Climate Lyricism

Min Hyoung Song is Professor of English at Boston College and author of The Children of 1965: On Writing, and Not Writing, as an Asian American and Strange Future: Pessimism and the 1992 Los Angeles Riots, both also published by Duke University Press.

“Coining climate lyricism, Min Hyoung Song recuperates collective agency as a mingling of attention, perception, and responsiveness. He doesn’t skirt the despair of climate catastrophe but, rather, reckons with it to find reasons to continue. The book follows its own lyrical flow as it integrates personal reflections from pandemic lockdown with readings of literary texts informed by ecocriticism and critical race theory. Song shows that questions of racist exclusion and harm are never far from questions of environmental thriving, just as the struggles of climate crisis are never far away even when they are not explicit on the page.” - Heather Houser, author of (Infowhelm: Environmental Art and Literature in an Age of Data) “Min Hyoung Song presents a thrilling and powerfully argued case for literature and poetry as a means of cultivating sustained attention to climate change in this tumultuous time. Using an innovative framework to draw forth the complex and multifaceted ways climate change becomes apprehensible, Climate Lyricism will undoubtedly make a significant impact on conversations in ecocriticism, contemporary literary studies, and studies of climate change.” - Margaret Ronda, author of (Remainders: American Poetry at Nature's End) "Song poses a fascinating question: how do poems and works of fiction that do not appear to be about climate change-particularly those more explicitly engaged with race-show traces of the ongoing ecological crisis? Song’s sources are contemporary and well chosen. . . . Highly recommended. Lower-division undergraduates through faculty." (Choice) "Song’s engagement with writers of color throughout Climate Lyricism offers an important, compelling, and original intervention into both lyric studies and ecocriticism because historically, both of these fields have tended to center white voices and texts." - Heather Milne (ISLE: Interdisciplinary Studies in Literature and Environment) "Climate Lyricism provides valuable insights into how climate change affects different communities and cultures, including Asian Americans. It encourages readers to appreciate nature’s beauty and take action against climate change while emphasizing the need for solidarity among different ethnic groups when tackling environmental issues. This book is particularly relevant to Asian Americans as it urges them to play an active role in addressing this global challenge." - Ang Li (Society for US Intellectual History) "Song's work is effective: the personal tone of his writing is disarming, fostering a deep sense of connection both with the critique of the literature analyzed and with precisely that shared sense of blended agency/urgency that the ecological challenge demands." - Melanie Ebdon (Modern Language Review)

• Introduction. The Practice of Sustaining Attention to Climate Change  1Part I. Scope1. What is Denial? Kazuo Ishiguro’s Never Let Me Go, Teju Cole’s Open City, and Sally Wen Mao’s “Occidentalism”  192. Why Revive the Lyric? Claudia Rankine’s Citizen and Craig Santos Perez’s “Love in a Time of Climate Change”  383. Why Stay with Bad Feelings? Ilya Kaminsky’s Deaf Republic and Tommy Pico’s IRL  654. How Should I Live? Inattention and Everyday-Life Projects  80Part II. Breath5. What’s Wrong with Narrative? The Promises and Disappointments of Climate Fiction  1016. Where Are We Now? Scalar Variance, Persistence, Swing, and David Bowie  121Part III. Urgency7. The Scale of the Everyday, Part 1: The Keeling Curve, Frank O’Hara, and Bernadette Mayer  1418. The Scale of the Everyday, Part 2: Ada LimÓn, Tommy Pico, and Solmaz Sharif  1599. The Global Novel Imagines the Afterlife: George Saunders, J.M. Coetzee, and HanKang  180Conclusion. The Foreign Present-Who Are We to Each Other?  201Acknowledgments  213Notes  217Bibliography  233Index  243