James Grande – författare

William Hazlitt (1778-1830) is among the most brilliant critics and essayists to have ever written in the English language. Combative and insightful, he was close to two generations of romantic poets. His early friendship with Samuel Taylor Coleridge and William Wordsworth as a young man inspired him to a literary career, but he became disillusioned with them as apostates from the cause of liberty he associated with the French Revolution. As a mature writer, he inspired John Keats and contributed to his thinking about imagination and poetic character. A forceful commentator on contemporary London, he was also a committed radical, whose 'What is the People?' is an almost visionary statement of a new democratic politics. The Spirit of Controversy collects together Hazlitt's most coruscating and influential essays, using versions as they first appeared, including those that originally found their way into print in the cut and thrust of the newspapers and magazines of his day.

A radical re-imagining of the relationship between sound and sense took place in Britain in the decades around 1800. This new approach reconfigured sound as central to understandings of space and temporality, from the diurnal rhythms of everyday life in the modern city to the 'deep time' of the natural world. At the same time, sound emerged as a frequently disruptive phenomenon, a philosophical and political problem, and a force with the power to overwhelm listeners. This is the first book devoted to the topic and brings together scholars from literary studies, musicology, history and philosophy through the interdisciplinary frameworks of sound studies and the history of the senses. The chapters pursue a wide range of subjects, from 'national airs' to the London stage, and from experiments in sound to new musical and scientific instruments. Collectively, they demonstrate how a focus on sound can enrich our understanding of Romantic-era culture. This title is also available as Open Access on Cambridge Core.

William Cobbett was one of the greatest journalists of his day. Humbly born in Surrey, following a career in the British army in Canada from 1784, he cut his journalistic teeth as the loyalist 'Peter Porcupine' in the United States, defending all things British against the French Revolution and its supporters. Following his return to England in 1800 he became the major critic of corruption and a principal advocate of parliamentary reform and press freedom. It led to prosecution, prison and temporary exile, but also to the eventual triumph of reform and his persistent defence of the rights of the poor. This is the first essay collection devoted to Cobbett and contains essays from scholars from a wide variety of disciplines. It will be of interest to those researching the literature and culture of the late eighteenth and early nineteenth centuries, including the works of Paine, Rousseau, Swift and Hazlitt, and the Chartist movement.

William Cobbett, the Press and Rural England offers a thorough re-appraisal of William Cobbett (1763-1835), situating his journalism and rural radicalism in relation to contemporary political debates.

Politician, journalist, reformer, convict, social commentator and all-round thorn in the side of the establishment, William Cobbett cut a swathe through late-eighteenth and early-nineteenth century British society with his copious and acerbic writings on any and every issue that caught his attention. Both a radical and a conservative, and with strong opinions on any given subject, Cobbett had a talent for controversial and pugnacious writing that echoes down the centuries and still rings fresh today. Commemorating the 250th anniversary of Cobbett‘s birth in 1763, this book provides a selection of his writings - both published and unpublished - that highlight his talents, obsessions, and concerns. From corruption and Parliamentary reform, poverty and commerce, to patriotism and religion, the selections display Cobbett at his best - sometimes outraged and excoriating, sometimes sympathetic and reasoned - but always honest and witty. Divided into 14 chapters each dealing with a particular theme, the selections are contextualised so as to provide the necessary historical background for any readers who may be unfamiliar with the period. In so doing, the book not only brings to life the dynamic and rumbustious world of Georgian England within which Cobbett moved, but also reveals many uncanny parallels with modern concerns. Whether espousing political reform, promoting rural affairs or decrying a spiralling national debt, many of Cobbett‘s opinions seem as relevant today as when they were first written. Certainly modern readers will find much here to educate, amuse and admire.

William Cobbett, the Press and Rural England offers a thorough re-appraisal of William Cobbett (1763-1835), situating his journalism and rural radicalism in relation to contemporary political debates.

Politician, journalist, reformer, convict, social commentator and all-round thorn in the side of the establishment, William Cobbett cut a swathe through late-eighteenth and early-nineteenth century British society with his copious and acerbic writings on any and every issue that caught his attention. Both a radical and a conservative, and with strong opinions on any given subject, Cobbett had a talent for controversial and pugnacious writing that echoes down the centuries and still rings fresh today. Commemorating the 250th anniversary of Cobbett’s birth in 1763, this book provides a selection of his writings - both published and unpublished - that highlight his talents, obsessions, and concerns. From corruption and Parliamentary reform, poverty and commerce, to patriotism and religion, the selections display Cobbett at his best - sometimes outraged and excoriating, sometimes sympathetic and reasoned - but always honest and witty. Divided into 14 chapters each dealing with a particular theme, the selections are contextualised so as to provide the necessary historical background for any readers who may be unfamiliar with the period. In so doing, the book not only brings to life the dynamic and rumbustious world of Georgian England within which Cobbett moved, but also reveals many uncanny parallels with modern concerns. Whether espousing political reform, promoting rural affairs or decrying a spiralling national debt, many of Cobbett’s opinions seem as relevant today as when they were first written. Certainly modern readers will find much here to educate, amuse and admire.

This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.

This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.

An open access version of this book is available.Articulate Sounds uncovers the complex relationship between music, literature, and religious dissent in late eighteenth- and early nineteenth-century Britain. While collective song was central to Dissenting identities and culture, James Grande shows how many aspects of music were viewed with suspicion or even hostility by Nonconformist writers. Throughout the Romantic period, Dissenters debated questions of musical meaning and the connections between music and the written word, as well as the vaunted power of music over the emotions and changing ideas about listening, lyric, sound, and voice. Individual chapters focus on a range of canonical and less well-known authors, including Blake, Godwin, Iolo Morganwg, Amelia Opie, Wordsworth, Coleridge, Lamb, and Hazlitt. This book follows their careers across Britain but is grounded in the ‘world city’ of Romantic London, revealing a history of cosmopolitan cultural exchange. Tracing the Dissenting response to a rich variety of musical forms, from opera to oratorio, and from the symphony to popular ballads and hymns, Articulate Sounds demonstrates how Dissenters’ deep ambivalence towards music shaped the literary culture of Romanticism. The neglected history of music and Dissent offers a new understanding of both the evolution of Protestant Nonconformity and the contested place of music in nineteenth-century Britain.