Elizabeth Bridges is assistant professor of German at Rhodes College in Memphis, Tennessee. Kristin Vander Lugt is assistant professor of German at Iowa State University. Daniel H. Magilow is assistant professor of German at the University of Tennessee, Knoxville.

Nazis have occupied global popular culture for some seventy years now, not only as the villains of World War II and perennial Oscar bait for Hollywood, but also as the site of perverse psychosexual fixations both high and low. In a series of provocative essays, Nazisploitation! examines the oddly and even alarmingly enduring presence of the Nazi across a variety of media, opening and important, if at times difficult, dialogue about this continuing fascination with the iconography of the Third Reich. --Jeffrey Sconce, Northwestern University

• "Nazisploitation: An Introduction" by Daniel H. Magilow; Part I. Origins, Histories, and Genealogies; 1. Cinema beyond Good and Evil? Nazi Exploitation in the Cinema of the 1970s and its Heritage by Marcus Stiglegger; 2. Sexual Deviance and the Naked Body in Cinematic Representations of Nazis by Michael Richardson; 3. Ilsa and Elsa: Nazisploitation, Mainstream Film, and Cinematic Transference by Alicia Kozma; 4. Reproducing the Fourth Reich: Cloning, Nazisploitation, and Revival of the Repressed by Elizabeth Bridges; 5. Utterly without Redeeming Social Value? "Nazi Science" Beyond Exploitation Cinema by James J. Ward; Part II. Bitches, Whores, and Dominatrices; 6. The Third Reich as Bordello and Pig Sty: Between Neodecadence and Sexploitation in Tinto Brass's Salon Kitty by Robert von Dassanowsky; 7. Revisiting the Cruel Apparatus: Disability, Queerness, and Taste in In a Glass Cage by David Church; 8. Eine Armee Gretchen: Nazisploitation Made in Switzerland by Benedikt Eppenberger; 9. Meshes of Power: The Concentration Camp as Pulp or Art House in Liliana Cavani's The Night Porter by Elissa Mailander; Part III. Heroes, Villains, and the Undead; 10. Digital Nazis: Genre, History and the Displacement of Evil in First-Person Shooters by Jeff Hayton; 11. Captain America Lives Again and So Do the Nazis: Nazisploitation in Comics after 9/11 by Craig This; 12. A Past that Refuses to Die: Nazi Zombie Film and the Legacy of Occupation by Sven Jungerkes and Christiane Wienand; 13. Messing Up World War II-Exploitation: The Challenges of Role-Play in Quentin Tarantino's Inglourious Basterds by Mimmi Woisnitza; 14. Of Blitzkriege and Endlosungen: The Resurrection of a Dead Genre? by Michael Fuchs; Bibliography; Selected Filmography; Notes on Contributors; Index.

Elizabeth Bridges is assistant professor of German at Rhodes College in Memphis, Tennessee. Kristin Vander Lugt is assistant professor of German at Iowa State University. Daniel H. Magilow is assistant professor of German at the University of Tennessee, Knoxville.

Nazis have occupied global popular culture for some seventy years now, not only as the villains of World War II and perennial Oscar bait for Hollywood, but also as the site of perverse psychosexual fixations both high and low. In a series of provocative essays, Nazisploitation! examines the oddly and even alarmingly enduring presence of the Nazi across a variety of media, opening and important, if at times difficult, dialogue about this continuing fascination with the iconography of the Third Reich. --Jeffrey Sconce, Northwestern University

