Matilda Greig is a Historian at the National Army Museum in London, specialising in the cultural history of warfare in the 19th century.Nicole Cochrane is an art historian and curator. She is currently Assistant Curator in Historic British Art (1790-1850) at Tate Britain, UK.

Nothing short of a joyous feast, for both the eyes and the mind. The chapters represent cultural history at its best, over a wide range of themes […] a splendid collection.

• List of PlatesList of FiguresNotes on ContributorsAcknowledgementsForeword, Ruth Scurr (University of Cambridge, UK)Introduction, Matilda Greig (National Army Museum, UK) and Nicole Cochrane (Tate Britain, UK)Part One: Collections1. The mysteries of Napoleon’s toothbrush, Harriet Wheelock (Royal College of Physicians of Ireland)2. Making Napoleonic memory in Australia: the Dame Mabel Brookes collection, Emma Gleadhill (Independent scholar, Australia) and Ekaterina Heath (Independent scholar, Australia)Part Two: Relics3. ‘The management wisely refrains from guaranteeing the absolute authenticity of all the exhibits’: Napoleon, Wellington, and the 1890 London Waterloo Panorama, Luke Reynolds (University of Connecticut, USA)4. Dominique-Vivant Denon’s Reliquary and the Cult of Napoleonic Relics, David O’Brien (University of Illinois, USA)Part Three: Images5. The Emperor’s No Clothes: Canova, Citation, and Commemoration in Napoleon as Mars Peacemaker, Melissa L. Gustin (National Museums Liverpool, UK)6. Icon? Napoleon in art since 1900, Nicole Cochrane (Tate Britain, UK)Part Four: Embodiment7. I, Napoleon: Blurred Boundaries in Napoleonic Performance, Laura O’Brien (Northumbria University, UK)8. The Emperor’s New Clothes: Napoleon’s Enduring Impact on Contemporary Media as an Iconic Historical Brand, Aidan Moir (University of Windsor, Canada)Afterword: A one-trick pony? Napoleon’s horse at the National Army Museum, Matilda Greig (National Army Museum, UK)Index

Matilda Greig is a Historian at the National Army Museum in London, specialising in the cultural history of warfare in the 19th century.Nicole Cochrane is an art historian and curator. She is currently Assistant Curator in Historic British Art (1790-1850) at Tate Britain, UK.

Nothing short of a joyous feast, for both the eyes and the mind. The chapters represent cultural history at its best, over a wide range of themes […] a splendid collection.

• List of PlatesList of FiguresNotes on ContributorsAcknowledgementsForeword, Ruth Scurr (University of Cambridge, UK)Introduction, Matilda Greig (National Army Museum, UK) and Nicole Cochrane (Tate Britain, UK)Part One: Collections1. The mysteries of Napoleon’s toothbrush, Harriet Wheelock (Royal College of Physicians of Ireland)2. Making Napoleonic memory in Australia: the Dame Mabel Brookes collection, Emma Gleadhill (Independent scholar, Australia) and Ekaterina Heath (Independent scholar, Australia)Part Two: Relics3. ‘The management wisely refrains from guaranteeing the absolute authenticity of all the exhibits’: Napoleon, Wellington, and the 1890 London Waterloo Panorama, Luke Reynolds (University of Connecticut, USA)4. Dominique-Vivant Denon’s Reliquary and the Cult of Napoleonic Relics, David O’Brien (University of Illinois, USA)Part Three: Images5. The Emperor’s No Clothes: Canova, Citation, and Commemoration in Napoleon as Mars Peacemaker, Melissa L. Gustin (National Museums Liverpool, UK)6. Icon? Napoleon in art since 1900, Nicole Cochrane (Tate Britain, UK)Part Four: Embodiment7. I, Napoleon: Blurred Boundaries in Napoleonic Performance, Laura O’Brien (Northumbria University, UK)8. The Emperor’s New Clothes: Napoleon’s Enduring Impact on Contemporary Media as an Iconic Historical Brand, Aidan Moir (University of Windsor, Canada)Afterword: A one-trick pony? Napoleon’s horse at the National Army Museum, Matilda Greig (National Army Museum, UK)Index

Matilda Greig is a Historian at the National Army Museum in London, specialising in the cultural history of warfare in the 19th century.Nicole Cochrane is an art historian and curator. She is currently Assistant Curator in Historic British Art (1790-1850) at Tate Britain, UK.

Nothing short of a joyous feast, for both the eyes and the mind. The chapters represent cultural history at its best, over a wide range of themes […] a splendid collection.

• List of PlatesList of FiguresNotes on ContributorsAcknowledgementsForeword, Ruth Scurr (University of Cambridge, UK)Introduction, Matilda Greig (National Army Museum, UK) and Nicole Cochrane (Tate Britain, UK)Part One: Collections1. The mysteries of Napoleon’s toothbrush, Harriet Wheelock (Royal College of Physicians of Ireland)2. Making Napoleonic memory in Australia: the Dame Mabel Brookes collection, Emma Gleadhill (Independent scholar, Australia) and Ekaterina Heath (Independent scholar, Australia)Part Two: Relics3. ‘The management wisely refrains from guaranteeing the absolute authenticity of all the exhibits’: Napoleon, Wellington, and the 1890 London Waterloo Panorama, Luke Reynolds (University of Connecticut, USA)4. Dominique-Vivant Denon’s Reliquary and the Cult of Napoleonic Relics, David O’Brien (University of Illinois, USA)Part Three: Images5. The Emperor’s No Clothes: Canova, Citation, and Commemoration in Napoleon as Mars Peacemaker, Melissa L. Gustin (National Museums Liverpool, UK)6. Icon? Napoleon in art since 1900, Nicole Cochrane (Tate Britain, UK)Part Four: Embodiment7. I, Napoleon: Blurred Boundaries in Napoleonic Performance, Laura O’Brien (Northumbria University, UK)8. The Emperor’s New Clothes: Napoleon’s Enduring Impact on Contemporary Media as an Iconic Historical Brand, Aidan Moir (University of Windsor, Canada)Afterword: A one-trick pony? Napoleon’s horse at the National Army Museum, Matilda Greig (National Army Museum, UK)Index