Bloomsbury Advances in Translation – serie

For centuries, the art of translation has been misconstrued as a solitary affair. Yet, from Antiquity to the Middle Ages, groups of translators comprised of specialists of different languages formed in order to transport texts from one language and culture to another. Collaborative Translation uncovers the collaborative practices occluded in Renaissance theorizing of translation to which our individualist notions of translation are indebted. Leading translation scholars as well as professional translators have been invited here to detail their experiences of collaborative translation, as well as the fruits of their research into this neglected form of translation.This volume offers in-depth analysis of rich, sometimes explosive, relationships between authors and their translators. Their negotiations of cooperation and control, assistance and interference, are shown here to shape the translation of prominent modern authors such as Günter Grass, Vladimir Nabokov and Haruki Murakami.The advent of printing, the cultural institutions and the legal and political environment that regulate the production of translated texts have each formalized many of the inherently social and communicative practices of translation. Yet this publishing regime has been profoundly disrupted by the technologies that are currently revolutionizing collaborative translation techniques. This volume details the impact that this technological and environmental evolution is having upon the translator, proliferating sites and communities of collaboration, transforming traditional relationships with authors and editors, revisers, stage directors, actors and readers.

For centuries, the art of translation has been misconstrued as a solitary affair. Yet, from Antiquity to the Middle Ages, groups of translators comprised of specialists of different languages formed in order to transport texts from one language and culture to another. Collaborative Translation uncovers the collaborative practices occluded in Renaissance theorizing of translation to which our individualist notions of translation are indebted. Leading translation scholars as well as professional translators have been invited here to detail their experiences of collaborative translation, as well as the fruits of their research into this neglected form of translation.This volume offers in-depth analysis of rich, sometimes explosive, relationships between authors and their translators. Their negotiations of cooperation and control, assistance and interference, are shown here to shape the translation of prominent modern authors such as Günter Grass, Vladimir Nabokov and Haruki Murakami.The advent of printing, the cultural institutions and the legal and political environment that regulate the production of translated texts have each formalized many of the inherently social and communicative practices of translation. Yet this publishing regime has been profoundly disrupted by the technologies that are currently revolutionizing collaborative translation techniques. This volume details the impact that this technological and environmental evolution is having upon the translator, proliferating sites and communities of collaboration, transforming traditional relationships with authors and editors, revisers, stage directors, actors and readers.

For centuries, the art of translation has been misconstrued as a solitary affair. Yet, from Antiquity to the Middle Ages, groups of translators comprised of specialists of different languages formed in order to transport texts from one language and culture to another. Collaborative Translation uncovers the collaborative practices occluded in Renaissance theorizing of translation to which our individualist notions of translation are indebted. Leading translation scholars as well as professional translators have been invited here to detail their experiences of collaborative translation, as well as the fruits of their research into this neglected form of translation.This volume offers in-depth analysis of rich, sometimes explosive, relationships between authors and their translators. Their negotiations of cooperation and control, assistance and interference, are shown here to shape the translation of prominent modern authors such as Günter Grass, Vladimir Nabokov and Haruki Murakami.The advent of printing, the cultural institutions and the legal and political environment that regulate the production of translated texts have each formalized many of the inherently social and communicative practices of translation. Yet this publishing regime has been profoundly disrupted by the technologies that are currently revolutionizing collaborative translation techniques. This volume details the impact that this technological and environmental evolution is having upon the translator, proliferating sites and communities of collaboration, transforming traditional relationships with authors and editors, revisers, stage directors, actors and readers.

