Scripture and Song in Nineteenth-Century Britain

Inbunden, Engelska, 2023

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Beskrivning

This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.

Produktinformation

Utgivningsdatum:2023-12-14
Mått:164 x 236 x 20 mm
Vikt:520 g
Format:Inbunden
Språk:Engelska
Antal sidor:248
Förlag:Bloomsbury Publishing Plc
ISBN:9781501376375

Utforska kategorier

Religiös och sakral musik inom Kultur
Musikhistoria inom Kultur

Mer om författaren

James Grande is Senior Lecturer in eighteenth-century Literature at King’s College London, UK. He is the author of William Cobbett, the Press and Rural England (2014) and co-editor of William Hazlitt: The Spirit of Controversy and Other Essays (2021) and Sound and Sense in British Romanticism (2023).Brian H. Murray is Senior Lecturer in nineteenth-century literature at King’s College London, UK. He is co-editor of Travel Writing, Visual Culture and Form (2014), Commodities and Culture in the Colonial World (2017), and Chosen Peoples: The Bible, Race and Empire in the Long Nineteenth Century (2020).

Recensioner i media

[These] nine chapters richly illuminate the aurality and vocality of Victorian religious culture and the influences of the sacred on Victorian musical culture well beyond the sphere of the church.

Innehållsförteckning

List of IllustrationsAcknowledgmentsContributors1. IntroductionJames Grande, King's College London, UK, and Brian H. Murray, King's College London, UK2. The Ballad and the BibleOskar Cox Jensen, Newcastle University, UK3. The Movements of the Old Hundredth Psalm TuneJonathan Hicks, University of Aberdeen, UK4. ‘The Son of God goes forth to war’: The Imperial Martyr’s HymnbookBrian H. Murray, King’s College London, UK5. The Song of Zion in Nineteenth-Century Europe: Sacred Choral Music, Emancipation and Modernity in Jewish LiturgyRachel Adelstein, Congregation Beth El-Keser Israel, New Haven, CT, USA6. A Temperament of ‘ideal cast, lofty tone, sacrificial flame and haughty purity’: Jenny Lind’s Faith and Her CareerMatildie Wium, University of the Free State, South Africa7. Urban Hymns: The Sacred Harmonic Society and Exeter HallJames Grande, King’s College London, UK8. Singing, Playing, Seeing: Scripture and the Multi-Sensorial Gothic Revival in Late Victorian Church InteriorsAyla Lepine, St. James' Church, Piccadilly, London, UK9. Secularising the Sacred, Sanctifying the Commercial: Tonic Sol-fa and the Professionalisation of Evangelical HymnodyErin Johnson-Williams, University of Southampton, UK10. Antisemitism and Hebrew Music in Carl Engel’s Music of the Most Ancient Nations (1864)Bennett Zon, Durham University, UKBibliographyIndex