Jilly Boyce Kay is a Research Associate in the Department of Media and Communication at the University of Leicester, UK. Her work has been published in Feminist Media Histories, Critical Studies in Television, Social Movement Studies, and Journalism: Theory, Practice and Criticism, as well as in edited collections on media history, gender and television. Cat Mahoney’s work has been published in Frames Cinema Journal and she has presented at Television for Women: an International Conference, the Social History Society Annual Conference, and at the Cinema e Storia conference. She lives in Newcastle-upon-Tyne, UK. Caitlin Shaw’s work appears in Cinema, Television and History: New Approaches. She lives in Windsor, Ontario.

“recommended”—Historical Journal of Film, Radio and Television.

• Table of ContentsAcknowledgmentsIntroduction (Jilly Boyce Kay, Cat Mahoney and Caitlin Shaw)PartRecent Historical and PeriodFictions: Reframing the 20th CenturyModern Art and Mediated Histories: Pleasantville, Mona Lisa Smile and Far from Heaven (Christine Sprengler)Mad Men and Memory: Nostalgia, Intertextuality and Seriality in 21st Century Retro Television (Debarchana Baruah)The Women’s Land Army Remembered on British Television (Cat Mahoney)Part II. Feminism in ­Non-Fiction Media: Historical Narratives and ­Counter-Memories“Spiced with a touch of glitz and a lot of fun”: Watch the Woman, “Rogue” Feminism and 1980s Television for Women (Jilly Boyce Kay)Feminist Magazines and Historicizing the Second Wave: Whose Histories? (Claire Sedgwick)Discursive Activism and ­Counter-Memories of SlutWalk (Kaitlynn Mendes)Part III. Media Histories and Discarded Technologies: Recycling Memory in the InformationThe Same Handful of Images: Submarine, Indie Retro and 2000s Youth Cinema (Caitlin Shaw)To Hold On or to Let Go? ­Small-Gauge Amateur Filmmaking and Nostalgia in Super 8 and Frankenweenie (Marta Wąsik)Room 237: Cinephilia, History and Adaptation (Laura Mee)Part IV. Sites of Memory: Mediating Iconic Spaces, Objects and EphemeraThe BBC Archive ­Post–Jimmy Savile: Irreparable Damage or Recoverable Ground? (Rowan Aust and Amy Holdsworth)A Psychoanalytic Perspective on Childhood Television Memories (Jo ­Whitehouse-Hart)“Whispers of escapades out on the ‘D’ train”: The Entangled Visions of Cindy Sherman’s Untitled Film Stills (Vanessa Longden)Space and Place to Remember: Television’s Double Articulation in the National Space Centre (Helen Wood and Tim ­O’Sullivan)About the ContributorsIndex

Jilly Boyce Kay is a Research Associate in the Department of Media and Communication at the University of Leicester, UK. Her work has been published in Feminist Media Histories, Critical Studies in Television, Social Movement Studies, and Journalism: Theory, Practice and Criticism, as well as in edited collections on media history, gender and television. Cat Mahoney’s work has been published in Frames Cinema Journal and she has presented at Television for Women: an International Conference, the Social History Society Annual Conference, and at the Cinema e Storia conference. She lives in Newcastle-upon-Tyne, UK. Caitlin Shaw’s work appears in Cinema, Television and History: New Approaches. She lives in Windsor, Ontario.

“recommended”—Historical Journal of Film, Radio and Television.

