Malgorzata Gamrat is Assistant Professor at the Institute of Arts Studies at the John Paul II Catholic University of Lublin, Poland.

Malgorzata Gamrat has brought together here some remarkable researches on the transposition of inner life into the arts, against the backdrop of a common semiotic concept: translation. If we consider that the arts translate inner life, this means that it already has a semiotic form, which can be transposed into artistic expressions. The issue is the production of new cultural meanings. And Lotman has taught us that the more difficult the translation, the richer the meaning.

• List of FiguresNotes on ContributorsAcknowledgementsIntroduction: Inner Life, the Arts, Translation(s), and Semiotics, Malgorzata Gamrat (John Paul II Catholic University of Lublin, Poland)Part I: Translation Inner Life in the Arts: From a Theory to the (Artistic) Practice1. Semiotic-Translational Negotiations. Emotions in the Trans-Sign Processes Across Cultures, Humans and Sign Systems, Katarzyna Machtyl (Adam Mickiewicz University, Poland)2. Translating Innenwelt: The Biosemiotics of Art, Kobus Marais (University of the Free State, Republic of South Africa)3. The Inner Life of Avatars: Translating Emotions to Gameplay in Digital Games, Mattia Thibault and Riku Haapaniemi (Tampere University, Finland)4. Psychosemiosis in Science Fiction: Rydra Wong in Samuel R. Delany’s Babel-17 and the Semiotics of the Translator’s Inner Life, Douglas Robinson (Chinese University of Hong Kong, Shenzhen)5. The Toré and its Elements in Tuxá Indigenous Context: Translating Inner World through Performative “Art” in Brazilian Northeast, Jimena Bigá (University of Helsinki, Finland)6. Expression of Nostalgia in George Enescu’s Impressions d’Enfance, Oana Andreica (Gheorghe Dima National Academy of Music, Romania)Part II: Transcending Cultures and Centuries: Translation between the Arts7. Transcultural Legitimacy in the 19th-Century French Romance: Providing Meaning to “Spanishness”, Sandra Myers (Conservatorio Superior de Música de Navarra, Spain)8. An Extra-Systemic Translation of Nostalgia: Chopin and the Music Video to Natalia Kukulska’s Song Z wyjatkiem nas, Malgorzata Grajter (Grazyna and Kiejstut Bacewicz University of Music in Lódz, University of Lódz, Poland)9. Kubrick with Ravel: The Waltz as Signifier of an Impossibility, Ivan Capeller (Federal University of Rio de Janeiro, Brazil)10. “From Flesh to Marble”: Translating Grief Between Media in Tony Harrison’s Film-Poem, Agata Handley (University of Lodz, Poland)11. Dark Emotions: Translating Beckett into Visuality, The Case of Zbigniew Makowski, Agnieszka Kuczynska (John Paul II Catholic University of Lublin, Poland) 12. Plagiarism as a Form of Intersemiotic Translation: The New Forms of Implicit (Un)Boundaries in the Visual Contemporary Arts, Helena Pires (University of Minho, Portugal) and Rui Sousa-Silva (Universida de do Porto, Portugal)Index

Malgorzata Gamrat is Assistant Professor at the Institute of Arts Studies at the John Paul II Catholic University of Lublin, Poland.

Malgorzata Gamrat has brought together here some remarkable researches on the transposition of inner life into the arts, against the backdrop of a common semiotic concept: translation. If we consider that the arts translate inner life, this means that it already has a semiotic form, which can be transposed into artistic expressions. The issue is the production of new cultural meanings. And Lotman has taught us that the more difficult the translation, the richer the meaning.