While the sociology of literary translation is well-established, and even flourishing, the same cannot be said for the sociology of poetry translation. Sociologies of Poetry Translation features scholars who address poetry translation from sociological perspectives in order to catalyze new methods of investigating poetry translation. This book makes the case for a move from the singular ‘sociology of poetry translation’ to the pluralist ‘sociologies’, in order to account for the rich variety of approaches that are currently emerging to deal with poetry translation. It also aims to bridge the gap between the ‘cultural turn’ and the ‘sociological turn’ in Translation Studies, with the range of contributions showcasing the rich diversity of approaches to analysing poetry translation from socio-cultural, socio-historical, socio-political and micro-social perspectives. Contributors draw on theorists including Pierre Bourdieu and Niklas Luhmann and assess poetry translation from and/or into Catalan, Czech, English, French, German, Italian, Russian, Slovakian, Spanish, Swahili and Swedish. A wide range of topics are featured in the book including: trends in poetry translation in the modern global book market; the commissioning and publishing of poetry translations in the United States of America; modern English-language translations of Dante; women poet-translators in mid-19th century Ireland; translations of Russian poetry anthologies into modern English; the translation of Shakespeare’s plays and sonnets in post-colonial Tanzania and socialist Czechoslovakia; translations and translators of Italian poetry into 20th and 21st century Sweden; modern European poet-translators; and collaborative writing between prominent English and Spanish poet-translators.

While the sociology of literary translation is well-established, and even flourishing, the same cannot be said for the sociology of poetry translation. Sociologies of Poetry Translation features scholars who address poetry translation from sociological perspectives in order to catalyze new methods of investigating poetry translation. This book makes the case for a move from the singular ''sociology of poetry translation'' to the pluralist ''sociologies'', in order to account for the rich variety of approaches that are currently emerging to deal with poetry translation. It also aims to bridge the gap between the ''cultural turn'' and the ''sociological turn'' in Translation Studies, with the range of contributions showcasing the rich diversity of approaches to analysing poetry translation from socio-cultural, socio-historical, socio-political and micro-social perspectives. Contributors draw on theorists including Pierre Bourdieu and Niklas Luhmann and assess poetry translation from and/or into Catalan, Czech, English, French, German, Italian, Russian, Slovakian, Spanish, Swahili and Swedish. A wide range of topics are featured in the book including: trends in poetry translation in the modern global book market; the commissioning and publishing of poetry translations in the United States of America; modern English-language translations of Dante; women poet-translators in mid-19th century Ireland; translations of Russian poetry anthologies into modern English; the translation of Shakespeare''s plays and sonnets in post-colonial Tanzania and socialist Czechoslovakia; translations and translators of Italian poetry into 20th and 21st century Sweden; modern European poet-translators; and collaborative writing between prominent English and Spanish poet-translators.

While the sociology of literary translation is well-established, and even flourishing, the same cannot be said for the sociology of poetry translation. Sociologies of Poetry Translation features scholars who address poetry translation from sociological perspectives in order to catalyze new methods of investigating poetry translation. This book makes the case for a move from the singular ''sociology of poetry translation'' to the pluralist ''sociologies'', in order to account for the rich variety of approaches that are currently emerging to deal with poetry translation. It also aims to bridge the gap between the ''cultural turn'' and the ''sociological turn'' in Translation Studies, with the range of contributions showcasing the rich diversity of approaches to analysing poetry translation from socio-cultural, socio-historical, socio-political and micro-social perspectives. Contributors draw on theorists including Pierre Bourdieu and Niklas Luhmann and assess poetry translation from and/or into Catalan, Czech, English, French, German, Italian, Russian, Slovakian, Spanish, Swahili and Swedish. A wide range of topics are featured in the book including: trends in poetry translation in the modern global book market; the commissioning and publishing of poetry translations in the United States of America; modern English-language translations of Dante; women poet-translators in mid-19th century Ireland; translations of Russian poetry anthologies into modern English; the translation of Shakespeare''s plays and sonnets in post-colonial Tanzania and socialist Czechoslovakia; translations and translators of Italian poetry into 20th and 21st century Sweden; modern European poet-translators; and collaborative writing between prominent English and Spanish poet-translators.