• "Nazisploitation: An Introduction" by Daniel H. Magilow; Part I. Origins, Histories, and Genealogies; 1. Cinema beyond Good and Evil? Nazi Exploitation in the Cinema of the 1970s and its Heritage by Marcus Stiglegger; 2. Sexual Deviance and the Naked Body in Cinematic Representations of Nazis by Michael Richardson; 3. Ilsa and Elsa: Nazisploitation, Mainstream Film, and Cinematic Transference by Alicia Kozma; 4. Reproducing the Fourth Reich: Cloning, Nazisploitation, and Revival of the Repressed by Elizabeth Bridges; 5. Utterly without Redeeming Social Value? "Nazi Science" Beyond Exploitation Cinema by James J. Ward; Part II. Bitches, Whores, and Dominatrices; 6. The Third Reich as Bordello and Pig Sty: Between Neodecadence and Sexploitation in Tinto Brass's Salon Kitty by Robert von Dassanowsky; 7. Revisiting the Cruel Apparatus: Disability, Queerness, and Taste in In a Glass Cage by David Church; 8. Eine Armee Gretchen: Nazisploitation Made in Switzerland by Benedikt Eppenberger; 9. Meshes of Power: The Concentration Camp as Pulp or Art House in Liliana Cavani's The Night Porter by Elissa Mailander; Part III. Heroes, Villains, and the Undead; 10. Digital Nazis: Genre, History and the Displacement of Evil in First-Person Shooters by Jeff Hayton; 11. Captain America Lives Again and So Do the Nazis: Nazisploitation in Comics after 9/11 by Craig This; 12. A Past that Refuses to Die: Nazi Zombie Film and the Legacy of Occupation by Sven Jungerkes and Christiane Wienand; 13. Messing Up World War II-Exploitation: The Challenges of Role-Play in Quentin Tarantino's Inglourious Basterds by Mimmi Woisnitza; 14. Of Blitzkriege and Endlosungen: The Resurrection of a Dead Genre? by Michael Fuchs; Bibliography; Selected Filmography; Notes on Contributors; Index.

Elizabeth Bridges is assistant professor of German at Rhodes College in Memphis, Tennessee. Kristin Vander Lugt is assistant professor of German at Iowa State University. Daniel H. Magilow is assistant professor of German at the University of Tennessee, Knoxville.

Nazis have occupied global popular culture for some seventy years now, not only as the villains of World War II and perennial Oscar bait for Hollywood, but also as the site of perverse psychosexual fixations both high and low. In a series of provocative essays, Nazisploitation! examines the oddly and even alarmingly enduring presence of the Nazi across a variety of media, opening and important, if at times difficult, dialogue about this continuing fascination with the iconography of the Third Reich. --Jeffrey Sconce, Northwestern University

• "Nazisploitation: An Introduction" by Daniel H. Magilow; Part I. Origins, Histories, and Genealogies; 1. Cinema beyond Good and Evil? Nazi Exploitation in the Cinema of the 1970s and its Heritage by Marcus Stiglegger; 2. Sexual Deviance and the Naked Body in Cinematic Representations of Nazis by Michael Richardson; 3. Ilsa and Elsa: Nazisploitation, Mainstream Film, and Cinematic Transference by Alicia Kozma; 4. Reproducing the Fourth Reich: Cloning, Nazisploitation, and Revival of the Repressed by Elizabeth Bridges; 5. Utterly without Redeeming Social Value? "Nazi Science" Beyond Exploitation Cinema by James J. Ward; Part II. Bitches, Whores, and Dominatrices; 6. The Third Reich as Bordello and Pig Sty: Between Neodecadence and Sexploitation in Tinto Brass's Salon Kitty by Robert von Dassanowsky; 7. Revisiting the Cruel Apparatus: Disability, Queerness, and Taste in In a Glass Cage by David Church; 8. Eine Armee Gretchen: Nazisploitation Made in Switzerland by Benedikt Eppenberger; 9. Meshes of Power: The Concentration Camp as Pulp or Art House in Liliana Cavani's The Night Porter by Elissa Mailander; Part III. Heroes, Villains, and the Undead; 10. Digital Nazis: Genre, History and the Displacement of Evil in First-Person Shooters by Jeff Hayton; 11. Captain America Lives Again and So Do the Nazis: Nazisploitation in Comics after 9/11 by Craig This; 12. A Past that Refuses to Die: Nazi Zombie Film and the Legacy of Occupation by Sven Jungerkes and Christiane Wienand; 13. Messing Up World War II-Exploitation: The Challenges of Role-Play in Quentin Tarantino's Inglourious Basterds by Mimmi Woisnitza; 14. Of Blitzkriege and Endlosungen: The Resurrection of a Dead Genre? by Michael Fuchs; Bibliography; Selected Filmography; Notes on Contributors; Index.