Stefan Schutt is an Honorary Fellow and former Research Program Leader at the Centre for Cultural Diversity and Wellbeing, Victoria University, Melbourne, Australia. Stefan's research interests revolve around the everyday uses of digital technologies. He is particularly interested in the intersection of technology, narrative and identity. Stefan is the founder of a number of award-winning community technology projects. He is also a ghost sign aficionado, and the creator of the Lewis & Skinner online signwriting document archive: www.lewisandskinner.com. Sam Roberts is Director of Ghostsigns and Better Letters, and Associate Researcher at the Typographic Hub, within the Birmingham Institute of Art and Design, UK. In addition to numerous published articles on ghost signs, Sam authored and published Hand-Painted Signs of Kratie about street signs in Cambodia. He curated the History of Advertising Trust Ghostsigns Archive, and leads the Ghostsigns Walking Tours in London.Leanne White is a Senior Lecturer in the College of Business at Victoria University in Melbourne, Australia. Her research interests include: national identity, commercial nationalism, popular culture, advertising, destination marketing, events and cultural tourism. She is the author of 50 book chapters and refereed journal articles, and co-editor of the Routledge research books: Wine and Identity: Branding, Heritage, Terroir (2014), Dark Tourism and Place Identity: Managing and Interpreting Dark Places (2013), and Tourism and National Identities: An International Perspective (2011).

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• 1. Uncovering Ghost Signs and their Meanings [Leanne White, Stefan Schutt and Sam Roberts] 2. What is a Ghost Sign?[Sam Roberts and Geraldine Marshall]Part 1: Social Perspectives3. The Ghost in the Sign: A Psychological Perspective on Ghost Signs [Anthony W. Love]4. Torch Songs to Modernity: Ghost Signs as Emblems of the Urban Soul [Antonina Lewis and Kirsten Wright]5. Crowdsourcing Pioneers: the Co-creation and Institutionalisation of an Amateur Collection [Laura Carletti]6. That One Up There Was Mine: Lost Artisan Identities and the Renewed Interest in Painted Advertising Signs [Stefan Schutt and Tony Mead]7. Displaying Ghost Signs Online [Colin Hyde and Amy Barnes]8. "This peaceful revolution": resonances of a London ghost sign [Yvette Williams Elliott]Part 2: Cultural Perspectives9. The Schwarzenegger hide-and-seek. Finding disappearing hand-painted signs in Ho Chi Minh City, Vietnam [Cristina Nualart]10. Faux Ghost Signs: Nostalgia, Authenticity, and the Role of the Sign Painter [Meredith Kasabian]11. The InVisibility of Chicha: a Socio-Historical Account of the Emergence and (Re)production of Chicha as ‘Gráfica Popular’ in Lima, Peru[Caroline E. M. Hodges, Azucena del Carmen Cabezas León and Janice Denegri-Knott]12. Marketing the Past: Ghost Signs and Sydney’s Marketing History [Robert Crawford]13. Ghost Fascias: Retail Corporate Identity Revenants in Urban Space[Gary Warnaby and Dominic Medway]14. Bedrock [David Bernstein]Part 3: Historical Perspectives15. Ghost Signs and the Teaching of Immigrant History [Robert Pascoe and Gerardo Papalia]16. The Mural Legacy of N.V. Gevaert Photo-Producten: Lessons from a Preservation and Restoration Process[Klara Peeters, Sarah De Smedt and Joost Caen] 17. Signs of Life: Recognising the significance of Melbourne’s Historic Painted Signs [Leisa Clements]18. Olive Oyl Ignites a Spark[Veerle De Houwer]19. Historic Signs: Toward an Understanding of their Community Value in Heritage Practice [Rachel Jackson]20. Teaching the Ghost Signs of Seattle [Marie Wong]21. Ghost or Avatar? The Value of Conserving Heritage Signs [David S Waller and Helen J Waller]A Last Ghost Sign Story[Stefan Schutt and Sam Roberts]