Many “translation solutions” (often called “procedures,” “techniques,” or “strategies”) have been proposed over the past 50 years or so in French, Chinese, Russian, Ukrainian, English, Spanish, German, Japanese, Italian, Czech, and Slovak. This book analyzes, criticizes and compares them, proposing a new list of solutions that can be used in training translators to work between many languages. The book also traces out an entirely new history of contemporary translation studies, showing for example how the Russian tradition was adapted in China, how the impact of transformational linguistics was resisted, and how scholarship has developed an intercultural metalanguage over and above the concerns of specific national languages. The book reveals the intensely political nature of translation theory, even in its most apparently technical aspects. The lists were used to advance the agendas of not just linguistic nationalisms but also state regimes – this is a history in which Hitler, Stalin, and Mao all played roles, Communist propaganda and imperialist evangelism were both legitimized, Ukrainian advances in translation theory were forcefully silenced in the 1930s, the Cold War both stimulated the application of transformational grammar and blocked news of Russian translation theory, French translation theory was conscripted into the agenda of Japanese exceptionalism, and much else.

For centuries, the art of translation has been misconstrued as a solitary affair. Yet, from Antiquity to the Middle Ages, groups of translators comprised of specialists of different languages formed in order to transport texts from one language and culture to another. Collaborative Translation uncovers the collaborative practices occluded in Renaissance theorizing of translation to which our individualist notions of translation are indebted. Leading translation scholars as well as professional translators have been invited here to detail their experiences of collaborative translation, as well as the fruits of their research into this neglected form of translation.This volume offers in-depth analysis of rich, sometimes explosive, relationships between authors and their translators. Their negotiations of cooperation and control, assistance and interference, are shown here to shape the translation of prominent modern authors such as Günter Grass, Vladimir Nabokov and Haruki Murakami.The advent of printing, the cultural institutions and the legal and political environment that regulate the production of translated texts have each formalized many of the inherently social and communicative practices of translation. Yet this publishing regime has been profoundly disrupted by the technologies that are currently revolutionizing collaborative translation techniques. This volume details the impact that this technological and environmental evolution is having upon the translator, proliferating sites and communities of collaboration, transforming traditional relationships with authors and editors, revisers, stage directors, actors and readers.

For readers in the English-speaking world, almost all Holocaust writing is translated writing. Translation is indispensable for our understanding of the Holocaust because there is a need to tell others what happened in a way that makes events and experiences accessible – if not, perhaps, comprehensible – to other communities.Yet what this means is only beginning to be explored by Translation Studies scholars. This book aims to bring together the insights of Translation Studies and Holocaust Studies in order to show what a critical understanding of translation in practice and context can contribute to our knowledge of the legacy of the Holocaust. The role translation plays is not just as a facilitator of a semi-transparent transfer of information. Holocaust writing involves questions about language, truth and ethics, and a theoretically informed understanding of translation adds to these questions by drawing attention to processes of mediation and reception in cultural and historical context. It is important to examine how writing by Holocaust victims, which is closely tied to a specific language and reflects on the relationship between language, experience and thought, can (or cannot) be translated. This volume brings the disciplines of Holocaust and Translation Studies into an encounter with each other in order to explore the effects of translation on Holocaust writing. The individual pieces by Holocaust scholars explore general, theoretical questions and individual case studies, and are accompanied by commentaries by translation scholars.

Translating in Town uncovers administrative and cultural multilingualism and translation practices in multilingual European communities during the long 19th century. Challenging the traditional narrative of nationalist, monolingual language ideologies, this book focuses instead upon translation policies which aimed to accommodate complex language situations with new democratic principles at local levels. Covering a time-frame from 1785 to 1914, chapters investigate towns and cities in the heartland of Europe, such as Barcelona, Milan and Vienna, as well as those on its outer rim, including Nicosia, Cork and Tampere. Highlighting the conflicts and negotiations that took place between official language(s), local language(s) and translation, the book explores the impact on both represented and non-represented monolingual and multilingual citizens. In so doing, Translating in Town highlights the subtle compromises obtained between official monolingualism, multilingualism and translation, and between competing views on official and private translation and transfer techniques, during this fascinating era of European history.

Translating in Town uncovers administrative and cultural multilingualism and translation practices in multilingual European communities during the long 19th century. Challenging the traditional narrative of nationalist, monolingual language ideologies, this book focuses instead upon translation policies which aimed to accommodate complex language situations with new democratic principles at local levels. Covering a time-frame from 1785 to 1914, chapters investigate towns and cities in the heartland of Europe, such as Barcelona, Milan and Vienna, as well as those on its outer rim, including Nicosia, Cork and Tampere. Highlighting the conflicts and negotiations that took place between official language(s), local language(s) and translation, the book explores the impact on both represented and non-represented monolingual and multilingual citizens. In so doing, Translating in Town highlights the subtle compromises obtained between official monolingualism, multilingualism and translation, and between competing views on official and private translation and transfer techniques, during this fascinating era of European history.