• Table of ContentsAcknowledgmentsIntroduction (Jilly Boyce Kay, Cat Mahoney and Caitlin Shaw)PartRecent Historical and PeriodFictions: Reframing the 20th CenturyModern Art and Mediated Histories: Pleasantville, Mona Lisa Smile and Far from Heaven (Christine Sprengler)Mad Men and Memory: Nostalgia, Intertextuality and Seriality in 21st Century Retro Television (Debarchana Baruah)The Women’s Land Army Remembered on British Television (Cat Mahoney)Part II. Feminism in ­Non-Fiction Media: Historical Narratives and ­Counter-Memories“Spiced with a touch of glitz and a lot of fun”: Watch the Woman, “Rogue” Feminism and 1980s Television for Women (Jilly Boyce Kay)Feminist Magazines and Historicizing the Second Wave: Whose Histories? (Claire Sedgwick)Discursive Activism and ­Counter-Memories of SlutWalk (Kaitlynn Mendes)Part III. Media Histories and Discarded Technologies: Recycling Memory in the InformationThe Same Handful of Images: Submarine, Indie Retro and 2000s Youth Cinema (Caitlin Shaw)To Hold On or to Let Go? ­Small-Gauge Amateur Filmmaking and Nostalgia in Super 8 and Frankenweenie (Marta Wąsik)Room 237: Cinephilia, History and Adaptation (Laura Mee)Part IV. Sites of Memory: Mediating Iconic Spaces, Objects and EphemeraThe BBC Archive ­Post–Jimmy Savile: Irreparable Damage or Recoverable Ground? (Rowan Aust and Amy Holdsworth)A Psychoanalytic Perspective on Childhood Television Memories (Jo ­Whitehouse-Hart)“Whispers of escapades out on the ‘D’ train”: The Entangled Visions of Cindy Sherman’s Untitled Film Stills (Vanessa Longden)Space and Place to Remember: Television’s Double Articulation in the National Space Centre (Helen Wood and Tim ­O’Sullivan)About the ContributorsIndex

Jilly Boyce Kay is a Research Associate in the Department of Media and Communication at the University of Leicester, UK. Her work has been published in Feminist Media Histories, Critical Studies in Television, Social Movement Studies, and Journalism: Theory, Practice and Criticism, as well as in edited collections on media history, gender and television. Cat Mahoney’s work has been published in Frames Cinema Journal and she has presented at Television for Women: an International Conference, the Social History Society Annual Conference, and at the Cinema e Storia conference. She lives in Newcastle-upon-Tyne, UK. Caitlin Shaw’s work appears in Cinema, Television and History: New Approaches. She lives in Windsor, Ontario.

“recommended”—Historical Journal of Film, Radio and Television.

• Table of ContentsAcknowledgmentsIntroduction (Jilly Boyce Kay, Cat Mahoney and Caitlin Shaw)PartRecent Historical and PeriodFictions: Reframing the 20th CenturyModern Art and Mediated Histories: Pleasantville, Mona Lisa Smile and Far from Heaven (Christine Sprengler)Mad Men and Memory: Nostalgia, Intertextuality and Seriality in 21st Century Retro Television (Debarchana Baruah)The Women’s Land Army Remembered on British Television (Cat Mahoney)Part II. Feminism in ­Non-Fiction Media: Historical Narratives and ­Counter-Memories“Spiced with a touch of glitz and a lot of fun”: Watch the Woman, “Rogue” Feminism and 1980s Television for Women (Jilly Boyce Kay)Feminist Magazines and Historicizing the Second Wave: Whose Histories? (Claire Sedgwick)Discursive Activism and ­Counter-Memories of SlutWalk (Kaitlynn Mendes)Part III. Media Histories and Discarded Technologies: Recycling Memory in the InformationThe Same Handful of Images: Submarine, Indie Retro and 2000s Youth Cinema (Caitlin Shaw)To Hold On or to Let Go? ­Small-Gauge Amateur Filmmaking and Nostalgia in Super 8 and Frankenweenie (Marta Wąsik)Room 237: Cinephilia, History and Adaptation (Laura Mee)Part IV. Sites of Memory: Mediating Iconic Spaces, Objects and EphemeraThe BBC Archive ­Post–Jimmy Savile: Irreparable Damage or Recoverable Ground? (Rowan Aust and Amy Holdsworth)A Psychoanalytic Perspective on Childhood Television Memories (Jo ­Whitehouse-Hart)“Whispers of escapades out on the ‘D’ train”: The Entangled Visions of Cindy Sherman’s Untitled Film Stills (Vanessa Longden)Space and Place to Remember: Television’s Double Articulation in the National Space Centre (Helen Wood and Tim ­O’Sullivan)About the ContributorsIndex