Maria Litovskaia, "The Chief Worker of the Urals": Metanarrative of the Chusovaia River and its Creation"7 Sveta Yamin–Pasternak, Andrew Kliskey, Lilian Alessa and Peters Schweitzer, "A Cup of Tundra: Ethnography of Thirst in the Bering Strait"Section Three: Water Rebuilding Landscapes8 Elena Miliugina and Mikhail Stroganov, "Water on the Russian Gentry Estate"9 Polina Barskova, "Celebrating the Return of the Flood of Petersburg: 1824/1924"10 Cynthia Ruder, "Imagined and Real: The Moscow Canal as the Port of Five Seas" Section Four: Aesthetics and Poetics of Water11 Anastasia Kostetskaya, "A Woman in Nature/A Woman is Nature: The Eternal Feminine as a Conceptual Blend of Human and Water Ontologies in Russian Symbolist Poetics" 12 Jane Costlow, "Parched: Water and its Absence in the Films of Larisa Shepit’ko" 13 Arja Rosenholm, "The Energizing Flow of Water in Marietta Shaginian’s Novel Hydrocentral"14 Gitta Hammarberg, "Spatriotism: Water in Literary Polemics (Early 19th century Russia"

Jane Costlow is the Clark A. Griffiths Professor of Environmental Studies at Bates College in Lewiston, Maine, USA. Her scholarly work has focused primarily on nineteenth-century Russian literature and visual culture, ranging from the novels of Ivan Turgenev to writing by Russian women writers and representations of the bear in late Imperial culture. Recent publications include Heart-Pine Russia: Walking and Writing the 19th century Forest (Cornell University Press, 2013) and, with Amy Nelson, Other Animals: Beyond the Human in Russian Culture and History (University of Pittsburgh Press, 2010). At Bates she teaches courses in Environmental Humanities and Russian Literature, interests reflected in recent papers and conference presentations on disaster narratives in film and oral history. Her translation of Lydia Zinovieva-Annibal’s The Tragic Menagerie received the AATSEEL prize for best translation in 1999.Arja Rosenholm is Professor of Russian Language and Culture at the University of Tampere, Finland. Her research interests include the history of Russian literature and culture, gender studies, Russian popular culture and mass media, ecocriticism, space, and culture. She is currently heading the Academy of Finland-funded project "Water as Cultural Space: Changing Values and Representations" (2012–2016). Rosenholm has edited several scholarly volumes in English, Russian, and Finnish, and published numerous peer-reviewed articles in international and national journals. Recent books include Women in Russian Cultural History (in Finnish), with Suvi Salmenniemi and Marja Sorvari. (Gaudeamus, 2014), and Topografii populiarnoi kul’tury together with Irina Savkina. (NLO, 2015).

• IntroductionSection One: Language and Myths of Water1 Ivan Podiukov, "Cultural Semantics of Aquatic Imagery in the Russian Language" 2 Nicholas Breyfogle, "Sacred Waters: The Spiritual World of Lake Baikal"3 Evgeny Platonov, "Wells of Superstition: The History of Holy Springs in Russia, 18th – 19th Centuries" 4 Dmitrii Zamyatin: "Thinking with Water in a Russian Context" Section Two: Socio-Cultural Identities of Water5 Oleg Riabov, "Mother Volga and the Construction of Russian Identity"6 Maria Litovskaia, "The Chief Worker of the Urals": Metanarrative of the Chusovaia River and its Creation"7 Sveta Yamin–Pasternak, Andrew Kliskey, Lilian Alessa and Peters Schweitzer, "A Cup of Tundra: Ethnography of Thirst in the Bering Strait"Section Three: Water Rebuilding Landscapes8 Elena Miliugina and Mikhail Stroganov, "Water on the Russian Gentry Estate"9 Polina Barskova, "Celebrating the Return of the Flood of Petersburg: 1824/1924"10 Cynthia Ruder, "Imagined and Real: The Moscow Canal as the Port of Five Seas" Section Four: Aesthetics and Poetics of Water11 Anastasia Kostetskaya, "A Woman in Nature/A Woman is Nature: The Eternal Feminine as a Conceptual Blend of Human and Water Ontologies in Russian Symbolist Poetics" 12 Jane Costlow, "Parched: Water and its Absence in the Films of Larisa Shepit’ko" 13 Arja Rosenholm, "The Energizing Flow of Water in Marietta Shaginian’s Novel Hydrocentral"14 Gitta Hammarberg, "Spatriotism: Water in Literary Polemics (Early 19th century Russia"