Translating in Town uncovers administrative and cultural multilingualism and translation practices in multilingual European communities during the long 19th century. Challenging the traditional narrative of nationalist, monolingual language ideologies, this book focuses instead upon translation policies which aimed to accommodate complex language situations with new democratic principles at local levels. Covering a time-frame from 1785 to 1914, chapters investigate towns and cities in the heartland of Europe, such as Barcelona, Milan and Vienna, as well as those on its outer rim, including Nicosia, Cork and Tampere. Highlighting the conflicts and negotiations that took place between official language(s), local language(s) and translation, the book explores the impact on both represented and non-represented monolingual and multilingual citizens. In so doing, Translating in Town highlights the subtle compromises obtained between official monolingualism, multilingualism and translation, and between competing views on official and private translation and transfer techniques, during this fascinating era of European history.

The field of translation studies has grown rapidly over recent decades, with critical questions being investigated across the globe. Drawing together this scattered research, Systemic Functional Linguistics and Translation Studies consolidates important propositions by drawing on systemic functional linguistics (SFL).Using the SFL dimensions of stratification, rank, axis and delicacy to show how languages are more similar or more different, this book provides a state-of-the-art critical assessment of the interaction between SFL and translation studies. Highlighting the major contribution SFL can make in developing translation theories, a team of world-leading experts investigate how intricate and wide-ranging translation questions, such as re-instantiation and multimodality, can be most efficiently explored through a detailed meaning- and function-oriented linguistic theory. Examining the theoretical concepts and practical applications of SFL in the translation of a range of languages, including Arabic, Chinese and Brazilian Portuguese, Systemic Functional Linguistics and Translation Studies provides a stimulus for new work spanning the two fields and suggests new directions for future research.

The field of translation studies has grown rapidly over recent decades, with critical questions being investigated across the globe. Drawing together this scattered research, Systemic Functional Linguistics and Translation Studies consolidates important propositions by drawing on systemic functional linguistics (SFL).Using the SFL dimensions of stratification, rank, axis and delicacy to show how languages are more similar or more different, this book provides a state-of-the-art critical assessment of the interaction between SFL and translation studies. Highlighting the major contribution SFL can make in developing translation theories, a team of world-leading experts investigate how intricate and wide-ranging translation questions, such as re-instantiation and multimodality, can be most efficiently explored through a detailed meaning- and function-oriented linguistic theory. Examining the theoretical concepts and practical applications of SFL in the translation of a range of languages, including Arabic, Chinese and Brazilian Portuguese, Systemic Functional Linguistics and Translation Studies provides a stimulus for new work spanning the two fields and suggests new directions for future research.

The field of translation studies has grown rapidly over recent decades, with critical questions being investigated across the globe. Drawing together this scattered research, Systemic Functional Linguistics and Translation Studies consolidates important propositions by drawing on systemic functional linguistics (SFL).Using the SFL dimensions of stratification, rank, axis and delicacy to show how languages are more similar or more different, this book provides a state-of-the-art critical assessment of the interaction between SFL and translation studies. Highlighting the major contribution SFL can make in developing translation theories, a team of world-leading experts investigate how intricate and wide-ranging translation questions, such as re-instantiation and multimodality, can be most efficiently explored through a detailed meaning- and function-oriented linguistic theory. Examining the theoretical concepts and practical applications of SFL in the translation of a range of languages, including Arabic, Chinese and Brazilian Portuguese, Systemic Functional Linguistics and Translation Studies provides a stimulus for new work spanning the two fields and suggests new directions for future research.

