Lorca in Tune with Falla

Nelson R. Orringer is an emeritus professor of Spanish at the University of Connecticut and a past winner of two Fulbright research grants and the MenÉndez Pelayo Royal Society Humanistic Prize.

‘This meticulously researched endeavor transcends its temporal and topographic confines. A fascinating book. Highly recommended.’ - F. Colecchia (Choice Magazine vol 52:01:2014) ‘This rewarding book will surely lead to further study of Lorca, Falla, and the fruitful relationship between Spanish music and poetry.’- Christopher Maurer (Revista Canadiense de Estudios Hispanicos vol 38:02:2014) ‘Lorca in Tune with Falla is the deepest and most complete study that has been published to-date on the personal and artistic relations between both Andalusian, universal creative authors… Those of us interested in Spanish music and poetry should feel very content and grateful.’- Gerardo Pina-Rosales (Hispania vol 98:02:2015) ‘Orringer’s extraordinary book should be greeted as celestial music…. To say something new about Lorca is a risky and titanic enterprise for the stature of the post and the mastery of the bibliography that it supposes. Nelson N. Orringer has accepted the challenge, has taken on the effort and has culminated the undertaking with brilliance.’- Javier San José Lera (RILCE vol 32:01:2016) ‘This book would undoubtedly be of interest to musicians, writers and historians alike….Orringer offers a unique approach to the understanding of the creative processes of these two Spanish artists.’- Beatriz Pomés Jiménez (Context vol 39:2014) ‘Only a scholar specially equipped with the necessary analytical tools in both literature and music could write such a book as this, fortunately for us, Orringer is such a writer.’ - Walter Aaron Clark (Hispanic Review vol 84:02:2016) ‘Orringer’s clearly organized and well written study is a fascinating and in-depth look at Lorca’s and Falla’s work alongside one another… This book is highly recommended for students and scholars of Lorca and Falla alike, as well as those interested in European cultural production of the twentieth-century.’- David F. Richter (University of Toronto Quarterly vol 85:03:2016) ‘Orringer’s study is essential reading for anyone interested in Falla, Lorca, and the period that brought forth these two icons of twentieth-century Spanish culture.’- Samuel Llano (Modern Language Review vol 112:01:2017)

• Illustrations and Musical ExamplesPrefaceAcknowledgementsMusical GlossaryIntroduction: The Intersection of Two Artist´s LivesCh. 1. Music in Lorca's Letters before Meeting FallaCh. 2. Falla's Fantasy BÆtica [Andalusian Fantasy] and Lorca's “Baladilla de los tres rÍos” [Little Ballad of the Three Rivers]: Two Searches for Andalusian WellspringsCh. 3. “Poema de la siguiriya gitana” [Poem of the Gypsy Siguiriya]: Return to the Sources of Deep SongCh. 4. “Poema de la soleÁ” [Poem of the SoleÁ]: Consciousness-Raising of PainCh. 5. “Poema de la saeta” [Poem of the Saeta]: The Oblation of Pain in SevilleCh. 6. “GrÁfico de la Petenera” [Graph of the Petenera] and Falla´s Guitar Elegy to DebussyCh. 7. Openness to Death in Flamenco Artists and in Southern CitiesCh. 8. “Seis caprichos” [Six Caprices] or Virtuosity and Art at a DistanceCh. 9. Falla on Deep Song and Lorca's Romancero gitano [Gypsy Ballads]Ch. 10. Andalusia´s Cultural Spirit in Two Trios of Romancero gitano Ch. 11. Lorca's Artistic Tributes to FallaPostlude and CodaWorks ConsultedIndex