Imogen Racz is Senior Lecturer at Coventry University. Her publications include Contemporary Crafts, (2009), as well as many articles related to sculpture and object-based art.

• AcknowledgementsIllustrations ListIntroductionChapter 1 Enclosure Inside/OutsideThe Home and SelfMinimalism and PhenomenologyEnclosure, Myths and PhenomenologyHomes, Transitional SpacesWallpaperMichael Landy, Semi-detachedChapter 2 Doors and WindowsBoundariesPost-war Breaks in the Wall – The Creative EverydayDoors and Windows – Formal MattersDoors – Document and MemoryWindows and Doors – The Poetic EverydayWindows – Sight DeniedChapter 3 Female SpaceBackgroundWomen and ConfinementWomen Artists and Their ExperiencesWomanhouseWomanhouse – Decorative Techniques and Critical DebatesWomanhouse – Female RolesAfter WomanhouseChapter 4 AlienationDada, Surrealism and FreudDomestic ObjectsLouise Bourgeois – Home and MemoryMona Hatoum – Exile and the Contemporary UncannyGregor Schneider – Unhomely SpacesChapter 5 The Unmade HouseThe Organic Home and the RuinEstablishment PowerArt Outside the SystemGordon Matta-Clark – Splitting Rachel Whiteread – the Personal and PoliticalSteffi Klenz – NummianusChapter 6 WithdrawalIlya Kabakov – Fantasy SpacesChildhood DreamsAdult Withdrawal – The BedShockChapter 7 Objects, Sentiment and MemoryObjects and IdentityThe CommonplaceDisplayVesselsPerceived ValueNotesBibiographyIndex

Imogen Racz is Senior Lecturer at Coventry University. Her publications include Contemporary Crafts, (2009), as well as many articles related to sculpture and object-based art.

• AcknowledgementsIllustrations ListIntroductionChapter 1 Enclosure Inside/OutsideThe Home and SelfMinimalism and PhenomenologyEnclosure, Myths and PhenomenologyHomes, Transitional SpacesWallpaperMichael Landy, Semi-detachedChapter 2 Doors and WindowsBoundariesPost-war Breaks in the Wall – The Creative EverydayDoors and Windows – Formal MattersDoors – Document and MemoryWindows and Doors – The Poetic EverydayWindows – Sight DeniedChapter 3 Female SpaceBackgroundWomen and ConfinementWomen Artists and Their ExperiencesWomanhouseWomanhouse – Decorative Techniques and Critical DebatesWomanhouse – Female RolesAfter WomanhouseChapter 4 AlienationDada, Surrealism and FreudDomestic ObjectsLouise Bourgeois – Home and MemoryMona Hatoum – Exile and the Contemporary UncannyGregor Schneider – Unhomely SpacesChapter 5 The Unmade HouseThe Organic Home and the RuinEstablishment PowerArt Outside the SystemGordon Matta-Clark – Splitting Rachel Whiteread – the Personal and PoliticalSteffi Klenz – NummianusChapter 6 WithdrawalIlya Kabakov – Fantasy SpacesChildhood DreamsAdult Withdrawal – The BedShockChapter 7 Objects, Sentiment and MemoryObjects and IdentityThe CommonplaceDisplayVesselsPerceived ValueNotesBibiographyIndex

Imogen Racz is Senior Lecturer at Coventry University. Her publications include Contemporary Crafts, (2009), as well as many articles related to sculpture and object-based art.

• AcknowledgementsIllustrations ListIntroductionChapter 1 Enclosure Inside/OutsideThe Home and SelfMinimalism and PhenomenologyEnclosure, Myths and PhenomenologyHomes, Transitional SpacesWallpaperMichael Landy, Semi-detachedChapter 2 Doors and WindowsBoundariesPost-war Breaks in the Wall – The Creative EverydayDoors and Windows – Formal MattersDoors – Document and MemoryWindows and Doors – The Poetic EverydayWindows – Sight DeniedChapter 3 Female SpaceBackgroundWomen and ConfinementWomen Artists and Their ExperiencesWomanhouseWomanhouse – Decorative Techniques and Critical DebatesWomanhouse – Female RolesAfter WomanhouseChapter 4 AlienationDada, Surrealism and FreudDomestic ObjectsLouise Bourgeois – Home and MemoryMona Hatoum – Exile and the Contemporary UncannyGregor Schneider – Unhomely SpacesChapter 5 The Unmade HouseThe Organic Home and the RuinEstablishment PowerArt Outside the SystemGordon Matta-Clark – Splitting Rachel Whiteread – the Personal and PoliticalSteffi Klenz – NummianusChapter 6 WithdrawalIlya Kabakov – Fantasy SpacesChildhood DreamsAdult Withdrawal – The BedShockChapter 7 Objects, Sentiment and MemoryObjects and IdentityThe CommonplaceDisplayVesselsPerceived ValueNotesBibiographyIndex