Celeste Ianniciello is an independent researcher and member of the Centre for Postcolonial and Gender Studies, University of Naples "L’Orientale".

"A major contribution to the discussion of how migrancy and memory is represented and curated."- Gregory B. Lee, University of Lyon

• IntroductionPart One: FramesSpaces and Borders, Transits and Repositioning The Geography of Barriers and the Politics of Patrol Border-crossings: Feminisms and the Bodies of Knowledge Differencing the Canon: The Autobiography of Becoming Collage Poetics and the Art of the RelationsPart Two: NarrationsTranscultural Memories and Migrations The Postcolonial Art and The World-Museum Lampedusa: a Living Archive of Modernity The Fluid (Auto)biography of Zineb Sedira Ursula Biemann’s Videocartography and the Ecology of Art The Matri-Archive of the Mediterranean Part Three: InstallationsHeritage, Belonging and Out-of-Place Legacies Lara Baladi’s Heterotopic Landscapes Mona Hatoum’s Displacing Maps Emily Jacir’s Reconfigured Properties and Identities Kader Attia and Walid Raad’s ReappropriationsBibliography

Celeste Ianniciello is an independent researcher and member of the Centre for Postcolonial and Gender Studies, University of Naples "L’Orientale".

"A major contribution to the discussion of how migrancy and memory is represented and curated."- Gregory B. Lee, University of Lyon

• IntroductionPart One: FramesSpaces and Borders, Transits and Repositioning The Geography of Barriers and the Politics of Patrol Border-crossings: Feminisms and the Bodies of Knowledge Differencing the Canon: The Autobiography of Becoming Collage Poetics and the Art of the RelationsPart Two: NarrationsTranscultural Memories and Migrations The Postcolonial Art and The World-Museum Lampedusa: a Living Archive of Modernity The Fluid (Auto)biography of Zineb Sedira Ursula Biemann’s Videocartography and the Ecology of Art The Matri-Archive of the Mediterranean Part Three: InstallationsHeritage, Belonging and Out-of-Place Legacies Lara Baladi’s Heterotopic Landscapes Mona Hatoum’s Displacing Maps Emily Jacir’s Reconfigured Properties and Identities Kader Attia and Walid Raad’s ReappropriationsBibliography

Celeste Ianniciello is an independent researcher and member of the Centre for Postcolonial and Gender Studies, University of Naples "L’Orientale".

"A major contribution to the discussion of how migrancy and memory is represented and curated."- Gregory B. Lee, University of Lyon

• IntroductionPart One: FramesSpaces and Borders, Transits and Repositioning The Geography of Barriers and the Politics of Patrol Border-crossings: Feminisms and the Bodies of Knowledge Differencing the Canon: The Autobiography of Becoming Collage Poetics and the Art of the RelationsPart Two: NarrationsTranscultural Memories and Migrations The Postcolonial Art and The World-Museum Lampedusa: a Living Archive of Modernity The Fluid (Auto)biography of Zineb Sedira Ursula Biemann’s Videocartography and the Ecology of Art The Matri-Archive of the Mediterranean Part Three: InstallationsHeritage, Belonging and Out-of-Place Legacies Lara Baladi’s Heterotopic Landscapes Mona Hatoum’s Displacing Maps Emily Jacir’s Reconfigured Properties and Identities Kader Attia and Walid Raad’s ReappropriationsBibliography