Stefan Schutt is an Honorary Fellow and former Research Program Leader at the Centre for Cultural Diversity and Wellbeing, Victoria University, Melbourne, Australia. Stefan's research interests revolve around the everyday uses of digital technologies. He is particularly interested in the intersection of technology, narrative and identity. Stefan is the founder of a number of award-winning community technology projects. He is also a ghost sign aficionado, and the creator of the Lewis & Skinner online signwriting document archive: www.lewisandskinner.com. Sam Roberts is Director of Ghostsigns and Better Letters, and Associate Researcher at the Typographic Hub, within the Birmingham Institute of Art and Design, UK. In addition to numerous published articles on ghost signs, Sam authored and published Hand-Painted Signs of Kratie about street signs in Cambodia. He curated the History of Advertising Trust Ghostsigns Archive, and leads the Ghostsigns Walking Tours in London.Leanne White is a Senior Lecturer in the College of Business at Victoria University in Melbourne, Australia. Her research interests include: national identity, commercial nationalism, popular culture, advertising, destination marketing, events and cultural tourism. She is the author of 50 book chapters and refereed journal articles, and co-editor of the Routledge research books: Wine and Identity: Branding, Heritage, Terroir (2014), Dark Tourism and Place Identity: Managing and Interpreting Dark Places (2013), and Tourism and National Identities: An International Perspective (2011).

Select Guide Rating

• 1. Uncovering Ghost Signs and their Meanings [Leanne White, Stefan Schutt and Sam Roberts] 2. What is a Ghost Sign?[Sam Roberts and Geraldine Marshall]Part 1: Social Perspectives3. The Ghost in the Sign: A Psychological Perspective on Ghost Signs [Anthony W. Love]4. Torch Songs to Modernity: Ghost Signs as Emblems of the Urban Soul [Antonina Lewis and Kirsten Wright]5. Crowdsourcing Pioneers: the Co-creation and Institutionalisation of an Amateur Collection [Laura Carletti]6. That One Up There Was Mine: Lost Artisan Identities and the Renewed Interest in Painted Advertising Signs [Stefan Schutt and Tony Mead]7. Displaying Ghost Signs Online [Colin Hyde and Amy Barnes]8. "This peaceful revolution": resonances of a London ghost sign [Yvette Williams Elliott]Part 2: Cultural Perspectives9. The Schwarzenegger hide-and-seek. Finding disappearing hand-painted signs in Ho Chi Minh City, Vietnam [Cristina Nualart]10. Faux Ghost Signs: Nostalgia, Authenticity, and the Role of the Sign Painter [Meredith Kasabian]11. The InVisibility of Chicha: a Socio-Historical Account of the Emergence and (Re)production of Chicha as ‘Gráfica Popular’ in Lima, Peru[Caroline E. M. Hodges, Azucena del Carmen Cabezas León and Janice Denegri-Knott]12. Marketing the Past: Ghost Signs and Sydney’s Marketing History [Robert Crawford]13. Ghost Fascias: Retail Corporate Identity Revenants in Urban Space[Gary Warnaby and Dominic Medway]14. Bedrock [David Bernstein]Part 3: Historical Perspectives15. Ghost Signs and the Teaching of Immigrant History [Robert Pascoe and Gerardo Papalia]16. The Mural Legacy of N.V. Gevaert Photo-Producten: Lessons from a Preservation and Restoration Process[Klara Peeters, Sarah De Smedt and Joost Caen] 17. Signs of Life: Recognising the significance of Melbourne’s Historic Painted Signs [Leisa Clements]18. Olive Oyl Ignites a Spark[Veerle De Houwer]19. Historic Signs: Toward an Understanding of their Community Value in Heritage Practice [Rachel Jackson]20. Teaching the Ghost Signs of Seattle [Marie Wong]21. Ghost or Avatar? The Value of Conserving Heritage Signs [David S Waller and Helen J Waller]A Last Ghost Sign Story[Stefan Schutt and Sam Roberts]

