Mezcal in Oaxaca

Ronda L. Brulotte is a professor and chair of the Department of Geography & Environmental Studies and affiliated faculty in Anthropology and Latin American Studies at the University of New Mexico. She is the author of Between Art and Artifact: Archaeological Replicas and Cultural Production in Oaxaca, Mexico and coeditor of Edible Identities: Food as Cultural Heritage.

"With her deep knowledge of Oaxaca and sharp ethnographic eye, Ronda Brulotte presents a compelling story of mezcal’s rise to global prominence. But Brulotte’s genius is in using mezcal as a window to understand Oaxaca today - as it fits into the Mexican and global political economy, as embedded in global cultural currents, the often-hidden role of women, and the complicated ways artisanal production takes place in a free-market context. Brulotte writes in an accessible style and deftly weaves together the many different strands that make up this story in a way that will appeal to both specialists and students." - Edward F. Fischer, Vanderbilt University, author of Making Better Coffee: How Maya Farmers and Third-Wave Tastemakers Create Value "Ronda Brulotte tells the real story of mezcal. The popular saying, "para todo mal, mezcal; para todo bien, tambiÉn" comes to life in her vivid prose as she describes the hard work, beauty, and situated Indigenous knowledge that goes into the production of mezcal (a product gloriously immune to industrialization). She also conveys the complex trends and risks of global popularity that sometimes contribute to ongoing inequalities and disenfranchisement. Ultimately, however, it is not a story that makes us reluctant to lift a glass of this spirit, which she explains is "good to think with," but rather an opportunity to appreciate the wisdom and vulnerability of those who make it and commit to their prosperity." - Alyshia Gálvez, Lehman College, author of Eating NAFTA: Trade, Food Policies, and the Destruction of Mexico "Brulotte covers the basics of mezcal history and tells stories of notable producers, while at the same time casting a sharp eye on exploitation and pretension, both in the industry and in the culture of mezcal aficionados…In short, this book is a big deal…I found Mezcal in Oaxaca a joy to read. It is so rare to discover an academic who has a talent for descriptive writing and the courage to make both her discipline and the subject so accessible and engaging."- Mezcalistas

• List of Illustrations Preface Introduction: Mezcal Is Good to Think With 1. Mezcal and Coloniality 2. Mezcal in the New Craft Imaginary 3. A Taste for Agave 4. Mezcal, Mole, and Oaxaca Tourism 5. Valuing Women or Creating Value? 6. Can Mezcal Save a Village? Conclusion: Mezcal in a Twenty-First-Century Wonderland Acknowledgments Notes Bibliography Index