Intercultural Crisis Communication poses pertinent questions and provides powerful responses to crises that have characterised the modern world since 2010. Language mediation in situations of disaster, emergency and conflict is an under-developed area of scholarship in Translation Studies. This book responds to a clear need for research drawn from practical experiences in the field and explores the crucial role of translation, interpretation and mediation in contexts of crises.Particular consideration is given to situations where rare or minority languages represent a substantial obstacle to humanitarian operations. Contemporary case studies from the USA, Africa, Europe, and Armenia provide major examples of crisis communication that call for more efficient language mediation. Such examples include Syrian displacement, the refugee crisis in Croatia and Italy, international terrorism and national public administration, interpreting in conflict and for Médecins sans Frontières, as well as the integration of refugee doctors for employment in the UK.With contributions from experts in the field, this volume is of international relevance and provides a multifaceted overview of intercultural communication issues and remedies during crises.

Intercultural Crisis Communication poses pertinent questions and provides powerful responses to crises that have characterised the modern world since 2010. Language mediation in situations of disaster, emergency and conflict is an under-developed area of scholarship in Translation Studies. This book responds to a clear need for research drawn from practical experiences in the field and explores the crucial role of translation, interpretation and mediation in contexts of crises. Particular consideration is given to situations where rare or minority languages represent a substantial obstacle to humanitarian operations. Contemporary case studies from the USA, Africa, Europe, and Armenia provide major examples of crisis communication that call for more efficient language mediation. Such examples include Syrian displacement, the refugee crisis in Croatia and Italy, international terrorism and national public administration, interpreting in conflict and for Médecins sans Frontières, as well as the integration of refugee doctors for employment in the UK. With contributions from experts in the field, this volume is of international relevance and provides a multifaceted overview of intercultural communication issues and remedies during crises.

Intercultural Crisis Communication poses pertinent questions and provides powerful responses to crises that have characterised the modern world since 2010. Language mediation in situations of disaster, emergency and conflict is an under-developed area of scholarship in Translation Studies. This book responds to a clear need for research drawn from practical experiences in the field and explores the crucial role of translation, interpretation and mediation in contexts of crises. Particular consideration is given to situations where rare or minority languages represent a substantial obstacle to humanitarian operations. Contemporary case studies from the USA, Africa, Europe, and Armenia provide major examples of crisis communication that call for more efficient language mediation. Such examples include Syrian displacement, the refugee crisis in Croatia and Italy, international terrorism and national public administration, interpreting in conflict and for Médecins sans Frontières, as well as the integration of refugee doctors for employment in the UK. With contributions from experts in the field, this volume is of international relevance and provides a multifaceted overview of intercultural communication issues and remedies during crises.

This book explores the impact that high-profile and well-known translators have on audience reception of translated theatre. Using Relevance Theory as a framework, the book demonstrates how prior knowledge of a celebrity translator’s contextual background can affect the spectator’s cognitive state and influence their interpretation of the play.Three canonical plays adapted for the British stage are analysed: Mark Ravenhill’s translation of Life of Galileo by Bertolt Brecht, Roger McGough’s translation of Tartuffe by Molière and Simon Stephens’ translation of A Doll’s House by Henrik Ibsen. Drawing on interviews, audience feedback, reviews, blogs and social media posts, Stock examines the extent to which audiences infer the celebrity translator’s own voice from their translations. In doing so, he adds new perspectives to the long-standing debate on the visibility of the translator in both the process of translating and the reception of the translation.Celebrity Translation in British Theatre offers an original approach to theatre translation that sheds light on the culture of celebrity and its capacity to attract new audiences to plays in translation.

This book explores the impact that high-profile and well-known translators have on audience reception of translated theatre. Using Relevance Theory as a framework, the book demonstrates how prior knowledge of a celebrity translator''s contextual background can affect the spectator''s cognitive state and influence their interpretation of the play. Three canonical plays adapted for the British stage are analysed: Mark Ravenhill''s translation of Life of Galileo by Bertolt Brecht, Roger McGough''s translation of Tartuffe by Molière and Simon Stephens'' translation of A Doll''s House by Henrik Ibsen. Drawing on interviews, audience feedback, reviews, blogs and social media posts, Stock examines the extent to which audiences infer the celebrity translator''s own voice from their translations. In doing so, he adds new perspectives to the long-standing debate on the visibility of the translator in both the process of translating and the reception of the translation. Celebrity Translation in British Theatre offers an original approach to theatre translation that sheds light on the culture of celebrity and its capacity to attract new audiences to plays in translation.

