Organizing Color

Toward a Chromatics of the Social

AvTimon Beyes

Inbunden, Engelska, 2024

Del i serien Sensing Media: Aesthetics, Philosophy, and Cultures of Media

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Beskrivning

We live in a world that is saturated with color, but how should we make sense of color's force and capacities? This book develops a theory of color as fundamental medium of the social. Constructed as a montage of scenes from the past two hundred years, Organizing Color demonstrates how the interests of capital, management, governance, science, and the arts have wrestled with color's allure and flux. Beyes takes readers from Goethe's chocolate experiments in search of chromatic transformation to nineteenth-century Scottish cotton mills designed to modulate workers' moods and productivity, from the colonial production of indigo in India to globalized categories of skin colorism and their disavowal. Tracing the consumption, control and excess of industrial and digital color, other chapters stage encounters with the literary chromatics of Pynchon's Gravity's Rainbow processing the machinery of the chemical industries, the red of political revolt in Godard's films, and the blur of education and critique in Steyerl's Adorno's Grey.Contributing to a more general reconsideration of aesthetic capitalism and the role of sensory media, this book seeks to pioneer a theory of social organization—a "chromatics of organizing"—that is attuned to the protean and world-making capacity of color.

Produktinformation

Utgivningsdatum:2024-03-12
Mått:152 x 229 x 23 mm
Vikt:553 g
Format:Inbunden
Språk:Engelska
Serie:Sensing Media: Aesthetics, Philosophy, and Cultures of Media
Antal sidor:292
Förlag:Stanford University Press
ISBN:9781503638303

Utforska kategorier

Socialhistoria och kulturhistoria inom Historia och arkeologi
Medievetenskap inom Samhälle och politik
Konsthistoria inom Kultur

Mer om författaren

Timon Beyes is Professor of Sociology of Organisation and Culture at Leuphana University Lüneburg.

Recensioner i media

"The immanent critique and 'tender empiricism' of this book, its eloquence and capacity to move from detailed grounding to exciting passages of speculative thought, ensures that Organizing Color escapes 'the archaic stillness of the book.' Impressively researched and written."—Seán Cubitt, University of Melbourne "Inventive, brilliantly written, and very readable, Organizing Color recovers and explicates the relevance of color to social form—be that chromatic or racialized color."—Esther Leslie, Birkbeck, University of London "Organizing is often imagined as a functional concept that belongs in business schools. In this beautifully written and illustrated book, Timon Beyes sprinkles aesthetics and politics over this black and white picture. The result is a breathtaking work that will change the way we understand how to 'see' organization."—Martin Parker, University of Bristol "[Organizing Color] delves into fascinating questions about our color experiences.... Highly recommended."—L. L. Kriner, CHOICE "The book contributes to organizational scholarship by attenuating the 'colorblind constitution of socio-organizational thought', highlighting some of the intricate and interconnected ways in which the 'primary organizational force' of color manifests. Most notably, it provides a phenomenological template for the analysis of color in the field of organizational aesthetics. It also reinforces the recent tendency to conceptualize cultural products as configurations of particular elements, examining their social construction and relational nature in historical perspective."—Stoyan V. Sgourev, Administrative Science Quarterly

Innehållsförteckning

1. Something Winged: Color as Organizational Force2. Weimar, ca. 1800: Cooking Chocolate3. New Lanark, 1816: Working the Silent Monitor4. Lower Bengal, 1859: The Coke of Empire5. Berlin, 1924: Consuming the Color Chart6. The Zone, 1945: Unleashing the Synthetic Rainbow7. Paris, 1967: The Revolution Will Be Colorized8. Houston, 1971: Two Kinds of Colorism9. Cologne, 2007: The Distribution of the Insensible10. Broken Tones: Toward a Chromatics of the Social