João Sardinha is a researcher at IGOT (Institute of Geography and Spatial Planning), Center for Geographical Studies, University of Lisbon, Portugal.Ricardo Campos is a researcher at CICS-Nova (Interdisciplinary Centre of Social Sciences), Faculty of Social Sciences and Humanities, New University of Lisbon, Portugal.

Transglobal Sounds is an exciting volume that focuses on an important demographic slice of the migrant pie - youth, and the particular importance of music in addressing the challenges of deterritorialization and return.

• Introduction: Transglobal SoundsJoão Sardinha and Ricardo CamposPart I: Music, mobilities and processes of beingChapter 1: Afro-mandinga in Lisbon: griots and the (en)chantment of the pastCarolina Carret HöfsChapter 2: From Coimbra to London: to live the punk dream with my tribePaula Guerra and Pedro QuintelaPart II: Hibridism and aesthetic creativityChapter 3: ‘More than pets of multiculturalism’: Diasporic hybridity in Icelandic popular music – The case of Retro StefsonGestur Guðmundsson and Arnar Eggert ThoroddsenChapter 4: Popular Music and Generational Dynamics of Immigration in ‘Postcolonial Finland’ – the Case of Ourvision Singing Contest 2009Antti-Ville KärjäChapter 5:Nanyin and the Singaporean culture: The creation of intangible cultural heritage in Singapore and intergenerational contrastsFushiki KaoriPart III: Identity politics and negotiationsChapter 6: Protest rap and young Afro-descendants in PortugalRicardo Campos, Pedro Nunes and José Alberto SimõesChapter 7: Music: a tool for socio-political participation among descendants of immigrants in Buenos Aires and Bilbao?Natália Gavazzo, Sónia Pereira and Ana EstevensChapter 8: ‘Ich fühle mich Deutsch’: Migrant Descendants’ Performance of Integration through the Hamburg HipHop AcademyEmily Joy RothchildPart IV: Connecting sounds and ancestral homelandsChapter 9: ‘Portugal dos Xutos’: Portuguese music in the lives of “returned” descendants of Portuguese emigrants from CanadaJoão Sardinha Chapter 10: Drawing a homeland on the staff: Music of Turkey in BerlinPinar GuranConclusion:Understanding acoustic performativities, youth subjectivities and mobile identities Anastasia Christou, João Sardinha, Ricardo Campos

João Sardinha is a researcher at IGOT (Institute of Geography and Spatial Planning), Center for Geographical Studies, University of Lisbon, Portugal.Ricardo Campos is a researcher at CICS-Nova (Interdisciplinary Centre of Social Sciences), Faculty of Social Sciences and Humanities, New University of Lisbon, Portugal.

Transglobal Sounds is an exciting volume that focuses on an important demographic slice of the migrant pie - youth, and the particular importance of music in addressing the challenges of deterritorialization and return.

• Introduction: Transglobal SoundsJoão Sardinha and Ricardo CamposPart I: Music, mobilities and processes of beingChapter 1: Afro-mandinga in Lisbon: griots and the (en)chantment of the pastCarolina Carret HöfsChapter 2: From Coimbra to London: to live the punk dream with my tribePaula Guerra and Pedro QuintelaPart II: Hibridism and aesthetic creativityChapter 3: ‘More than pets of multiculturalism’: Diasporic hybridity in Icelandic popular music – The case of Retro StefsonGestur Guðmundsson and Arnar Eggert ThoroddsenChapter 4: Popular Music and Generational Dynamics of Immigration in ‘Postcolonial Finland’ – the Case of Ourvision Singing Contest 2009Antti-Ville KärjäChapter 5:Nanyin and the Singaporean culture: The creation of intangible cultural heritage in Singapore and intergenerational contrastsFushiki KaoriPart III: Identity politics and negotiationsChapter 6: Protest rap and young Afro-descendants in PortugalRicardo Campos, Pedro Nunes and José Alberto SimõesChapter 7: Music: a tool for socio-political participation among descendants of immigrants in Buenos Aires and Bilbao?Natália Gavazzo, Sónia Pereira and Ana EstevensChapter 8: ‘Ich fühle mich Deutsch’: Migrant Descendants’ Performance of Integration through the Hamburg HipHop AcademyEmily Joy RothchildPart IV: Connecting sounds and ancestral homelandsChapter 9: ‘Portugal dos Xutos’: Portuguese music in the lives of “returned” descendants of Portuguese emigrants from CanadaJoão Sardinha Chapter 10: Drawing a homeland on the staff: Music of Turkey in BerlinPinar GuranConclusion:Understanding acoustic performativities, youth subjectivities and mobile identities Anastasia Christou, João Sardinha, Ricardo Campos

João Sardinha is a researcher at IGOT (Institute of Geography and Spatial Planning), Center for Geographical Studies, University of Lisbon, Portugal.Ricardo Campos is a researcher at CICS-Nova (Interdisciplinary Centre of Social Sciences), Faculty of Social Sciences and Humanities, New University of Lisbon, Portugal.

Transglobal Sounds is an exciting volume that focuses on an important demographic slice of the migrant pie - youth, and the particular importance of music in addressing the challenges of deterritorialization and return.

• Introduction: Transglobal SoundsJoão Sardinha and Ricardo CamposPart I: Music, mobilities and processes of beingChapter 1: Afro-mandinga in Lisbon: griots and the (en)chantment of the pastCarolina Carret HöfsChapter 2: From Coimbra to London: to live the punk dream with my tribePaula Guerra and Pedro QuintelaPart II: Hibridism and aesthetic creativityChapter 3: ‘More than pets of multiculturalism’: Diasporic hybridity in Icelandic popular music – The case of Retro StefsonGestur Guðmundsson and Arnar Eggert ThoroddsenChapter 4: Popular Music and Generational Dynamics of Immigration in ‘Postcolonial Finland’ – the Case of Ourvision Singing Contest 2009Antti-Ville KärjäChapter 5:Nanyin and the Singaporean culture: The creation of intangible cultural heritage in Singapore and intergenerational contrastsFushiki KaoriPart III: Identity politics and negotiationsChapter 6: Protest rap and young Afro-descendants in PortugalRicardo Campos, Pedro Nunes and José Alberto SimõesChapter 7: Music: a tool for socio-political participation among descendants of immigrants in Buenos Aires and Bilbao?Natália Gavazzo, Sónia Pereira and Ana EstevensChapter 8: ‘Ich fühle mich Deutsch’: Migrant Descendants’ Performance of Integration through the Hamburg HipHop AcademyEmily Joy RothchildPart IV: Connecting sounds and ancestral homelandsChapter 9: ‘Portugal dos Xutos’: Portuguese music in the lives of “returned” descendants of Portuguese emigrants from CanadaJoão Sardinha Chapter 10: Drawing a homeland on the staff: Music of Turkey in BerlinPinar GuranConclusion:Understanding acoustic performativities, youth subjectivities and mobile identities Anastasia Christou, João Sardinha, Ricardo Campos