Felipe Trotta is Associate Professor in the Department of Media and Cultural Studies at the Universidade Federal Fluminense, Brazil. He is a musicologist and member of the Latin-America branch of IASPM. He is the author of the books O samba e suas fronteiras [Samba and Its Borders] (2011) and No Ceará não tem disso não: nordestinidade e macheza no forró contemporâneo [There Is No Such a Thing in Ceará: Northeastness and Manhood in Contemporary Forró] (2014), and co-editor (with Martha Ulhoa and Claudia Azevedo) of Made in Brazil: Studies in Popular Music (2015).

In view of the increasing facilities of its production, circulation and consumption, the mobilizing capacity of music in the contemporary world is becoming increasingly evident. Inspired by the seminal work of Tia DeNora and carrying out extensive fieldwork, Trotta carefully analyses the sensitive aspects and the production of meanings that involve the daily musical and sound experiences researched. Annoying Music Everyday Life is a fundamental work for those who seek to rethink the consequences of living in an increasingly sonorous, musical and, for many, much louder world.

• AcknowledgementsIntroduction1. Slippery concepts: Music, sound, and noise2. Private individuals and the music from elsewhere 3. Sharing spaces and sounds in public and private4. Sound, music and violence5. What music? Taste, moral and value6. Regarding the sound of the othersEpilogueReferencesIndex

Felipe Trotta is Associate Professor in the Department of Media and Cultural Studies at the Universidade Federal Fluminense, Brazil. He is a musicologist and member of the Latin-America branch of IASPM. He is the author of the books O samba e suas fronteiras [Samba and Its Borders] (2011) and No Ceará não tem disso não: nordestinidade e macheza no forró contemporâneo [There Is No Such a Thing in Ceará: Northeastness and Manhood in Contemporary Forró] (2014), and co-editor (with Martha Ulhoa and Claudia Azevedo) of Made in Brazil: Studies in Popular Music (2015).

In view of the increasing facilities of its production, circulation and consumption, the mobilizing capacity of music in the contemporary world is becoming increasingly evident. Inspired by the seminal work of Tia DeNora and carrying out extensive fieldwork, Trotta carefully analyses the sensitive aspects and the production of meanings that involve the daily musical and sound experiences researched. Annoying Music Everyday Life is a fundamental work for those who seek to rethink the consequences of living in an increasingly sonorous, musical and, for many, much louder world.

• AcknowledgementsIntroduction1. Slippery concepts: Music, sound, and noise2. Private individuals and the music from elsewhere 3. Sharing spaces and sounds in public and private4. Sound, music and violence5. What music? Taste, moral and value6. Regarding the sound of the othersEpilogueReferencesIndex

Felipe Trotta is Associate Professor in the Department of Media and Cultural Studies at the Universidade Federal Fluminense, Brazil. He is a musicologist and member of the Latin-America branch of IASPM. He is the author of the books O samba e suas fronteiras [Samba and Its Borders] (2011) and No Ceará não tem disso não: nordestinidade e macheza no forró contemporâneo [There Is No Such a Thing in Ceará: Northeastness and Manhood in Contemporary Forró] (2014), and co-editor (with Martha Ulhoa and Claudia Azevedo) of Made in Brazil: Studies in Popular Music (2015).

In view of the increasing facilities of its production, circulation and consumption, the mobilizing capacity of music in the contemporary world is becoming increasingly evident. Inspired by the seminal work of Tia DeNora and carrying out extensive fieldwork, Trotta carefully analyses the sensitive aspects and the production of meanings that involve the daily musical and sound experiences researched. Annoying Music Everyday Life is a fundamental work for those who seek to rethink the consequences of living in an increasingly sonorous, musical and, for many, much louder world.

• AcknowledgementsIntroduction1. Slippery concepts: Music, sound, and noise2. Private individuals and the music from elsewhere 3. Sharing spaces and sounds in public and private4. Sound, music and violence5. What music? Taste, moral and value6. Regarding the sound of the othersEpilogueReferencesIndex