Black Gathering

Sarah Jane Cervenak is Associate Professor of Women's, Gender, and Sexuality Studies and of African American and African Diaspora Studies at the University of North Carolina, Greensboro. She is the author of Wandering: Philosophical Performances of Racial and Sexual Freedom, also published by Duke University Press.

“Extending her rich study of philosophical praxis and the racial politics of wandering, Sarah Jane Cervenak explores daily practices and real-life social happenings as frames for navigating the discourses of death, subjection, and, most vitally, life. Surely this is a gathering; surely this is a beautiful work in Black aesthetics.” - Kevin Quashie, author of (Black Aliveness, or A Poetics of Being) “Foregrounding fugitive existence in the reading of key literary texts and artworks, Black Gathering offers a powerful account of how Blackness (as it signals the without of modern representation) releases humans and nonhumans from their modern aesthetic enclosure (as subject and object of uncommitted contemplation) and juridic-economic misfortune (as subject and object of expropriation and extraction).” - Denise Ferreira da Silva, author of (Toward a Global Idea of Race) “[Black Gathering], laid out in a captivating manner, moves from engagement with the concept of an earthly home and expands into works which explore the cosmos as well as parallel worlds. . . . This book will be of interest to advanced scholars studying the theory of African American artistic contributions.” - Laura Christine Haynes (ARLIS/NA) “One of the key strengths of the book is its own ‘gathering’: that is, Cervenak takes up artists and works that either have been understudied or are not typically considered in the same context. . . . [Black Gathering] rewards readers interested in Black women’s (literary and visual) art, questions of form, and Black abstraction.” - Evie Shockley (ISLE) “Black Gathering’s utopianism bespeaks an investment, inherited from performance studies, in what artworks are as well as what they do. Cervenak approaches Black ecologies not from the perspective of animality but from that of property. . . . Art, for Cervenak, generates a commons of sorts: it holds space for Black life, unenclosed.” - Jean-Thomas Tremblay (GLQ) "Across all four chapters, Cervenak’s writing weaves in and out of the poetic and the academic, producing a lyrically rigorous and profoundly intricate text. While at times challenging to parse for exactly these reasons, Black Gathering demands of its readers slow reading and an even slower meditative engagement which might prove difficult yet ultimately rewarding for readers unfamiliar with the current scholarship of Black ecologies, Black geographies, ecopoetics, and anti-colonial philosophy. Moreover, her attunement to the potential of gathering and togetherness to enact new modes of being in the world will be valuable to students, scholars, and artists alike who are in search of an expansive theorization on what an ecology or environment could be." - Kelann Currie-Williams (Lateral) "As a scholar deeply committed to the liberative potential of Black artists, writers, and scholars, Cervenak’s Black Gathering is a reminder that societal structures of oppression are not all encompassing, and there are ways of being otherwise that have always eluded capture." - Gervais Marsh (Journal of Visual Culture)

• AcknowledgmentsIntroduction: Another BeginningPart I. Gathering's Art1. "For a While at Least": Toni Morrison, Nikki Wallschlaeger, and the Ecoaesthetic Shapes of Home2. The Art of the Matter: Samiya Bashir and Gabrielle Ralambo-Rajerison's CosmopoeticsPart II. The Art of Gathering3. Arrangements Against the Sentence: Gayl Jones's Early Literature4. "A Project From Outside": Leonardo Drew's SculptureConclusion: Clementine Hunter's Unscalable FieldNotesReferencesIndex