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    1. Samhälle och politik
    2. Samhälle och kultur
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    East, West and Centre

    Reframing Post-1989 European Cinema

    AvMichael Gott,Todd Herzog

    Häftad, Engelska, 2017

    405 kr

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    Beskrivning

    Re-examines notions of East and West in contemporary European cinemaTwenty-five years have passed since the fall of the Berlin Wall and the end of communism in Eastern Europe, and ten years have passed since the first formerly communist states entered the E.U. An entire post-Wall generation has now entered adulthood, yet scholarship on European cinema still tends to divide the continent along the old Cold War lines.In East West and Centre the world's leading scholars in the field assemble to consider the ways in which notions such as East and West, national and transnational, central and marginal are being rethought and reframed in contemporary European cinema. Assessing the state of post-1989 European cinema, from (co)production and reception trends to filmic depictions of migration patterns, economic transformations and socio-political debates over the past and the present, they address increasingly intertwined cinema industries that are both central (France and Germany) and marginal in Europe (Romania, Bulgaria, Lithuania).This is a ground-breaking and essential read, not just for students and scholars in film and media studies, but also for those interested in wider European studies as well.

    Produktinformation

    • Utgivningsdatum:2017-02-21
    • Mått:156 x 234 x 27 mm
    • Vikt:550 g
    • Format:Häftad
    • Språk:Engelska
    • Antal sidor:360
    • Förlag:Edinburgh University Press
    • ISBN:9781474420921

    Utforska kategorier

    • Kulturvetenskap inom Samhälle och politik
    • Film inom Kultur

    Mer om författaren

    Michael Gott is Associate Professor of French and Film and Media Studies at the University of Cincinnati, where he teaches courses in European Studies, Film and Media Studies, and French-language culture and cinema. He is the author of French-language Road Cinema: Borders, Diasporas and ‘New Europe’ (EUP, 2016) and co-edited Cinéma-monde: Decentred Perspectives on Global Filmmaking in French (EUP, 2018), Open Roads, Closed Borders: the Contemporary French-Language Road Movie (Intellect, 2013) and East, West and Centre: Reframing European Cinema Since 1989 (EUP, 2014). Todd Herzog is an Associate Professor and Chair of German Studies at the University of Cincinnati. He is co-editor of the Journal of Austrian Studies. His books include Crime Stories (Berghahn, 2009), Rebirth of a Culture (Berghahn, 2008, with Hillary Hope Herzog and Benjamin Lapp) and A New Germany in a New Europe (Routledge, 2001, with Sander Gilman).

    Recensioner i media

    East West and Centre: Re-framing Post-1989 European Cinema cannot be missed by anybody who searches for thought-provoking films and new ways to tackle them. Its authors engage with the legacies of various types of colonialism in Europe and imbalance in European cinema, and attempt to counteract these phenomena by offering close analyses of the most fascinating films made since the fall of state socialism, utilising concepts such as feminism, magic realism, hapticity and road cinema.

    Innehållsförteckning

    • List of Figures Notes on Contributors AcknowledgementsIntroduction: East, West and Centre: ‘Mapping Post-1989 European Cinema’ Michael Gott and Todd HerzogPart I Redrawing the Lines: De/Recentring Europe1 The Berlin Wall Revisited: Reframing Historical Space Between East and in Cynthia Beatts’s Cycling the Frame (1988), The Invisible Frame (2009) and Bartosz Konopka’s Rabbit à la Berlin (2009) Jenny Stümer2 Changing Sides: East/West Travesties in Lionel Baier’s Comme des voleurs (à l’est) Kris Van Heuckelom3 Dubbing and Doubling Over: The Disorientation of France in the Films of Michael Haneke and Krzysztof Kieślowski Alison Rice4 Challenging the East–West Divide in Ulrich Seidl’s Import Export (2007) Nikhil Sathe5 Fatih Akın’s Filmic Visions of a New Europe: Spatial and Aural Constructions of Europe in Im Juli/In July (2000) Berna Gueneli6 Salami Aleikum – The ‘Near East’ Meets the ‘Middle East’ in Central Europe Alexandra Ludewig7 Cinematic Fairy Tales of Female Mobility in Post-Wall Europe: Hanna v. Mona Aga SkrodzkaPart II Border Spaces, Eastern Margins and Eastern Markets: Belonging and the Road to/from Europe8 Contemporary Bulgarian Cinema: From Allegorical Expressionism to Declined National Cinema Temenuga Trifonova9 The Point of No Return: From Great Expectations to Great Desperation in New Romanian Cinema Lucian Georgescu10 ‘Weirdness’, Modernity and the Other Europe in Attenberg (2010, Athina Rachel Tsangari) Jun Okada11 Lithuania Redirected: New Connections, Businesses and Lifestyles in Cinema since 2000 Renata Šukaitytė12 Lessons of Neo-liberalism: Co-productions and the Changing Image of Estonian Cinema Eva Näripea13 Decentring Europe from the Fringe: Reimagining Balkan Identities in the Films of the 1990s Danica Jenkins and Kati TonkinPart III Spectres of the East14 Through the Lens of Black Humour: A Polish Adam in the Post-Wall World Rimma Garn15 East Germany Revisited, Reimagined, Repositioned: Representing the GDR in Dominik Graf’s Der rote Kakadu (2005) and Christian Petzold’s Barbara (2012) Nick Hodgin16 Barluschke: Towards an East–West Schizo-History Kalani Michell17 The Limits of Nostalgia and (Trans)National Cinema in Cum mi-am petrecut sfârşitul lumii (2006) Mihaela Petrescu18 The Ideal of Ararat: Friendship, Politics and National Origins in Robert Guédiguian’sLe Voyage en Arménie Joseph MaiNotes Bibliography Index