This book explores the impact that high-profile and well-known translators have on audience reception of translated theatre. Using Relevance Theory as a framework, the book demonstrates how prior knowledge of a celebrity translator''s contextual background can affect the spectator''s cognitive state and influence their interpretation of the play. Three canonical plays adapted for the British stage are analysed: Mark Ravenhill''s translation of Life of Galileo by Bertolt Brecht, Roger McGough''s translation of Tartuffe by Molière and Simon Stephens'' translation of A Doll''s House by Henrik Ibsen. Drawing on interviews, audience feedback, reviews, blogs and social media posts, Stock examines the extent to which audiences infer the celebrity translator''s own voice from their translations. In doing so, he adds new perspectives to the long-standing debate on the visibility of the translator in both the process of translating and the reception of the translation. Celebrity Translation in British Theatre offers an original approach to theatre translation that sheds light on the culture of celebrity and its capacity to attract new audiences to plays in translation.

Scholars have long highlighted the links between translating and (re)writing, increasingly blurring the line between translations and so-called ‘original’ works. Less emphasis has been placed on the work of writers who translate, and the ways in which they conceptualize, or even fictionalize, the task of translation. This book fills that gap and thus will be of interest to scholars in linguistics, translation studies and literary studies. Scrutinizing translation through a new lens, Judith Woodsworth reveals the sometimes problematic relations between author and translator, along with the evolution of the translator’s voice and visibility. The book investigates the uses (and abuses) of translation at the hands of George Bernard Shaw, Gertrude Stein and Paul Auster, prominent writers who bring into play assorted fictions as they tell their stories of translations. Each case is interesting in itself because of the new material analysed and the conclusions reached. Translation is seen not only as an exercise and fruitful starting point, it is also a way of paying tribute, repaying a debt and cementing a friendship. Taken together, the case studies point the way to a teleology of translation and raise the question: what is translation for? Shaw, Stein and Auster adopt an authorial posture that distinguishes them from other translators. They stretch the boundaries of the translation proper, their words spilling over into the liminal space of the text; in some cases they hijack the act of translation to serve their own ends. Through their tales of loss, counterfeit and hard labour, they cast an occasionally bleak glance at what it means to be a translator. Yet they also pay homage to translation and provide fresh insights that continue to manifest themselves in current works of literature. By engaging with translation as a literary act in its own right, these eminent writers confer greater prestige on what has traditionally been viewed as a subservient art.

This volume provides a state-of-the-art overview of institutional translation issues related to the development of international law and policies for supranational integration and governance. These issues are explored from various angles in selected papers by guest specialists and findings of a large-scale research project led by the editor.Focus is placed on key methodological and policy aspects of legal communication and translation quality in a variety of institutional settings, including several comparative studies of the United Nations and European Union institutions. The first book of its kind on institutional translation with a focus on quality of legal communication, this work offers a unique combination of perspectives drawn together through a multilayered examination of methods (e.g. corpus analysis, comparative law for translation and terminological analysis), skills and working procedures. The chapters are organized into three sections: (1) contemporary issues and methods; (2) translation quality in law- and policy-making and implementation; and (3) translation and multilingual case-law.

With the rapid growth of corpus-based translations studies (CBTS) over recent years, this book offers a timely overview of the field today. It features cutting-edge studies from leading experts in the area, focused on both professional and student translations, and covers the latest theoretical developments such as the constrained communication framework, with a strong focus on methodology, particularly mixed-method approaches, multivariate research designs and translation error annotation. The volume highlights the emerging interdisciplinary bridges between CBTS and other areas in linguistics and demonstrates the applications of these theories and methods to translator training. It also offers a forward-looking perspective by presenting some of the challenges CBTS currently faces and possible pathways for future research. Thanks to its combined theoretical, methodological and applied perspective and innovative approaches, Extending the Scope of Corpus-Based Translation Studies will appeal to both seasoned specialists and newcomers to the field.

