Novel Perspectives on German-Language Comics Studies

History, Pedagogy, Theory

Inbunden, Engelska, 2016

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Beskrivning

Novel Perspectives on German-Language Comics Studies: History, Pedagogy, Theory gathers an international team of contributors from two continents whose innovative scholarship demonstrates a regard for comics and graphic novels as works of art in their own right. The contributions serve as models for further research that will continue to define the relationship between comics and other traditional “high art” forms, such as literature and the visual arts. Novel Perspectives on German-Language Comics Studies is the first English-language anthology that focuses exclusively on the graphic texts of German-speaking countries. In its breadth, this book functions as an important resource in a limited pool of critical works on German-language comics and graphic novels. The individual chapters differ significantly from one another in methodology, subject matter, and style. Taken together, however, they present a cross-section of comics and graphic novel scholarship being performed in North America and Europe today. Moreover, they help to secure a place for these works in a globalized culture of comics. This volume’s contributors have helped create a new critical language within which this rapidly expanding medium can be read and interpreted.

Produktinformation

Utgivningsdatum:2016-06-15
Mått:158 x 235 x 28 mm
Vikt:626 g
Format:Inbunden
Språk:Engelska
Antal sidor:300
Förlag:Bloomsbury Publishing Plc
ISBN:9781498526227

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Mer om författaren

Lynn M. Kutch is associate professor of German at Kutztown University of Pennsylvania

Recensioner i media

For an English-language audience, this volume finds its niche foregrounding the developing discussion on German-language comics that began with editor Andreas Knigge’s volume Fortsetzung folgt.

Innehållsförteckning

Introduction Lynn Marie KutchCONTEXTS AND HISTORIESChapter 1 - German Comics: Form, Content and ProductionMatt HambroChapter 2 - Before They Were “Art:” (West) German Proto-Comics and Comics: A Brief and Somewhat Subjective SurveyEckhard Kuhn-OsiusGERMAN CULTURAL EDUCATIONChapter 3 - Nothing but Exclamation Points? Comics in the Bavarian Academic High SchoolJens KußmannChapter 4 - The Book of Revelation as Graphic Novel: Reimagining the Bible in Present-Day EuropeJan Alexander van NahlGRAPHIC NOVELS: HANDS-ONChapter 5 - Using Graphic Novels for Content Learning in the German-Studies Classroom: The Basel City Reportage Operation LäckerliJulia LudewigChapter 6 - “Show and Tell:” Using Graphic Novels for Teaching East German History in the Novice and Intermediate Foreign-Language German ClassroomAntje KruegerGENERATIONS OF GERMAN HISTORYChapter 7 - Tensions Acrobatics in Comic Art: Line Hoven’s Liebe schaut wegBernadette RaedlerChapter 8 - Perspectivity in Graphic Novels about War: Germany’s Bundeswehr Operation in AfghanistanJoshua KavaloskiAUSTRIAN VOICESChapter 9 - Cultural Legitimacy and Nicolas Mahler’s Autobiographical ComicsVance ByrdChapter 10 - The Perfection of Imperfection: Nicolas Mahler’s Alte MeisterBrett SterlingChapter 11 - Patterns of Memory and Self-Confrontation in Gerald Hartwig’s ChamäleonLynn Marie Kutch