Michael Peppiatt studied at the University of Cambridge, where he began his career as an art writer by writing exhibition reviews for the Observer. In an international career as a writer and curator, he has curated numerous exhibitions of Francis Bacon’s and other artists’ work and been published in Réalités magazine, Le Monde, the New York Times, the Financial Times, Art News and Art International, which he bought and relaunched in 1985. He is also the author of the definitive Bacon biography, the 1997 Francis Bacon: Anatomy of an Enigma. In 2005 he was awarded a PhD by the University of Cambridge for his published work in the field of twentieth-century art. He is a member of the Society of Authors and the Royal Society of Literature, and in 2010 he joined the international board of the Palazzo delle Esposizioni in Rome.

This fine portrait of the artist is both gossipy and poignant … [and] one of the best art books I have read, by turns atmospheric and waspishly gossipy but also profound and poignant.

Michael Peppiatt studied at the University of Cambridge, where he began his career as an art writer by writing exhibition reviews for the Observer. In an international career as a writer and curator, he has curated numerous exhibitions of Francis Bacon’s and other artists’ work and been published in Réalités magazine, Le Monde, the New York Times, the Financial Times, Art News and Art International, which he bought and relaunched in 1985. He is also the author of the definitive Bacon biography, the 1997 Francis Bacon: Anatomy of an Enigma. In 2005 he was awarded a PhD by the University of Cambridge for his published work in the field of twentieth-century art. He is a member of the Society of Authors and the Royal Society of Literature, and in 2010 he joined the international board of the Palazzo delle Esposizioni in Rome.

This fine portrait of the artist is both gossipy and poignant … [and] one of the best art books I have read, by turns atmospheric and waspishly gossipy but also profound and poignant.

Michael Peppiatt studied at the University of Cambridge, where he began his career as an art writer by writing exhibition reviews for the Observer. In an international career as a writer and curator, he has curated numerous exhibitions of Francis Bacon’s and other artists’ work and been published in Réalités magazine, Le Monde, the New York Times, the Financial Times, Art News and Art International, which he bought and relaunched in 1985. He is also the author of the definitive Bacon biography, the 1997 Francis Bacon: Anatomy of an Enigma. In 2005 he was awarded a PhD by the University of Cambridge for his published work in the field of twentieth-century art. He is a member of the Society of Authors and the Royal Society of Literature, and in 2010 he joined the international board of the Palazzo delle Esposizioni in Rome.

This fine portrait of the artist is both gossipy and poignant … [and] one of the best art books I have read, by turns atmospheric and waspishly gossipy but also profound and poignant.