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Erica Moiah James - After Caliban, Häftad

Häftad, Engelska, 2025

After Caliban

Caribbean Art in a Global Imaginary

Av Erica Moiah James

Del i serien Visual Arts of Africa and Its Diasporas

380 kr

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Beskrivning
In After Caliban, Erica Moiah James examines the rise of global Caribbean artists in the 1990s and their production of a decolonized art history for the Caribbean. She draws on AimÉ CÉsaire’s rewriting of Shakespeare’s The Tempest, in which Caliban becomes the sole author of his own story, dissolving his fixed position as colonized in relation to Prospero as colonizer. James shows how visual artists such as Marc Latamie, Janine Antoni, Belkis AyÓn, Edouard Duval-CarriÉ, and Christopher Cozier followed CÉsaire’s model by employing a range of practices and methodologies that refused marginalization. Just as CÉsaire decolonized The Tempest, so too did these artists, who crafted a decolonial aesthetic that redefined their own cultural and historical narratives and positioned art as a key pathway toward a postcolonial future. By providing the foundation for a postcolonial, post-Caliban art world, these artists redefined the critical and popular notion of contemporary Caribbean art. At the same time, James argues, they fulfilled CÉsaire’s dream for a postcolonial Caribbean while creating a nonhegemonic art historical practice that exists beyond modern binaries and borders.
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Erica Moiah James is Associate Professor in the Department of Art and Art History at the University of Miami and Non-Resident Senior Research Fellow at the Visual Identities in Art and Design Research Centre, University of Johannesburg.

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“By thinking art history from and with the Caribbean, Erica Moiah James demands a reorientation and expansion of the theoretical toolkit used to understand the region. Her questioning of the analytical purchase of Caliban disturbs the taken-for-grantedness of earlier examinations of the Caribbean while opening up space for how we might think it otherwise. After Caliban will be of great significance, having an important impact on the field of art history, especially in this moment as attempts are being made to decolonize the discipline.” - Wayne Modest, Professor of Material Culture and Critical Heritage Studies, Vrije Universiteit Amsterdam “Insightful, transformative, and a must read, After Caliban centers artists working in the 1990s who newly reenvisioned history and the world from a Caribbean perspective and offered a decolonial critique of art history in the process.” - Krista A. Thompson, author of Shine: The Visual Economy of Light in African Diasporic Aesthetic Practice

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