Stephen Deutsch is Professor of Post-Production at Bournemouth University and Visiting Tutor in Screen Composition at the National Film & Television School. Larry Sider is Director of the School of Sound symposium and former Head of Post-Production at the National Film and Television School. Dominic Power is an independent writer and film historian.

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• Volume 7 Issue 1 ContentsNew Understandings in HearingJames Bacho'Listening Back’: Exploring the Sonic Interactions at the Heart of HistoricalSound Effects PerformanceFiona Keenan and Sandra PaulettoFeeling and Filmmaking: The Design and Affect of Film SoundLucy Fife DonaldsonMumble-gate: Negotiating Theory and Practice in Television’s Production HierarchyTim HeathLosing Sight of Atmospheric Sounds in Televised Nature DocumentaryIsabelle DelomtteWhen Soundtracks of Fiction and Non-fiction Converge: on the use of Macro Sounds to Present the Inside of BodiesSvein Høier

Stephen Deutsch is Professor of Post-Production at Bournemouth University and Visiting Tutor in Screen Composition at the National Film & Television School. Larry Sider is Director of the School of Sound symposium and former Head of Post-Production at the National Film and Television School. Dominic Power is an independent writer and film historian.

Select Guide Rating

• Volume 7 Issue 1 ContentsNew Understandings in HearingJames Bacho'Listening Back’: Exploring the Sonic Interactions at the Heart of HistoricalSound Effects PerformanceFiona Keenan and Sandra PaulettoFeeling and Filmmaking: The Design and Affect of Film SoundLucy Fife DonaldsonMumble-gate: Negotiating Theory and Practice in Television’s Production HierarchyTim HeathLosing Sight of Atmospheric Sounds in Televised Nature DocumentaryIsabelle DelomtteWhen Soundtracks of Fiction and Non-fiction Converge: on the use of Macro Sounds to Present the Inside of BodiesSvein Høier

Stephen Deutsch is Professor of Post-Production at Bournemouth University and Visiting Tutor in Screen Composition at the National Film & Television School. Larry Sider is Director of the School of Sound symposium and former Head of Post-Production at the National Film and Television School. Dominic Power is an independent writer and film historian.

Select Guide Rating

• Volume 7 Issue 1 ContentsNew Understandings in HearingJames Bacho'Listening Back’: Exploring the Sonic Interactions at the Heart of HistoricalSound Effects PerformanceFiona Keenan and Sandra PaulettoFeeling and Filmmaking: The Design and Affect of Film SoundLucy Fife DonaldsonMumble-gate: Negotiating Theory and Practice in Television’s Production HierarchyTim HeathLosing Sight of Atmospheric Sounds in Televised Nature DocumentaryIsabelle DelomtteWhen Soundtracks of Fiction and Non-fiction Converge: on the use of Macro Sounds to Present the Inside of BodiesSvein Høier