Catherine E. Foley is a lecturer at the University of Limerick, Ireland; she is also a dancer, musician and ethnochoreologist. She is the Founding Course Director of both the MA in Ethnochoreology and the MA in Irish Traditional Dance Performance programmes at the Irish World Academy of Music and Dance, University of Limerick. She also supervises doctoral research in dance at the Academy. Catherine is Founding Chair Emerita of the international society, Dance Research Forum Ireland, and is Founding Director of the National Dance Archive of Ireland. She is also a qualified Irish step dance teacher. Catherine has published in international journals including Dance Research, Dance Research Journal, and New Hibernia Review and has contributed many chapters to books including Dance Structures: Perspectives on the Analysis of Human Movement (eds Adrienne L. Kaeppler and Elsie Ivancich Dunin) and Ancestral Imprints: Histories of Irish Traditional Music and Dance (ed. Thérèse Smith); she has also contributed articles to the International Encyclopedia of Dance, The Companion to Irish Traditional Music, and the Encyclopedia of Music in Ireland. Catherine choreographed The Sionna Set Dance (2005), a newly commissioned set dance, published in 2007 and also published her book and DVD, Irish Traditional Step Dancing in North Kerry: a Contextual and Structural Analysis, in 2012. She gives guest lectures, performances and dance workshops both within Ireland and further afield.

Prize: Shortlisted for The Katharine Briggs Folklore Award 2014: 'A well conducted and contextualised ethnography with a useful historical perspective. The study brings out the developing tensions between tradition and traditionality (with local traditions being eroded in favour of a more broadly accepted version of the tradition).' The Folklore Society 'Recommended.' Choice 'Catherine Foley’s excellent study of step dancing is highly recommended.' Dance and Song ’... although a volume intended for scholars, Step Dancing in Ireland. Culture and History also lends itself to a non-specialist readership; it should certainly be considered a must for scholars and students of dance anthropology and ethnochoreology.’ Blogfoolk.com ’... an in-depth and unequalled study of Irish step dancing which covers a rich tradition spanning a period from the eighteenth century to the twenty-first century ... This book is, without doubt, a must for all overs of step dancing, music and the history of Irish music and dance and is a comprehensive and valuable contribution to the study of dance in Ireland.’ Béaloideas: The Journal of the Folklore of Ireland Society ’ ... a thoroughly-researched and well-written work, with many enlightening examples from Foley’s fieldwork interviews being used to illustrate the history and development of step dancing. For those interested in Irish history, it provides another perspective into the social attitudes and values of the rural community being studied. For those who are unfamiliar with the discipline of ethnochoreology, it provides a worthy introduction to dance research and its potential usefulness in sociocultural studies. Finally... this book provides an excellent example of how to go about a fieldwork project in order to faithfully represent the experiences and understandings of the people whose lives we are privileged to study.’ Australasian Journal of Irish Studies

• Chapter 1 An Ethnochoreologist in ‘The Kingdom’ of Kerry; Chapter 2 The Professional European Dancing Masters; Chapter 3 Colonialism and the Itinerant Dancing Masters of North Kerry; Chapter 4 Step Dancing as Embodied and Expressive Cultural Knowledge; Chapter 5 Nationalism and the Invention of Irish Dancing; Chapter 6 Step Dancing, Modernity and Change in North Kerry; Chapter 7 Globalization and Siamsa Tíre, the National Folk Theatre of Ireland; Chapter 8 Conclusion: The Dynamicity of Step Dance;

Catherine E. Foley is a lecturer at the University of Limerick, Ireland; she is also a dancer, musician and ethnochoreologist. She is the Founding Course Director of both the MA in Ethnochoreology and the MA in Irish Traditional Dance Performance programmes at the Irish World Academy of Music and Dance, University of Limerick. She also supervises doctoral research in dance at the Academy. Catherine is Founding Chair Emerita of the international society, Dance Research Forum Ireland, and is Founding Director of the National Dance Archive of Ireland. She is also a qualified Irish step dance teacher. Catherine has published in international journals including Dance Research, Dance Research Journal, and New Hibernia Review and has contributed many chapters to books including Dance Structures: Perspectives on the Analysis of Human Movement (eds Adrienne L. Kaeppler and Elsie Ivancich Dunin) and Ancestral Imprints: Histories of Irish Traditional Music and Dance (ed. Thérèse Smith); she has also contributed articles to the International Encyclopedia of Dance, The Companion to Irish Traditional Music, and the Encyclopedia of Music in Ireland. Catherine choreographed The Sionna Set Dance (2005), a newly commissioned set dance, published in 2007 and also published her book and DVD, Irish Traditional Step Dancing in North Kerry: a Contextual and Structural Analysis, in 2012. She gives guest lectures, performances and dance workshops both within Ireland and further afield.

