Emma Smith is Professor of Shakespeare Studies at Hertford College, University of Oxford, UK, where she teaches Shakespeare and early modern literature to undergraduates and graduates. Her work is mainly on Shakespeare and Renaissance dramatists. She has written extensively for an advanced student readership, as well as managed several edited collections through to successful publication.

• List of IllustrationsNotes on ContributorsSeries PrefaceIntroduction: 'What country, friends, is this?': Twelfth Night's Critical History, Emma Smith (University of Oxford, UK)1. ‘The House is Dark’: Playing Night and Darkness in Twelfth NightGwilym Jones (University of Westminster, UK)2. Shipwreck, Sexual Experience and Servitude in Shakespeare's Twelfth Night: Identity Tokens from the Waters of the Roman, Ottoman and Italian MediterraneanSusanne Wofford (New York University, USA)3. ‘Not at home’: Migration and Displacement in Twelfth Night Emma Smith (University of Oxford, UK)4. Salt Waves Fresh: Ecological Adaptation in AustraliaGretchen E. Minton (Montana State University, USA)5. Transing the Crux: Sounding the ‘O’ in CesarioNatasha Korda (Wesleyan University, USA)6. Foolish Things: Transgender Alternatives to CesarioEzra Horbury (University of York, UK)7. Twelfth Night, Transmisogyny, and ‘Original Practices’Sarah Wall-Randell (Wellesley College, USA)8. The Afterlives of a Queer Pirate: Reading Antonio in Early Modernity Huw Griffiths (The University of Sydney, Australia)9. Virtual Embodiment in Twelfth NightLouise Geddes (Adelphi University, USA)10. As Men Say, Swear, and Prove: Constructing Black Masculinity in the Classical Theater of Harlem’s Malvolio Vanessa I. Corredera (Baylor University, USA)11. Occluded Orientalisms in Twelfth NightKatherine Hennessey (Wenzhou-Kean University, China)Select BibliographyIndex

Emma Smith is Professor of Shakespeare Studies at Hertford College, University of Oxford, UK, where she teaches Shakespeare and early modern literature to undergraduates and graduates. Her work is mainly on Shakespeare and Renaissance dramatists. She has written extensively for an advanced student readership, as well as managed several edited collections through to successful publication.

• List of IllustrationsNotes on ContributorsSeries PrefaceIntroduction: 'What country, friends, is this?': Twelfth Night's Critical History, Emma Smith (University of Oxford, UK)1. ‘The House is Dark’: Playing Night and Darkness in Twelfth NightGwilym Jones (University of Westminster, UK)2. Shipwreck, Sexual Experience and Servitude in Shakespeare's Twelfth Night: Identity Tokens from the Waters of the Roman, Ottoman and Italian MediterraneanSusanne Wofford (New York University, USA)3. ‘Not at home’: Migration and Displacement in Twelfth Night Emma Smith (University of Oxford, UK)4. Salt Waves Fresh: Ecological Adaptation in AustraliaGretchen E. Minton (Montana State University, USA)5. Transing the Crux: Sounding the ‘O’ in CesarioNatasha Korda (Wesleyan University, USA)6. Foolish Things: Transgender Alternatives to CesarioEzra Horbury (University of York, UK)7. Twelfth Night, Transmisogyny, and ‘Original Practices’Sarah Wall-Randell (Wellesley College, USA)8. The Afterlives of a Queer Pirate: Reading Antonio in Early Modernity Huw Griffiths (The University of Sydney, Australia)9. Virtual Embodiment in Twelfth NightLouise Geddes (Adelphi University, USA)10. As Men Say, Swear, and Prove: Constructing Black Masculinity in the Classical Theater of Harlem’s Malvolio Vanessa I. Corredera (Baylor University, USA)11. Occluded Orientalisms in Twelfth NightKatherine Hennessey (Wenzhou-Kean University, China)Select BibliographyIndex

Emma Smith is Professor of Shakespeare Studies at Hertford College, University of Oxford, UK, where she teaches Shakespeare and early modern literature to undergraduates and graduates. Her work is mainly on Shakespeare and Renaissance dramatists. She has written extensively for an advanced student readership, as well as managed several edited collections through to successful publication.

• List of IllustrationsNotes on ContributorsSeries PrefaceIntroduction: 'What country, friends, is this?': Twelfth Night's Critical History, Emma Smith (University of Oxford, UK)1. ‘The House is Dark’: Playing Night and Darkness in Twelfth NightGwilym Jones (University of Westminster, UK)2. Shipwreck, Sexual Experience and Servitude in Shakespeare's Twelfth Night: Identity Tokens from the Waters of the Roman, Ottoman and Italian MediterraneanSusanne Wofford (New York University, USA)3. ‘Not at home’: Migration and Displacement in Twelfth Night Emma Smith (University of Oxford, UK)4. Salt Waves Fresh: Ecological Adaptation in AustraliaGretchen E. Minton (Montana State University, USA)5. Transing the Crux: Sounding the ‘O’ in CesarioNatasha Korda (Wesleyan University, USA)6. Foolish Things: Transgender Alternatives to CesarioEzra Horbury (University of York, UK)7. Twelfth Night, Transmisogyny, and ‘Original Practices’Sarah Wall-Randell (Wellesley College, USA)8. The Afterlives of a Queer Pirate: Reading Antonio in Early Modernity Huw Griffiths (The University of Sydney, Australia)9. Virtual Embodiment in Twelfth NightLouise Geddes (Adelphi University, USA)10. As Men Say, Swear, and Prove: Constructing Black Masculinity in the Classical Theater of Harlem’s Malvolio Vanessa I. Corredera (Baylor University, USA)11. Occluded Orientalisms in Twelfth NightKatherine Hennessey (Wenzhou-Kean University, China)Select BibliographyIndex