Massimiliano Morini is Associate Professor of English Linguistics and Translation at the University of Urbino, Italy.

Massimiliano Morini’s book is an inspiring, provocative, and stirring intervention into the comfortable waters of theatre translation. I am very grateful for this book and am looking forward to the debate it will engender.

• List of FiguresAcknowledgementsIntroduction: What This Book is AboutPart I: Theory1. The Translation of Theatre before Translation Studies2. The Age of Translation Studies: Early Work on Theatre Translation3. Theatre Translation: Performance-Centric Theories in the Twenty-First Century4. Voices from the Field of Theatre StudiesPart II: Terms and Methodology5. Proposing a Methodology for the Study of Theatre TranslationPart III: Practice6. Renaissance Translation between Text and Stage: The European Circulation of Il pastor fido7. Contemporary Theatre Translation and the Persistence of Textual Bias8. Performance as Translation, Translation in Performance: Two Examples from Contemporary Experimental TheatreConclusion: What This Book is Not AboutNotesReferencesIndex

Massimiliano Morini is Associate Professor of English Linguistics and Translation at the University of Urbino, Italy.

Massimiliano Morini’s book is an inspiring, provocative, and stirring intervention into the comfortable waters of theatre translation. I am very grateful for this book and am looking forward to the debate it will engender.

• List of FiguresAcknowledgementsIntroduction: What This Book is AboutPart I: Theory1. The Translation of Theatre before Translation Studies2. The Age of Translation Studies: Early Work on Theatre Translation3. Theatre Translation: Performance-Centric Theories in the Twenty-First Century4. Voices from the Field of Theatre StudiesPart II: Terms and Methodology5. Proposing a Methodology for the Study of Theatre TranslationPart III: Practice6. Renaissance Translation between Text and Stage: The European Circulation of Il pastor fido7. Contemporary Theatre Translation and the Persistence of Textual Bias8. Performance as Translation, Translation in Performance: Two Examples from Contemporary Experimental TheatreConclusion: What This Book is Not AboutNotesReferencesIndex

Massimiliano Morini is Associate Professor of English Linguistics and Translation at the University of Urbino, Italy.

Massimiliano Morini’s book is an inspiring, provocative, and stirring intervention into the comfortable waters of theatre translation. I am very grateful for this book and am looking forward to the debate it will engender.

• List of FiguresAcknowledgementsIntroduction: What This Book is AboutPart I: Theory1. The Translation of Theatre before Translation Studies2. The Age of Translation Studies: Early Work on Theatre Translation3. Theatre Translation: Performance-Centric Theories in the Twenty-First Century4. Voices from the Field of Theatre StudiesPart II: Terms and Methodology5. Proposing a Methodology for the Study of Theatre TranslationPart III: Practice6. Renaissance Translation between Text and Stage: The European Circulation of Il pastor fido7. Contemporary Theatre Translation and the Persistence of Textual Bias8. Performance as Translation, Translation in Performance: Two Examples from Contemporary Experimental TheatreConclusion: What This Book is Not AboutNotesReferencesIndex