Piers Baker-Bates is a Research Associate in Art History at the Open University, UK. Miles Pattenden is Lecturer in Early Modern History at Jesus College, Oxford, UK.

• IntroductionSimon DitchfieldPART I THE SPANISH PRESENCE IN ITALIAN POLITICS, SOCIETY AND CULTURE1 Mere Emulators of Italy: The Spanish in Italian Diplomatic Discourse, 1492–1550Catherine Fletcher2 Hispanophobia in the Venetian RepublicNicholas Davidson3 Encountering Spain in Early Modern Naples: Language, Customs and SociabilityStephen CumminsPART II SPANISH RELIGIOSITY AND ROMAN RELIGION4 Rome as a ‘Spanish Avignon’? The Spanish Faction and the Monarchy of Philip IIMiles Pattenden5 Rome and the ‘Spanish Theology’: Spanish Monarchy, Doctrinal Controversies and the Defence of Papal Prerogatives from Clement VIII to Urban VIIIPaolo Broggio6 Spanish Saints in Counter-Reformation ItalyClare CopelandPART III SPANISH VISION AND THE VISUAL ARTS IN ITALY7 ‘Graecia Capta Ferum Victorem Coepit’: Spanish Patrons and Italian ArtistsPiers Baker-Bates8 The Stranded Tomb: Cultural Allusions in the Funeral Monument of Don Pedro de Toledo, San Giacomo degli Spagnoli, NaplesRobert W. Gaston and Andrea M. Gáldy9 Inventive Translation, Portraiture and Spanish Habsburg Taste in the Sixteenth CenturyElena Calvillo10 The Politics of Art or the Art of Politics? The Marquis del Carpio in Rome and Naples (1677–1687)Jorge Fernández-Santos Ortiz-IribasConclusion

Piers Baker-Bates is a Research Associate in Art History at the Open University, UK. Miles Pattenden is Lecturer in Early Modern History at Jesus College, Oxford, UK.

• IntroductionSimon DitchfieldPART I THE SPANISH PRESENCE IN ITALIAN POLITICS, SOCIETY AND CULTURE1 Mere Emulators of Italy: The Spanish in Italian Diplomatic Discourse, 1492–1550Catherine Fletcher2 Hispanophobia in the Venetian RepublicNicholas Davidson3 Encountering Spain in Early Modern Naples: Language, Customs and SociabilityStephen CumminsPART II SPANISH RELIGIOSITY AND ROMAN RELIGION4 Rome as a ‘Spanish Avignon’? The Spanish Faction and the Monarchy of Philip IIMiles Pattenden5 Rome and the ‘Spanish Theology’: Spanish Monarchy, Doctrinal Controversies and the Defence of Papal Prerogatives from Clement VIII to Urban VIIIPaolo Broggio6 Spanish Saints in Counter-Reformation ItalyClare CopelandPART III SPANISH VISION AND THE VISUAL ARTS IN ITALY7 ‘Graecia Capta Ferum Victorem Coepit’: Spanish Patrons and Italian ArtistsPiers Baker-Bates8 The Stranded Tomb: Cultural Allusions in the Funeral Monument of Don Pedro de Toledo, San Giacomo degli Spagnoli, NaplesRobert W. Gaston and Andrea M. Gáldy9 Inventive Translation, Portraiture and Spanish Habsburg Taste in the Sixteenth CenturyElena Calvillo10 The Politics of Art or the Art of Politics? The Marquis del Carpio in Rome and Naples (1677–1687)Jorge Fernández-Santos Ortiz-IribasConclusion

Piers Baker-Bates is a Research Associate in Art History at the Open University, UK. Miles Pattenden is Lecturer in Early Modern History at Jesus College, Oxford, UK.

• IntroductionSimon DitchfieldPART I THE SPANISH PRESENCE IN ITALIAN POLITICS, SOCIETY AND CULTURE1 Mere Emulators of Italy: The Spanish in Italian Diplomatic Discourse, 1492–1550Catherine Fletcher2 Hispanophobia in the Venetian RepublicNicholas Davidson3 Encountering Spain in Early Modern Naples: Language, Customs and SociabilityStephen CumminsPART II SPANISH RELIGIOSITY AND ROMAN RELIGION4 Rome as a ‘Spanish Avignon’? The Spanish Faction and the Monarchy of Philip IIMiles Pattenden5 Rome and the ‘Spanish Theology’: Spanish Monarchy, Doctrinal Controversies and the Defence of Papal Prerogatives from Clement VIII to Urban VIIIPaolo Broggio6 Spanish Saints in Counter-Reformation ItalyClare CopelandPART III SPANISH VISION AND THE VISUAL ARTS IN ITALY7 ‘Graecia Capta Ferum Victorem Coepit’: Spanish Patrons and Italian ArtistsPiers Baker-Bates8 The Stranded Tomb: Cultural Allusions in the Funeral Monument of Don Pedro de Toledo, San Giacomo degli Spagnoli, NaplesRobert W. Gaston and Andrea M. Gáldy9 Inventive Translation, Portraiture and Spanish Habsburg Taste in the Sixteenth CenturyElena Calvillo10 The Politics of Art or the Art of Politics? The Marquis del Carpio in Rome and Naples (1677–1687)Jorge Fernández-Santos Ortiz-IribasConclusion