Genevieve Love is Associate Professor of English at Colorado College, USA. Her work has appeared in journals including Renaissance Drama, Upstart, Shakespeare Bulletin, and Literature Compass, and in essay collections including Richard II: New Critical Essays, edited by Jeremy Lopez (2012) and Christopher Marlowe, Repertorial Commerce, and the Book Trade, edited by Roslyn Knutson and Kirk Melnikoff (2018).

This monograph is important both for performance studies scholars and for literary historians of disability.

• AcknowledgementsNote on the textIntroduction: Disability and/as Theatricality1 The Work of Standing and of Standing-for: Disability, Movement, Theatrical Personation in The Fair Maid of the Exchange2 The Sound of Prosthetic Movement: Transnational and Temporal Analogy in A Larum for London3 ‘Faustus has his legge again’:Truncation and Prosthesis, Theatricality and Bibliography in Doctor Faustus4 Richard’s ‘giddy footing’: Degree of Difference and Cyclical Movement in Shakespeare’s Richard IIINotesBibliographyIndex

Genevieve Love is Associate Professor of English at Colorado College, USA. Her work has appeared in journals including Renaissance Drama, Upstart, Shakespeare Bulletin, and Literature Compass, and in essay collections including Richard II: New Critical Essays, edited by Jeremy Lopez (2012) and Christopher Marlowe, Repertorial Commerce, and the Book Trade, edited by Roslyn Knutson and Kirk Melnikoff (2018).

This monograph is important both for performance studies scholars and for literary historians of disability.

• AcknowledgementsNote on the textIntroduction: Disability and/as Theatricality1 The Work of Standing and of Standing-for: Disability, Movement, Theatrical Personation in The Fair Maid of the Exchange2 The Sound of Prosthetic Movement: Transnational and Temporal Analogy in A Larum for London3 ‘Faustus has his legge again’:Truncation and Prosthesis, Theatricality and Bibliography in Doctor Faustus4 Richard’s ‘giddy footing’: Degree of Difference and Cyclical Movement in Shakespeare’s Richard IIINotesBibliographyIndex

Genevieve Love is Associate Professor of English at Colorado College, USA. Her work has appeared in journals including Renaissance Drama, Upstart, Shakespeare Bulletin, and Literature Compass, and in essay collections including Richard II: New Critical Essays, edited by Jeremy Lopez (2012) and Christopher Marlowe, Repertorial Commerce, and the Book Trade, edited by Roslyn Knutson and Kirk Melnikoff (2018).

This monograph is important both for performance studies scholars and for literary historians of disability.

• AcknowledgementsNote on the textIntroduction: Disability and/as Theatricality1 The Work of Standing and of Standing-for: Disability, Movement, Theatrical Personation in The Fair Maid of the Exchange2 The Sound of Prosthetic Movement: Transnational and Temporal Analogy in A Larum for London3 ‘Faustus has his legge again’:Truncation and Prosthesis, Theatricality and Bibliography in Doctor Faustus4 Richard’s ‘giddy footing’: Degree of Difference and Cyclical Movement in Shakespeare’s Richard IIINotesBibliographyIndex