Heath A. Diehl is a lecturer in the Department of English and the Honors College at Bowling Green State University, USA and author of Stages of Sexuality: Performance, Gay Male Identity, and Public Space(s).

’Anyone seeking to understand addiction in U.S. popular culture from the 1980s to the present will find value in this book, which identifies waste as the condition’s most pervasive metaphor. Diehl’s readings of texts ranging from Less Than Zero to Intervention convincingly demonstrate that it is time to scrap the waste metaphor.’ Susan Zieger, University of California, Riverside, USA ’Searching rigorously through culture from freak shows to films, Diehl shines a surgical light into the conversation America is having with itself about addiction, revealing (and arguing convincingly against) the identity imposed by the metaphor of addict-as-waste. Passionately written and highly readable, this timely and essential book makes a vital contribution to current interdisciplinary conversations on addiction and performance.’ James Reynolds, Kingston University, UK ’A significant and inspiring book connecting American history and the war on drugs rhetoric with popular culture and social perception theories. This book is a must read for anyone wishing to understand the role of addiction and the multiplicity of its representation in contemporary American popular culture.’ Zoe Zontou, Liverpool Hope University, UK

• Preface: on being wasted in America. Part I Representing Wasted Metaphors: Writing Belushi/performing America: addiction, national identity, and the cultural mythos of ‘waste’ in Wired. Part II Staging Wasted Histories: Welcome (again) to the circus: resurrecting the freak show and the inebriate asylum in A&E’s Intervention; Re-visiting literary realism: adaptation, ideology, and the metaphor of waste in Jay McInerney’s Bright Lights, Big City and Bret Easton Ellis’ Less Than Zero; ‘My name is Jim, and I’m an alcoholic’: peddling the wasteful propaganda of 12-step treatment in Peter Cohn’s Drunks. Part III Performing Wasted Lives: ‘Real people with real stories’: anti-drug PSAs, the propagation of stereotypes, and the boomerang effect; ‘Didn’t [she] almost have it all?’: being Whitney Houston/performing addiction/imagining America; Conclusion: on being wasted in America - redux

Heath A. Diehl is a lecturer in the Department of English and the Honors College at Bowling Green State University, USA and author of Stages of Sexuality: Performance, Gay Male Identity, and Public Space(s).

’Anyone seeking to understand addiction in U.S. popular culture from the 1980s to the present will find value in this book, which identifies waste as the condition’s most pervasive metaphor. Diehl’s readings of texts ranging from Less Than Zero to Intervention convincingly demonstrate that it is time to scrap the waste metaphor.’ Susan Zieger, University of California, Riverside, USA ’Searching rigorously through culture from freak shows to films, Diehl shines a surgical light into the conversation America is having with itself about addiction, revealing (and arguing convincingly against) the identity imposed by the metaphor of addict-as-waste. Passionately written and highly readable, this timely and essential book makes a vital contribution to current interdisciplinary conversations on addiction and performance.’ James Reynolds, Kingston University, UK ’A significant and inspiring book connecting American history and the war on drugs rhetoric with popular culture and social perception theories. This book is a must read for anyone wishing to understand the role of addiction and the multiplicity of its representation in contemporary American popular culture.’ Zoe Zontou, Liverpool Hope University, UK

• Preface: on being wasted in America. Part I Representing Wasted Metaphors: Writing Belushi/performing America: addiction, national identity, and the cultural mythos of ‘waste’ in Wired. Part II Staging Wasted Histories: Welcome (again) to the circus: resurrecting the freak show and the inebriate asylum in A&E’s Intervention; Re-visiting literary realism: adaptation, ideology, and the metaphor of waste in Jay McInerney’s Bright Lights, Big City and Bret Easton Ellis’ Less Than Zero; ‘My name is Jim, and I’m an alcoholic’: peddling the wasteful propaganda of 12-step treatment in Peter Cohn’s Drunks. Part III Performing Wasted Lives: ‘Real people with real stories’: anti-drug PSAs, the propagation of stereotypes, and the boomerang effect; ‘Didn’t [she] almost have it all?’: being Whitney Houston/performing addiction/imagining America; Conclusion: on being wasted in America - redux