Andrew McGraw is Associate Professor of Music at the University of Richmond. He is the author of Radical Traditions. Christopher J. Miller is Senior Lecturer in the Department of Music at Cornell University. His essays have appeared in several volumes, including Producing Indonesia.

• Introduction, by Andrew McGraw and Christopher J. MillerPart I: Musical Communities1. Harmonic Egalitarianism in Toba Palm Wine Stands and Studios, by Julia Byl2. The Evolution of Performing Arts Patronage in Bali, Indonesia, by I Nyoman Catra3. Beyond the Banjar: Community, Education, and Gamelan in North America, by Elizabeth A. Clendinning4. Decline and Promise: Observations from a Present-Day Pangrawit, by Darsono Hadiraharjo and Maho A. IshiguroPart II: Music, Religion, and Civil Society5. Singing "Naked" Verses: Interactive Intimacies and Islamic Moralities in Saluang Performances in West Sumatra, by Jennifer Fraser6. From Texts to Invocation: Wayang Puppet Play from the North Coast of Java, by Sumarsam7. The Politicization of Religious Melody in the Indonesian Culture Wars of 2017, by Anne K. RasmussenPart III: Popular Musics and Media8. The Vernacular Cosmopolitanism of an Indonesian Rock Band: Navicula's Creative and Activist Pathways, by Rebekah E. Moore9. Keroncong in the United States, by Danis Sugiyanto10. Reformasi-Era Popular Music Studies: Reflections of an Anti-Anti-Essentialist, by Jeremy Wallach11. Indonesian Regional Music on VCD: Inclusion, Exclusion, Fusion, by Philip YampolskyPart IV: Sound Beyond and As Music12. A Radical Story of Noise Music from Indonesia, by Dimitri della Faille and Cedrik Fermont13. Audible Knowledge: Exploring Sound in Indonesian Musik Kontemporer, by Christopher J. MillerPart V: Music, Gender, and Sexuality14. "Even Stronger Yet!": Gender and Embodiment in Balinese Youth Arja, by Bethany J. Collier15. A Prolegomenon to Female Rampak Kendang (Choreographed Group Drumming) in West Java, by Henry Spiller16. Approaching the Magnetic Power of Femaleness through Cross-Gender Dance Performance in Malang, East Java, by Christina SunardiPart VI: Perspectives from Practice17. Nines on Teaching Beginning Gamelan, by Jody Diamond18. "Fix Your Face": Performing Attitudes Between Mathcore and Beleganjur, by I Putu Tangkas Hiranmayena19. Wanbayaning: Voicing a Transcultural Islamic Feminist Exegesis, by Jessica KenneyContributorsIndex

Andrew McGraw is Associate Professor of Music at the University of Richmond. He is the author of Radical Traditions. Christopher J. Miller is Senior Lecturer in the Department of Music at Cornell University. His essays have appeared in several volumes, including Producing Indonesia.