Stefan Schutt is an Honorary Fellow and former Research Program Leader at the Centre for Cultural Diversity and Wellbeing, Victoria University, Melbourne, Australia. Stefan's research interests revolve around the everyday uses of digital technologies. He is particularly interested in the intersection of technology, narrative and identity. Stefan is the founder of a number of award-winning community technology projects. He is also a ghost sign aficionado, and the creator of the Lewis & Skinner online signwriting document archive: www.lewisandskinner.com. Sam Roberts is Director of Ghostsigns and Better Letters, and Associate Researcher at the Typographic Hub, within the Birmingham Institute of Art and Design, UK. In addition to numerous published articles on ghost signs, Sam authored and published Hand-Painted Signs of Kratie about street signs in Cambodia. He curated the History of Advertising Trust Ghostsigns Archive, and leads the Ghostsigns Walking Tours in London.Leanne White is a Senior Lecturer in the College of Business at Victoria University in Melbourne, Australia. Her research interests include: national identity, commercial nationalism, popular culture, advertising, destination marketing, events and cultural tourism. She is the author of 50 book chapters and refereed journal articles, and co-editor of the Routledge research books: Wine and Identity: Branding, Heritage, Terroir (2014), Dark Tourism and Place Identity: Managing and Interpreting Dark Places (2013), and Tourism and National Identities: An International Perspective (2011).

Select Guide Rating

• 1. Uncovering Ghost Signs and their Meanings [Leanne White, Stefan Schutt and Sam Roberts] 2. What is a Ghost Sign?[Sam Roberts and Geraldine Marshall]Part 1: Social Perspectives3. The Ghost in the Sign: A Psychological Perspective on Ghost Signs [Anthony W. Love]4. Torch Songs to Modernity: Ghost Signs as Emblems of the Urban Soul [Antonina Lewis and Kirsten Wright]5. Crowdsourcing Pioneers: the Co-creation and Institutionalisation of an Amateur Collection [Laura Carletti]6. That One Up There Was Mine: Lost Artisan Identities and the Renewed Interest in Painted Advertising Signs [Stefan Schutt and Tony Mead]7. Displaying Ghost Signs Online [Colin Hyde and Amy Barnes]8. "This peaceful revolution": resonances of a London ghost sign [Yvette Williams Elliott]Part 2: Cultural Perspectives9. The Schwarzenegger hide-and-seek. Finding disappearing hand-painted signs in Ho Chi Minh City, Vietnam [Cristina Nualart]10. Faux Ghost Signs: Nostalgia, Authenticity, and the Role of the Sign Painter [Meredith Kasabian]11. The InVisibility of Chicha: a Socio-Historical Account of the Emergence and (Re)production of Chicha as ‘Gráfica Popular’ in Lima, Peru[Caroline E. M. Hodges, Azucena del Carmen Cabezas León and Janice Denegri-Knott]12. Marketing the Past: Ghost Signs and Sydney’s Marketing History [Robert Crawford]13. Ghost Fascias: Retail Corporate Identity Revenants in Urban Space[Gary Warnaby and Dominic Medway]14. Bedrock [David Bernstein]Part 3: Historical Perspectives15. Ghost Signs and the Teaching of Immigrant History [Robert Pascoe and Gerardo Papalia]16. The Mural Legacy of N.V. Gevaert Photo-Producten: Lessons from a Preservation and Restoration Process[Klara Peeters, Sarah De Smedt and Joost Caen] 17. Signs of Life: Recognising the significance of Melbourne’s Historic Painted Signs [Leisa Clements]18. Olive Oyl Ignites a Spark[Veerle De Houwer]19. Historic Signs: Toward an Understanding of their Community Value in Heritage Practice [Rachel Jackson]20. Teaching the Ghost Signs of Seattle [Marie Wong]21. Ghost or Avatar? The Value of Conserving Heritage Signs [David S Waller and Helen J Waller]A Last Ghost Sign Story[Stefan Schutt and Sam Roberts]