Filippo Carlà-Uhink is Professor of Ancient History at the University of Potsdam, Germany.Anja Wieber taught for many years as lecturer in Ancient History at the University of Bochum, Germany, and is now an independent scholar, Germany.

An illuminating and thought-provoking read.

• List of FiguresList of ContributorsAcknowledgments1. Introduction Filippo Carlà-Uhink, Potsdam University, Germany & Anja Wieber, Independent Scholar, Germany2. Semiramide in India. The Reception of an Ancient Oriental Warrior Queen in Baroque Opera Kerstin Droß-Krüpe, Universität Kassel, Germany3. Carian Queens from the Orient to Greece and Back: The Reception of Artemisia I and Artemisia II Irene Berti, Independent Scholar, Germany4. The Persian Boy, the Bactrian Girl and the Man from Macedon – Gender and Orientalisms in Mary Renault’s Alexander the Great-Trilogy Ann-Cathrin Harders, Universität Bielefeld, Germany5. Drypetis in Fact and (Fan) Fiction Sabine Müller, Universität Marburg, Germany6. Exotic, Erotic, Heroic? Women of Carthage in Western Imagination Marta Garia Morcillo, University of Roehampton, UK7. In the Name of Cleopatra: Emma Hamilton and Catherine Stepney Make Their Mark Mary Hamer, Kipling Society, UK8. Colon(ial)izing Fulvia: (Re)Presenting the Military Woman in History, Fiction, and Art Peter Keegan, Macquarie University, Australia9. The Oriental Empresses of Rome. Severan Women in Literature and the Performative Arts Martijn Icks, University of Amsterdam, The Netherlands10. The Palmyrene Queen Zenobia in Syrian TV – Inverting Orientalism for Modern Nationhood? Anja Wieber, Independent Scholar, Germany11. The Dark Gaze of Galla Placidia, Christopher Bishop, Australian National University, Australia12. Theodora A.P. (After Procopius) / Theodora A.S. (After Sardou): Metamorphoses of an Empress Filippo Carlà-Uhink, Potsdam University, Germany13. From Historical Enigma to Modern Role Model: The Reception of Sasanid Queen Širin in Contemporary Iranian Cinema Irene Madreiter, Universität Innsbruck, Austria14. Instead of a Conclusion: Gynaecocracy in the Orient, Oriental Seclusion in the Occident Beate Wagner-Hasel, Universität Hannover, GermanyNotesBibliographyIndex

Filippo Carlà-Uhink is Professor of Ancient History at the University of Potsdam, Germany.Anja Wieber taught for many years as lecturer in Ancient History at the University of Bochum, Germany, and is now an independent scholar, Germany.

An illuminating and thought-provoking read.

• List of FiguresList of ContributorsAcknowledgments1. Introduction Filippo Carlà-Uhink, Potsdam University, Germany & Anja Wieber, Independent Scholar, Germany2. Semiramide in India. The Reception of an Ancient Oriental Warrior Queen in Baroque Opera Kerstin Droß-Krüpe, Universität Kassel, Germany3. Carian Queens from the Orient to Greece and Back: The Reception of Artemisia I and Artemisia II Irene Berti, Independent Scholar, Germany4. The Persian Boy, the Bactrian Girl and the Man from Macedon – Gender and Orientalisms in Mary Renault’s Alexander the Great-Trilogy Ann-Cathrin Harders, Universität Bielefeld, Germany5. Drypetis in Fact and (Fan) Fiction Sabine Müller, Universität Marburg, Germany6. Exotic, Erotic, Heroic? Women of Carthage in Western Imagination Marta Garia Morcillo, University of Roehampton, UK7. In the Name of Cleopatra: Emma Hamilton and Catherine Stepney Make Their Mark Mary Hamer, Kipling Society, UK8. Colon(ial)izing Fulvia: (Re)Presenting the Military Woman in History, Fiction, and Art Peter Keegan, Macquarie University, Australia9. The Oriental Empresses of Rome. Severan Women in Literature and the Performative Arts Martijn Icks, University of Amsterdam, The Netherlands10. The Palmyrene Queen Zenobia in Syrian TV – Inverting Orientalism for Modern Nationhood? Anja Wieber, Independent Scholar, Germany11. The Dark Gaze of Galla Placidia, Christopher Bishop, Australian National University, Australia12. Theodora A.P. (After Procopius) / Theodora A.S. (After Sardou): Metamorphoses of an Empress Filippo Carlà-Uhink, Potsdam University, Germany13. From Historical Enigma to Modern Role Model: The Reception of Sasanid Queen Širin in Contemporary Iranian Cinema Irene Madreiter, Universität Innsbruck, Austria14. Instead of a Conclusion: Gynaecocracy in the Orient, Oriental Seclusion in the Occident Beate Wagner-Hasel, Universität Hannover, GermanyNotesBibliographyIndex

Filippo Carlà-Uhink is Professor of Ancient History at the University of Potsdam, Germany.Anja Wieber taught for many years as lecturer in Ancient History at the University of Bochum, Germany, and is now an independent scholar, Germany.

An illuminating and thought-provoking read.

• List of FiguresList of ContributorsAcknowledgments1. Introduction Filippo Carlà-Uhink, Potsdam University, Germany & Anja Wieber, Independent Scholar, Germany2. Semiramide in India. The Reception of an Ancient Oriental Warrior Queen in Baroque Opera Kerstin Droß-Krüpe, Universität Kassel, Germany3. Carian Queens from the Orient to Greece and Back: The Reception of Artemisia I and Artemisia II Irene Berti, Independent Scholar, Germany4. The Persian Boy, the Bactrian Girl and the Man from Macedon – Gender and Orientalisms in Mary Renault’s Alexander the Great-Trilogy Ann-Cathrin Harders, Universität Bielefeld, Germany5. Drypetis in Fact and (Fan) Fiction Sabine Müller, Universität Marburg, Germany6. Exotic, Erotic, Heroic? Women of Carthage in Western Imagination Marta Garia Morcillo, University of Roehampton, UK7. In the Name of Cleopatra: Emma Hamilton and Catherine Stepney Make Their Mark Mary Hamer, Kipling Society, UK8. Colon(ial)izing Fulvia: (Re)Presenting the Military Woman in History, Fiction, and Art Peter Keegan, Macquarie University, Australia9. The Oriental Empresses of Rome. Severan Women in Literature and the Performative Arts Martijn Icks, University of Amsterdam, The Netherlands10. The Palmyrene Queen Zenobia in Syrian TV – Inverting Orientalism for Modern Nationhood? Anja Wieber, Independent Scholar, Germany11. The Dark Gaze of Galla Placidia, Christopher Bishop, Australian National University, Australia12. Theodora A.P. (After Procopius) / Theodora A.S. (After Sardou): Metamorphoses of an Empress Filippo Carlà-Uhink, Potsdam University, Germany13. From Historical Enigma to Modern Role Model: The Reception of Sasanid Queen Širin in Contemporary Iranian Cinema Irene Madreiter, Universität Innsbruck, Austria14. Instead of a Conclusion: Gynaecocracy in the Orient, Oriental Seclusion in the Occident Beate Wagner-Hasel, Universität Hannover, GermanyNotesBibliographyIndex