• Introduction, by Andrew McGraw and Christopher J. MillerPart I: Musical Communities1. Harmonic Egalitarianism in Toba Palm Wine Stands and Studios, by Julia Byl2. The Evolution of Performing Arts Patronage in Bali, Indonesia, by I Nyoman Catra3. Beyond the Banjar: Community, Education, and Gamelan in North America, by Elizabeth A. Clendinning4. Decline and Promise: Observations from a Present-Day Pangrawit, by Darsono Hadiraharjo and Maho A. IshiguroPart II: Music, Religion, and Civil Society5. Singing "Naked" Verses: Interactive Intimacies and Islamic Moralities in Saluang Performances in West Sumatra, by Jennifer Fraser6. From Texts to Invocation: Wayang Puppet Play from the North Coast of Java, by Sumarsam7. The Politicization of Religious Melody in the Indonesian Culture Wars of 2017, by Anne K. RasmussenPart III: Popular Musics and Media8. The Vernacular Cosmopolitanism of an Indonesian Rock Band: Navicula's Creative and Activist Pathways, by Rebekah E. Moore9. Keroncong in the United States, by Danis Sugiyanto10. Reformasi-Era Popular Music Studies: Reflections of an Anti-Anti-Essentialist, by Jeremy Wallach11. Indonesian Regional Music on VCD: Inclusion, Exclusion, Fusion, by Philip YampolskyPart IV: Sound Beyond and As Music12. A Radical Story of Noise Music from Indonesia, by Dimitri della Faille and Cedrik Fermont13. Audible Knowledge: Exploring Sound in Indonesian Musik Kontemporer, by Christopher J. MillerPart V: Music, Gender, and Sexuality14. "Even Stronger Yet!": Gender and Embodiment in Balinese Youth Arja, by Bethany J. Collier15. A Prolegomenon to Female Rampak Kendang (Choreographed Group Drumming) in West Java, by Henry Spiller16. Approaching the Magnetic Power of Femaleness through Cross-Gender Dance Performance in Malang, East Java, by Christina SunardiPart VI: Perspectives from Practice17. Nines on Teaching Beginning Gamelan, by Jody Diamond18. "Fix Your Face": Performing Attitudes Between Mathcore and Beleganjur, by I Putu Tangkas Hiranmayena19. Wanbayaning: Voicing a Transcultural Islamic Feminist Exegesis, by Jessica KenneyContributorsIndex

Andrew McGraw is Associate Professor of Music at the University of Richmond. He is the author of Radical Traditions. Christopher J. Miller is Senior Lecturer in the Department of Music at Cornell University. His essays have appeared in several volumes, including Producing Indonesia.

• Introduction, by Andrew McGraw and Christopher J. MillerPart I: Musical Communities1. Harmonic Egalitarianism in Toba Palm Wine Stands and Studios, by Julia Byl2. The Evolution of Performing Arts Patronage in Bali, Indonesia, by I Nyoman Catra3. Beyond the Banjar: Community, Education, and Gamelan in North America, by Elizabeth A. Clendinning4. Decline and Promise: Observations from a Present-Day Pangrawit, by Darsono Hadiraharjo and Maho A. IshiguroPart II: Music, Religion, and Civil Society5. Singing "Naked" Verses: Interactive Intimacies and Islamic Moralities in Saluang Performances in West Sumatra, by Jennifer Fraser6. From Texts to Invocation: Wayang Puppet Play from the North Coast of Java, by Sumarsam7. The Politicization of Religious Melody in the Indonesian Culture Wars of 2017, by Anne K. RasmussenPart III: Popular Musics and Media8. The Vernacular Cosmopolitanism of an Indonesian Rock Band: Navicula's Creative and Activist Pathways, by Rebekah E. Moore9. Keroncong in the United States, by Danis Sugiyanto10. Reformasi-Era Popular Music Studies: Reflections of an Anti-Anti-Essentialist, by Jeremy Wallach11. Indonesian Regional Music on VCD: Inclusion, Exclusion, Fusion, by Philip YampolskyPart IV: Sound Beyond and As Music12. A Radical Story of Noise Music from Indonesia, by Dimitri della Faille and Cedrik Fermont13. Audible Knowledge: Exploring Sound in Indonesian Musik Kontemporer, by Christopher J. MillerPart V: Music, Gender, and Sexuality14. "Even Stronger Yet!": Gender and Embodiment in Balinese Youth Arja, by Bethany J. Collier15. A Prolegomenon to Female Rampak Kendang (Choreographed Group Drumming) in West Java, by Henry Spiller16. Approaching the Magnetic Power of Femaleness through Cross-Gender Dance Performance in Malang, East Java, by Christina SunardiPart VI: Perspectives from Practice17. Nines on Teaching Beginning Gamelan, by Jody Diamond18. "Fix Your Face": Performing Attitudes Between Mathcore and Beleganjur, by I Putu Tangkas Hiranmayena19. Wanbayaning: Voicing a Transcultural Islamic Feminist Exegesis, by Jessica KenneyContributorsIndex