With the rapid growth of corpus-based translations studies (CBTS) over recent years, this book offers a timely overview of the field today. It features cutting-edge studies from leading experts in the area, focused on both professional and student translations, and covers the latest theoretical developments such as the constrained communication framework, with a strong focus on methodology, particularly mixed-method approaches, multivariate research designs and translation error annotation. The volume highlights the emerging interdisciplinary bridges between CBTS and other areas in linguistics and demonstrates the applications of these theories and methods to translator training. It also offers a forward-looking perspective by presenting some of the challenges CBTS currently faces and possible pathways for future research. Thanks to its combined theoretical, methodological and applied perspective and innovative approaches, Extending the Scope of Corpus-Based Translation Studies will appeal to both seasoned specialists and newcomers to the field.

Examining the research possibilities, debates and challenges posed by the emerging field of genetic translation studies, this book demonstrates how, both theoretically and empirically, genetic criticism can shed much-needed light on translators’ archives, the translator figure and the creative process of translation. Genetic Translation Studies analyses a diverse range of translation materials including manuscripts, typographical proofs, personal papers, letters, testimonies and interviews in order to give visibility, body and presence to translators. Chapters draw on translations of works by authors such as Saint-John Perse, Nikos Kazantzakis, René Char, António Lobo Antunes and Camilo Castelo Branco, in each case revealing the conflicts and collaborations between translators and other stakeholders, including authors, editors and publishers.Covering an impressive array of language contexts, from Portuguese, English and French to Greek, Finnish, Polish and Sanskrit, this book demonstrates the value of the genetic turn in translation studies and offers new ways of working with translator correspondences.

Examining the research possibilities, debates and challenges posed by the emerging field of genetic translation studies, this book demonstrates how, both theoretically and empirically, genetic criticism can shed much-needed light on translators'' archives, the translator figure and the creative process of translation. Genetic Translation Studies analyses a diverse range of translation materials including manuscripts, typographical proofs, personal papers, letters, testimonies and interviews in order to give visibility, body and presence to translators. Chapters draw on translations of works by authors such as Saint-John Perse, Nikos Kazantzakis, René Char, António Lobo Antunes and Camilo Castelo Branco, in each case revealing the conflicts and collaborations between translators and other stakeholders, including authors, editors and publishers. Covering an impressive array of language contexts, from Portuguese, English and French to Greek, Finnish, Polish and Sanskrit, this book demonstrates the value of the genetic turn in translation studies and offers new ways of working with translator correspondences.

Examining the research possibilities, debates and challenges posed by the emerging field of genetic translation studies, this book demonstrates how, both theoretically and empirically, genetic criticism can shed much-needed light on translators'' archives, the translator figure and the creative process of translation. Genetic Translation Studies analyses a diverse range of translation materials including manuscripts, typographical proofs, personal papers, letters, testimonies and interviews in order to give visibility, body and presence to translators. Chapters draw on translations of works by authors such as Saint-John Perse, Nikos Kazantzakis, René Char, António Lobo Antunes and Camilo Castelo Branco, in each case revealing the conflicts and collaborations between translators and other stakeholders, including authors, editors and publishers. Covering an impressive array of language contexts, from Portuguese, English and French to Greek, Finnish, Polish and Sanskrit, this book demonstrates the value of the genetic turn in translation studies and offers new ways of working with translator correspondences.

Offering an in-depth, interdisciplinary analysis of Arabic and English language narratives of the Islamic State terrorist group, this book investigates how these narratives changed across national and media boundaries. Utilizing insights and methodologies from translation studies, communication studies and sociology, Islamic State in Translation explores how multimodal narratives of IS and survivors were fragmented, circulated and translated in the context of the terrorist action carried out by Islamic State against the people and culture of Iraq, as well as against other victims around the world.Closely examining four atrocities, the Speicher massacre, the enslavement of Ezidi women, execution videos and videos of the destruction of Iraqi cultural heritage, Balsam Mustafa explores how the Arabic and English-language narratives of these events were translated, developed, and fragmented. In doing so, she advances a socio-narrative theory and reconsiders translation in the new media environment, within a broader socio-political field of inquiry.