Charissa N. Terranova is Professor of Aesthetic Studies at The University of Texas at Dallas, USA. She is the author of Automotive Prosthetic (2014) and the co-editor of D'Arcy Wentworth Thompson's Generative Influences in Art, Design, and Architecture (Bloomsbury, 2021) and has published articles in Leonardo, Art Journal, Urban History Review, and Journal of Urban History, among others.

• PrefaceIntroduction: The Haptic Unconscious: László Moholy-Nagy’s Organismic Aesthetics1. Bauhaus Biology: The Beginnings of Biofunctionalism2. Gyorgy Kepes and the Light image as Bio-Image: Pop Art-and-Science, Integration, and Distribution3. The Distributed Image of the City: The Collaboration between Gyorgy Kepes and Kevin Lynch4. Wet Perception: Op Art and New Tendencies, between the Gestalt and Ecological Psychology5. The Digital Image in Art: The Generative Turn, Computational and Biological

Charissa N. Terranova is Professor of Aesthetic Studies at The University of Texas at Dallas, USA. She is the author of Automotive Prosthetic (2014) and the co-editor of D'Arcy Wentworth Thompson's Generative Influences in Art, Design, and Architecture (Bloomsbury, 2021) and has published articles in Leonardo, Art Journal, Urban History Review, and Journal of Urban History, among others.

• PrefaceIntroduction: The Haptic Unconscious: László Moholy-Nagy’s Organismic Aesthetics1. Bauhaus Biology: The Beginnings of Biofunctionalism2. Gyorgy Kepes and the Light image as Bio-Image: Pop Art-and-Science, Integration, and Distribution3. The Distributed Image of the City: The Collaboration between Gyorgy Kepes and Kevin Lynch4. Wet Perception: Op Art and New Tendencies, between the Gestalt and Ecological Psychology5. The Digital Image in Art: The Generative Turn, Computational and Biological

Charissa N. Terranova is Professor of Aesthetic Studies at The University of Texas at Dallas, USA. She is the author of Automotive Prosthetic (2014) and the co-editor of D'Arcy Wentworth Thompson's Generative Influences in Art, Design, and Architecture (Bloomsbury, 2021) and has published articles in Leonardo, Art Journal, Urban History Review, and Journal of Urban History, among others.

• PrefaceIntroduction: The Haptic Unconscious: László Moholy-Nagy’s Organismic Aesthetics1. Bauhaus Biology: The Beginnings of Biofunctionalism2. Gyorgy Kepes and the Light image as Bio-Image: Pop Art-and-Science, Integration, and Distribution3. The Distributed Image of the City: The Collaboration between Gyorgy Kepes and Kevin Lynch4. Wet Perception: Op Art and New Tendencies, between the Gestalt and Ecological Psychology5. The Digital Image in Art: The Generative Turn, Computational and Biological