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Lucy Bennett, Paul Booth - Seeing Fans, Inbunden

Inbunden, Engelska, 2016

Seeing Fans

Representations of Fandom in Media and Popular Culture

Av Lucy Bennett, Paul Booth

2117 kr

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Beskrivning
Split into four sections, Seeing Fans analyzes the representations of fans in the mass media through a diverse range of perspectives. This collection opens with a preface by noted actor and fan Orlando Jones (Sleepy Hollow), whose recent work on fandom (appearing with Henry Jenkins at Comic Con and speaking at the Fan Studies Network symposium) bridges the worlds of academia and the media industry. Section one focuses on the representations of fans in documentaries and news reports and includes an interview with Roger Nygard, director of Trekkies and Trekkies 2. The second section then examines fictional representations of fans through analyses of television and film, featuring interviews with Emily Perkins of Supernatural, Robert Burnett, director of the film Free Enterprise, and Luminosity, a fan who has been interviewed in the New York Magazine for her exemplary work in fandom. Section three explores cultural perspectives on fan representations, and includes an interview with Laurent Malaquais, director of Bronies: The Extremely Unexpected Adult Fans of My Little Pony. Lastly, the final section looks at global perspectives on the ways fans have been represented and finishes with an interview with Jeanie Finlay, director of the music documentary Sound it Out. The collection then closes with an afterword by fan studies scholar Professor Matt Hills.
Produktinformation
  • Utgivningsdatum: 2016-07-14
  • Mått: 154 x 232 x 24 mm
  • Vikt: 620 g
  • Format: Inbunden
  • Språk: Engelska
  • Antal sidor: 336
  • Förlag: Bloomsbury Publishing Plc
  • ISBN: 9781501318450
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Mer om författaren

Lucy Bennett is a researcher at JOMEC, Cardiff University, UK.Paul Booth is Professor of Media and Cinema Studies at DePaul University, USA.

Recensioner i media

At a time when fans—as cosplayers, Comic Con attendees, consumers, practitioners as well as financiers of crowdfunding projects—are permeating the media and public consciousness, this collection arrives at a critical moment to examine how fans are being represented by various stakeholders, from the perspectives of aca-fans, media practitioners and fan producers themselves. This excellent collection will undoubtedly add to the richness and expansion of the field of fan studies.

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