• List of FiguresNotes on ContributorsAcknowledgementsIntroduction: Inner Life, the Arts, Translation(s), and Semiotics, Malgorzata Gamrat (John Paul II Catholic University of Lublin, Poland)Part I: Translation Inner Life in the Arts: From a Theory to the (Artistic) Practice1. Semiotic-Translational Negotiations. Emotions in the Trans-Sign Processes Across Cultures, Humans and Sign Systems, Katarzyna Machtyl (Adam Mickiewicz University, Poland)2. Translating Innenwelt: The Biosemiotics of Art, Kobus Marais (University of the Free State, Republic of South Africa)3. The Inner Life of Avatars: Translating Emotions to Gameplay in Digital Games, Mattia Thibault and Riku Haapaniemi (Tampere University, Finland)4. Psychosemiosis in Science Fiction: Rydra Wong in Samuel R. Delany’s Babel-17 and the Semiotics of the Translator’s Inner Life, Douglas Robinson (Chinese University of Hong Kong, Shenzhen)5. The Toré and its Elements in Tuxá Indigenous Context: Translating Inner World through Performative “Art” in Brazilian Northeast, Jimena Bigá (University of Helsinki, Finland)6. Expression of Nostalgia in George Enescu’s Impressions d’Enfance, Oana Andreica (Gheorghe Dima National Academy of Music, Romania)Part II: Transcending Cultures and Centuries: Translation between the Arts7. Transcultural Legitimacy in the 19th-Century French Romance: Providing Meaning to “Spanishness”, Sandra Myers (Conservatorio Superior de Música de Navarra, Spain)8. An Extra-Systemic Translation of Nostalgia: Chopin and the Music Video to Natalia Kukulska’s Song Z wyjatkiem nas, Malgorzata Grajter (Grazyna and Kiejstut Bacewicz University of Music in Lódz, University of Lódz, Poland)9. Kubrick with Ravel: The Waltz as Signifier of an Impossibility, Ivan Capeller (Federal University of Rio de Janeiro, Brazil)10. “From Flesh to Marble”: Translating Grief Between Media in Tony Harrison’s Film-Poem, Agata Handley (University of Lodz, Poland)11. Dark Emotions: Translating Beckett into Visuality, The Case of Zbigniew Makowski, Agnieszka Kuczynska (John Paul II Catholic University of Lublin, Poland) 12. Plagiarism as a Form of Intersemiotic Translation: The New Forms of Implicit (Un)Boundaries in the Visual Contemporary Arts, Helena Pires (University of Minho, Portugal) and Rui Sousa-Silva (Universida de do Porto, Portugal)Index

Malgorzata Gamrat is Assistant Professor at the Institute of Arts Studies at the John Paul II Catholic University of Lublin, Poland.

Malgorzata Gamrat has brought together here some remarkable researches on the transposition of inner life into the arts, against the backdrop of a common semiotic concept: translation. If we consider that the arts translate inner life, this means that it already has a semiotic form, which can be transposed into artistic expressions. The issue is the production of new cultural meanings. And Lotman has taught us that the more difficult the translation, the richer the meaning.

• List of FiguresNotes on ContributorsAcknowledgementsIntroduction: Inner Life, the Arts, Translation(s), and Semiotics, Malgorzata Gamrat (John Paul II Catholic University of Lublin, Poland)Part I: Translation Inner Life in the Arts: From a Theory to the (Artistic) Practice1. Semiotic-Translational Negotiations. Emotions in the Trans-Sign Processes Across Cultures, Humans and Sign Systems, Katarzyna Machtyl (Adam Mickiewicz University, Poland)2. Translating Innenwelt: The Biosemiotics of Art, Kobus Marais (University of the Free State, Republic of South Africa)3. The Inner Life of Avatars: Translating Emotions to Gameplay in Digital Games, Mattia Thibault and Riku Haapaniemi (Tampere University, Finland)4. Psychosemiosis in Science Fiction: Rydra Wong in Samuel R. Delany’s Babel-17 and the Semiotics of the Translator’s Inner Life, Douglas Robinson (Chinese University of Hong Kong, Shenzhen)5. The Toré and its Elements in Tuxá Indigenous Context: Translating Inner World through Performative “Art” in Brazilian Northeast, Jimena Bigá (University of Helsinki, Finland)6. Expression of Nostalgia in George Enescu’s Impressions d’Enfance, Oana Andreica (Gheorghe Dima National Academy of Music, Romania)Part II: Transcending Cultures and Centuries: Translation between the Arts7. Transcultural Legitimacy in the 19th-Century French Romance: Providing Meaning to “Spanishness”, Sandra Myers (Conservatorio Superior de Música de Navarra, Spain)8. An Extra-Systemic Translation of Nostalgia: Chopin and the Music Video to Natalia Kukulska’s Song Z wyjatkiem nas, Malgorzata Grajter (Grazyna and Kiejstut Bacewicz University of Music in Lódz, University of Lódz, Poland)9. Kubrick with Ravel: The Waltz as Signifier of an Impossibility, Ivan Capeller (Federal University of Rio de Janeiro, Brazil)10. “From Flesh to Marble”: Translating Grief Between Media in Tony Harrison’s Film-Poem, Agata Handley (University of Lodz, Poland)11. Dark Emotions: Translating Beckett into Visuality, The Case of Zbigniew Makowski, Agnieszka Kuczynska (John Paul II Catholic University of Lublin, Poland) 12. Plagiarism as a Form of Intersemiotic Translation: The New Forms of Implicit (Un)Boundaries in the Visual Contemporary Arts, Helena Pires (University of Minho, Portugal) and Rui Sousa-Silva (Universida de do Porto, Portugal)Index