James Lyons is a Lecturer in Film Studies at the University of Exeter, where he researches and publishes in the area of contemporary American television. His publications include a co-edited collection Quality Popular Television (BFI Press, 2003), and two forthcoming book chapters on the Miami-set medical drama Nip/Tuck. he is also author of Selling Seattle: Representing the Contemporary American City (Wallflower Press, 2004).

"All in all, the careful, detailed analysis of the various contexts of network television turns this study into a useful handbook especially for film students who can use it as blueprint for analysing other series." (European Journal of American Studies, 2011) "[Lyons] displays, in addition to still other virtues, an attentiveness to visual texture and theme as refined as that in the best film criticism. This book offers the richest account of a single television program I've ever read, describing a defining show of the Reagan years...Lyons's treatment of the series' conflicted ideology is equally illuminating." (Cinema Journal, 1 June 2011)

• Acknowledgments. Introduction. 1. I Want My MTV Cops: Miami Vice as Television Commodity.2. Guns, Glitter, and Glamour: Styling the Show.3. Losing the Plot?: Storytelling in Miami Vice.4. Risky Business: the Cultural Politics of Vice.Afterword.Broadcast Date Notes.Notes.Bibliography.Index.

James Lyons is a Lecturer in Film Studies at the University of Exeter, where he researches and publishes in the area of contemporary American television. His publications include a co-edited collection Quality Popular Television (BFI Press, 2003), and two forthcoming book chapters on the Miami-set medical drama Nip/Tuck. he is also author of Selling Seattle: Representing the Contemporary American City (Wallflower Press, 2004).

"All in all, the careful, detailed analysis of the various contexts of network television turns this study into a useful handbook especially for film students who can use it as blueprint for analysing other series." (European Journal of American Studies, 2011) "[Lyons] displays, in addition to still other virtues, an attentiveness to visual texture and theme as refined as that in the best film criticism. This book offers the richest account of a single television program I've ever read, describing a defining show of the Reagan years...Lyons's treatment of the series' conflicted ideology is equally illuminating." (Cinema Journal, 1 June 2011)

• Acknowledgments. Introduction. 1. I Want My MTV Cops: Miami Vice as Television Commodity.2. Guns, Glitter, and Glamour: Styling the Show.3. Losing the Plot?: Storytelling in Miami Vice.4. Risky Business: the Cultural Politics of Vice.Afterword.Broadcast Date Notes.Notes.Bibliography.Index.

James Lyons is a Lecturer in Film Studies at the University of Exeter, where he researches and publishes in the area of contemporary American television. His publications include a co-edited collection Quality Popular Television (BFI Press, 2003), and two forthcoming book chapters on the Miami-set medical drama Nip/Tuck. he is also author of Selling Seattle: Representing the Contemporary American City (Wallflower Press, 2004).

"All in all, the careful, detailed analysis of the various contexts of network television turns this study into a useful handbook especially for film students who can use it as blueprint for analysing other series." (European Journal of American Studies, 2011) "[Lyons] displays, in addition to still other virtues, an attentiveness to visual texture and theme as refined as that in the best film criticism. This book offers the richest account of a single television program I've ever read, describing a defining show of the Reagan years...Lyons's treatment of the series' conflicted ideology is equally illuminating." (Cinema Journal, 1 June 2011)

• Acknowledgments. Introduction. 1. I Want My MTV Cops: Miami Vice as Television Commodity.2. Guns, Glitter, and Glamour: Styling the Show.3. Losing the Plot?: Storytelling in Miami Vice.4. Risky Business: the Cultural Politics of Vice.Afterword.Broadcast Date Notes.Notes.Bibliography.Index.