R. D. Perry is Assistant Professor of English and Literary Arts at the University of Denver.

"Perry marshals a half-dozen authors and works from the late 14th–16th centuries to combine two focuses in medieval and Renaissance literary criticism—periods usually separated...With admirable sweep and clarity, Perry shows how these issues morph together during these momentous centuries...The premise and basic argument are so lucid they seem simple, but the book grows in depth as the centuries pass, showing how multilingualism was suppressed but also how each author's construction of a coterie sedimenting into tradition was artfully selective. Here are new reasons to read and teach together Chaucer, Hoccleve, Lydgate, Skelton, Tottel's anthology, and Spenser's Shepheardes Calender, plus French authors like Granson and Christine de Pizan, whose contributions were erased by most English authors using them." (Choice) "An important contribution to the literary history of medieval and early modern literature in England. R. D. Perry offers an innovative account of literary formation, a novel way of thinking about coteries as writers whose idea of a communal enterprise makes possible the idea of a 'literature.'" (D. Vance Smith, Princeton University) "This comprehensive account of Chaucer and his imitators in late medieval and sixteenth-century England stands out not only for the novelty of its framing concept—the coterie—but also for its appealing combination of learnedness and readability." (Katherine C. Little, University of Colorado Boulder)

R. D. Perry is Assistant Professor of English and Literary Arts at the University of Denver.

"Perry marshals a half-dozen authors and works from the late 14th–16th centuries to combine two focuses in medieval and Renaissance literary criticism—periods usually separated...With admirable sweep and clarity, Perry shows how these issues morph together during these momentous centuries...The premise and basic argument are so lucid they seem simple, but the book grows in depth as the centuries pass, showing how multilingualism was suppressed but also how each author's construction of a coterie sedimenting into tradition was artfully selective. Here are new reasons to read and teach together Chaucer, Hoccleve, Lydgate, Skelton, Tottel's anthology, and Spenser's Shepheardes Calender, plus French authors like Granson and Christine de Pizan, whose contributions were erased by most English authors using them." (Choice) "An important contribution to the literary history of medieval and early modern literature in England. R. D. Perry offers an innovative account of literary formation, a novel way of thinking about coteries as writers whose idea of a communal enterprise makes possible the idea of a 'literature.'" (D. Vance Smith, Princeton University) "This comprehensive account of Chaucer and his imitators in late medieval and sixteenth-century England stands out not only for the novelty of its framing concept—the coterie—but also for its appealing combination of learnedness and readability." (Katherine C. Little, University of Colorado Boulder)

R. D. Perry is Assistant Professor of English and Literary Arts at the University of Denver.

"Perry marshals a half-dozen authors and works from the late 14th–16th centuries to combine two focuses in medieval and Renaissance literary criticism—periods usually separated...With admirable sweep and clarity, Perry shows how these issues morph together during these momentous centuries...The premise and basic argument are so lucid they seem simple, but the book grows in depth as the centuries pass, showing how multilingualism was suppressed but also how each author's construction of a coterie sedimenting into tradition was artfully selective. Here are new reasons to read and teach together Chaucer, Hoccleve, Lydgate, Skelton, Tottel's anthology, and Spenser's Shepheardes Calender, plus French authors like Granson and Christine de Pizan, whose contributions were erased by most English authors using them." (Choice) "An important contribution to the literary history of medieval and early modern literature in England. R. D. Perry offers an innovative account of literary formation, a novel way of thinking about coteries as writers whose idea of a communal enterprise makes possible the idea of a 'literature.'" (D. Vance Smith, Princeton University) "This comprehensive account of Chaucer and his imitators in late medieval and sixteenth-century England stands out not only for the novelty of its framing concept—the coterie—but also for its appealing combination of learnedness and readability." (Katherine C. Little, University of Colorado Boulder)