Prize: Shortlisted for The Katharine Briggs Folklore Award 2014: 'A well conducted and contextualised ethnography with a useful historical perspective. The study brings out the developing tensions between tradition and traditionality (with local traditions being eroded in favour of a more broadly accepted version of the tradition).' The Folklore Society 'Recommended.' Choice 'Catherine Foley’s excellent study of step dancing is highly recommended.' Dance and Song ’... although a volume intended for scholars, Step Dancing in Ireland. Culture and History also lends itself to a non-specialist readership; it should certainly be considered a must for scholars and students of dance anthropology and ethnochoreology.’ Blogfoolk.com ’... an in-depth and unequalled study of Irish step dancing which covers a rich tradition spanning a period from the eighteenth century to the twenty-first century ... This book is, without doubt, a must for all overs of step dancing, music and the history of Irish music and dance and is a comprehensive and valuable contribution to the study of dance in Ireland.’ Béaloideas: The Journal of the Folklore of Ireland Society ’ ... a thoroughly-researched and well-written work, with many enlightening examples from Foley’s fieldwork interviews being used to illustrate the history and development of step dancing. For those interested in Irish history, it provides another perspective into the social attitudes and values of the rural community being studied. For those who are unfamiliar with the discipline of ethnochoreology, it provides a worthy introduction to dance research and its potential usefulness in sociocultural studies. Finally... this book provides an excellent example of how to go about a fieldwork project in order to faithfully represent the experiences and understandings of the people whose lives we are privileged to study.’ Australasian Journal of Irish Studies

• Chapter 1 An Ethnochoreologist in ‘The Kingdom’ of Kerry; Chapter 2 The Professional European Dancing Masters; Chapter 3 Colonialism and the Itinerant Dancing Masters of North Kerry; Chapter 4 Step Dancing as Embodied and Expressive Cultural Knowledge; Chapter 5 Nationalism and the Invention of Irish Dancing; Chapter 6 Step Dancing, Modernity and Change in North Kerry; Chapter 7 Globalization and Siamsa Tíre, the National Folk Theatre of Ireland; Chapter 8 Conclusion: The Dynamicity of Step Dance;

Catherine E. Foley is a lecturer at the University of Limerick, Ireland; she is also a dancer, musician and ethnochoreologist. She is the Founding Course Director of both the MA in Ethnochoreology and the MA in Irish Traditional Dance Performance programmes at the Irish World Academy of Music and Dance, University of Limerick. She also supervises doctoral research in dance at the Academy. Catherine is Founding Chair Emerita of the international society, Dance Research Forum Ireland, and is Founding Director of the National Dance Archive of Ireland. She is also a qualified Irish step dance teacher. Catherine has published in international journals including Dance Research, Dance Research Journal, and New Hibernia Review and has contributed many chapters to books including Dance Structures: Perspectives on the Analysis of Human Movement (eds Adrienne L. Kaeppler and Elsie Ivancich Dunin) and Ancestral Imprints: Histories of Irish Traditional Music and Dance (ed. Thérèse Smith); she has also contributed articles to the International Encyclopedia of Dance, The Companion to Irish Traditional Music, and the Encyclopedia of Music in Ireland. Catherine choreographed The Sionna Set Dance (2005), a newly commissioned set dance, published in 2007 and also published her book and DVD, Irish Traditional Step Dancing in North Kerry: a Contextual and Structural Analysis, in 2012. She gives guest lectures, performances and dance workshops both within Ireland and further afield.

Prize: Shortlisted for The Katharine Briggs Folklore Award 2014: 'A well conducted and contextualised ethnography with a useful historical perspective. The study brings out the developing tensions between tradition and traditionality (with local traditions being eroded in favour of a more broadly accepted version of the tradition).' The Folklore Society 'Recommended.' Choice 'Catherine Foley’s excellent study of step dancing is highly recommended.' Dance and Song ’... although a volume intended for scholars, Step Dancing in Ireland. Culture and History also lends itself to a non-specialist readership; it should certainly be considered a must for scholars and students of dance anthropology and ethnochoreology.’ Blogfoolk.com ’... an in-depth and unequalled study of Irish step dancing which covers a rich tradition spanning a period from the eighteenth century to the twenty-first century ... This book is, without doubt, a must for all overs of step dancing, music and the history of Irish music and dance and is a comprehensive and valuable contribution to the study of dance in Ireland.’ Béaloideas: The Journal of the Folklore of Ireland Society ’ ... a thoroughly-researched and well-written work, with many enlightening examples from Foley’s fieldwork interviews being used to illustrate the history and development of step dancing. For those interested in Irish history, it provides another perspective into the social attitudes and values of the rural community being studied. For those who are unfamiliar with the discipline of ethnochoreology, it provides a worthy introduction to dance research and its potential usefulness in sociocultural studies. Finally... this book provides an excellent example of how to go about a fieldwork project in order to faithfully represent the experiences and understandings of the people whose lives we are privileged to study.’ Australasian Journal of Irish Studies

• Chapter 1 An Ethnochoreologist in ‘The Kingdom’ of Kerry; Chapter 2 The Professional European Dancing Masters; Chapter 3 Colonialism and the Itinerant Dancing Masters of North Kerry; Chapter 4 Step Dancing as Embodied and Expressive Cultural Knowledge; Chapter 5 Nationalism and the Invention of Irish Dancing; Chapter 6 Step Dancing, Modernity and Change in North Kerry; Chapter 7 Globalization and Siamsa Tíre, the National Folk Theatre of Ireland; Chapter 8 Conclusion: The Dynamicity of Step Dance;