Lisa Colton is a Senior Lecturer in Music at the University of Huddersfield, where she is also director of the Centre for the Study of Music, Gender and Identity. Her research interests focus on early and contemporary music from historical, critical and analytical perspectives. Lisa Colton’s publications have included articles on medieval motets, manuscript sources, Judith Weir and Lady Gaga. She has co-edited two essay collections: Gender, Age and Musical Creativity (with Catherine Haworth), and Sources of Identity: Makers, owners and users of music sources before 1600 (with Tim Shephard).

"Angel Song offers a fresh perspective and a number of exciting new directions in both content and methodology. Colton’s research is meticulous and she makes interpretive arguments clearly and persuasively" - James Maiello, NABMSBA journal"A masterful account of the medieval history of English music" - James Cook, Music and Letters, 2017"Colton shows how a re-evaluation of primary source material can chip away at long-held assumptions about English music and medieval musical culture" - Samantha Blickhan, Early Music, 2018"Angel Song is as much a book about the practice of musicology as it is about one specific musicological topic, and will prove to be an invaluable learning text for young scholars working on medieval sources, no matter what their provenance may be" - Samantha Blickhan, Early Music, 2018"Angel song constitue à la fois un bilan historiographique précieux et un enrichissement du regard porté sur la musique anglaise débarrassé des questions nationalistes passées."— Hugo Perina, Sehepunkte, 2021

• ContentsIntroduction ‘Merrie England’, Cultural Memory and the Writing of English Musical HistoryChapter 1 ‘The greatest musical curiosity extant’: ‘Sumer is icumen in’ and the Canon of English musicChapter 2 Anglicus angelicus: Was English Music Political?Chapter 3 Authorship, Musicianship and Value in Medieval English HistoryChapter 4 Who was John Dunstaple?Chapter 5 Negotiating Identity in Medieval English Music: Anxiety and EthnicityChapter 6 Contenance angloise: A ReappraisalEpilogue

Lisa Colton is a Senior Lecturer in Music at the University of Huddersfield, where she is also director of the Centre for the Study of Music, Gender and Identity. Her research interests focus on early and contemporary music from historical, critical and analytical perspectives. Lisa Colton’s publications have included articles on medieval motets, manuscript sources, Judith Weir and Lady Gaga. She has co-edited two essay collections: Gender, Age and Musical Creativity (with Catherine Haworth), and Sources of Identity: Makers, owners and users of music sources before 1600 (with Tim Shephard).

"Angel Song offers a fresh perspective and a number of exciting new directions in both content and methodology. Colton’s research is meticulous and she makes interpretive arguments clearly and persuasively" - James Maiello, NABMSBA journal"A masterful account of the medieval history of English music" - James Cook, Music and Letters, 2017"Colton shows how a re-evaluation of primary source material can chip away at long-held assumptions about English music and medieval musical culture" - Samantha Blickhan, Early Music, 2018"Angel Song is as much a book about the practice of musicology as it is about one specific musicological topic, and will prove to be an invaluable learning text for young scholars working on medieval sources, no matter what their provenance may be" - Samantha Blickhan, Early Music, 2018"Angel song constitue à la fois un bilan historiographique précieux et un enrichissement du regard porté sur la musique anglaise débarrassé des questions nationalistes passées."— Hugo Perina, Sehepunkte, 2021

• ContentsIntroduction ‘Merrie England’, Cultural Memory and the Writing of English Musical HistoryChapter 1 ‘The greatest musical curiosity extant’: ‘Sumer is icumen in’ and the Canon of English musicChapter 2 Anglicus angelicus: Was English Music Political?Chapter 3 Authorship, Musicianship and Value in Medieval English HistoryChapter 4 Who was John Dunstaple?Chapter 5 Negotiating Identity in Medieval English Music: Anxiety and EthnicityChapter 6 Contenance angloise: A ReappraisalEpilogue

Lisa Colton is a Senior Lecturer in Music at the University of Huddersfield, where she is also director of the Centre for the Study of Music, Gender and Identity. Her research interests focus on early and contemporary music from historical, critical and analytical perspectives. Lisa Colton’s publications have included articles on medieval motets, manuscript sources, Judith Weir and Lady Gaga. She has co-edited two essay collections: Gender, Age and Musical Creativity (with Catherine Haworth), and Sources of Identity: Makers, owners and users of music sources before 1600 (with Tim Shephard).

"Angel Song offers a fresh perspective and a number of exciting new directions in both content and methodology. Colton’s research is meticulous and she makes interpretive arguments clearly and persuasively" - James Maiello, NABMSBA journal"A masterful account of the medieval history of English music" - James Cook, Music and Letters, 2017"Colton shows how a re-evaluation of primary source material can chip away at long-held assumptions about English music and medieval musical culture" - Samantha Blickhan, Early Music, 2018"Angel Song is as much a book about the practice of musicology as it is about one specific musicological topic, and will prove to be an invaluable learning text for young scholars working on medieval sources, no matter what their provenance may be" - Samantha Blickhan, Early Music, 2018"Angel song constitue à la fois un bilan historiographique précieux et un enrichissement du regard porté sur la musique anglaise débarrassé des questions nationalistes passées."— Hugo Perina, Sehepunkte, 2021

• ContentsIntroduction ‘Merrie England’, Cultural Memory and the Writing of English Musical HistoryChapter 1 ‘The greatest musical curiosity extant’: ‘Sumer is icumen in’ and the Canon of English musicChapter 2 Anglicus angelicus: Was English Music Political?Chapter 3 Authorship, Musicianship and Value in Medieval English HistoryChapter 4 Who was John Dunstaple?Chapter 5 Negotiating Identity in Medieval English Music: Anxiety and EthnicityChapter 6 Contenance angloise: A ReappraisalEpilogue