Danielle Rosvally is Clinical Assistant Professor of Theatre at the University at Buffalo, USA.Donovan Sherman is Associate Professor of English at Seton Hall University, USA.

Important for historians of modern theatre.

• List of FiguresNotes on ContributorsAcknowledgementsIntroductionDanielle Rosvally (University at Buffalo, USA) and Donovan Sherman (Seton Hall University, USA) Part One: Proximity1. Liveness in Virtual Early Modern TheatreRebecca Bushnell (University of Pennsylvania, USA)2. Impressions of Liveness in Shakespeare, at a DistanceStephanie Shirilan (Syracuse University, USA)3. Medium Specificity, Medium Convergence, and Aliveness in the Chromakey (2018) and Big Telly Zoom (2020) MacbethsThomas Cartelli (Muhlenberg College, USA)Part Two: Performance4. Liveness in VR and AR Shakespeare AdaptationsAneta Mancewicz (Royal Holloway, University of London, UK)5. Alive in the (Early) Modern RepertoryElizabeth E. Tavares (University of Alabama, USA)6. Contemporary Turkish Shakespeares: New Breath to Old LivesMurat Ögütcü (independent scholar, Turkey)7. Death Draws Down our Curtain: Liveness Beyond Life in Early Modern Persianate IslamKenneth Molloy (Brown University, USA)8. Signs of Liveness: The Blazing Star in Renaissance DramaGina M. Di Salvo (University of Tennessee, Knoxville, USA)9. The Apparitional Audience: Prophesizing Live Collectives in Modern India and Early Modern EnglandJonathan Gil Harris (Ashoka University, India)Index

Danielle Rosvally is Clinical Assistant Professor of Theatre at the University at Buffalo, USA.Donovan Sherman is Associate Professor of English at Seton Hall University, USA.

Important for historians of modern theatre.

• List of FiguresNotes on ContributorsAcknowledgementsIntroductionDanielle Rosvally (University at Buffalo, USA) and Donovan Sherman (Seton Hall University, USA) Part One: Proximity1. Liveness in Virtual Early Modern TheatreRebecca Bushnell (University of Pennsylvania, USA)2. Impressions of Liveness in Shakespeare, at a DistanceStephanie Shirilan (Syracuse University, USA)3. Medium Specificity, Medium Convergence, and Aliveness in the Chromakey (2018) and Big Telly Zoom (2020) MacbethsThomas Cartelli (Muhlenberg College, USA)Part Two: Performance4. Liveness in VR and AR Shakespeare AdaptationsAneta Mancewicz (Royal Holloway, University of London, UK)5. Alive in the (Early) Modern RepertoryElizabeth E. Tavares (University of Alabama, USA)6. Contemporary Turkish Shakespeares: New Breath to Old LivesMurat Ögütcü (independent scholar, Turkey)7. Death Draws Down our Curtain: Liveness Beyond Life in Early Modern Persianate IslamKenneth Molloy (Brown University, USA)8. Signs of Liveness: The Blazing Star in Renaissance DramaGina M. Di Salvo (University of Tennessee, Knoxville, USA)9. The Apparitional Audience: Prophesizing Live Collectives in Modern India and Early Modern EnglandJonathan Gil Harris (Ashoka University, India)Index

Danielle Rosvally is Clinical Assistant Professor of Theatre at the University at Buffalo, USA.Donovan Sherman is Associate Professor of English at Seton Hall University, USA.

Important for historians of modern theatre.

• List of FiguresNotes on ContributorsAcknowledgementsIntroductionDanielle Rosvally (University at Buffalo, USA) and Donovan Sherman (Seton Hall University, USA) Part One: Proximity1. Liveness in Virtual Early Modern TheatreRebecca Bushnell (University of Pennsylvania, USA)2. Impressions of Liveness in Shakespeare, at a DistanceStephanie Shirilan (Syracuse University, USA)3. Medium Specificity, Medium Convergence, and Aliveness in the Chromakey (2018) and Big Telly Zoom (2020) MacbethsThomas Cartelli (Muhlenberg College, USA)Part Two: Performance4. Liveness in VR and AR Shakespeare AdaptationsAneta Mancewicz (Royal Holloway, University of London, UK)5. Alive in the (Early) Modern RepertoryElizabeth E. Tavares (University of Alabama, USA)6. Contemporary Turkish Shakespeares: New Breath to Old LivesMurat Ögütcü (independent scholar, Turkey)7. Death Draws Down our Curtain: Liveness Beyond Life in Early Modern Persianate IslamKenneth Molloy (Brown University, USA)8. Signs of Liveness: The Blazing Star in Renaissance DramaGina M. Di Salvo (University of Tennessee, Knoxville, USA)9. The Apparitional Audience: Prophesizing Live Collectives in Modern India and Early Modern EnglandJonathan Gil Harris (Ashoka University, India)Index