Anu Koivunen is Professor of Cinema Studies (Department of Media Studies) at Stockholm University, SwedenKatariina Kyrölä is Lecturer in Gender Studies at Åbo Akademi University, FinlandIngrid Ryberg is Senior Lecturer in Gender Studies at Gothenburg University, Sweden

• List of figures1 Vulnerability as a political language – Anu Koivunen, Katariina Kyrölä and Ingrid RybergPart I: Vulnerability as a battleground2 Negotiating vulnerability in the trigger warning debates – Katariina Kyrölä3 Trigger happy: from content warning to censorship – Jack Halberstam4 Feminist hurt/feminism hurts – Sara AhmedPart II: Vulnerability and visibility5 Little Pink: white fragility and black social death – Ylva Habel6 Visibility and vulnerability: negotiating transgender representation and encounters with translatina worlds in The Salt Mines and Wildness – Laura Horak7 White vulnerability and the politics of reproduction in Top of the Lake: China Girl – Johanna Gondouin, Suruchi Thapar-Björkert and Ingrid Ryberg8 Spectacularly wounded: white male vulnerability as heterosexual fantasy – Susanna PaasonenPart III: Vulnerability and cultural policy9 The invulnerable body of colour: the failure and success of a Swedish Film Diversity initiative – Mara Lee Gerden10 Naming, shaming, framing? The ambivalence of queer visibility in audio-visual archives – Dagmar Brunow11 Abortion prevention: lesbian citizenship and filmmaking in Sweden in the 1970s – Ingrid Ryberg12 The caring nation: Don’t Ever Wipe Tears Without Gloves as a reparative fantasy – Anu KoivunenIndex

Anu Koivunen is Professor of Cinema Studies (Department of Media Studies) at Stockholm University, SwedenKatariina Kyrölä is Lecturer in Gender Studies at Åbo Akademi University, FinlandIngrid Ryberg is Senior Lecturer in Gender Studies at Gothenburg University, Sweden

• List of figures1 Vulnerability as a political language – Anu Koivunen, Katariina Kyrölä and Ingrid RybergPart I: Vulnerability as a battleground2 Negotiating vulnerability in the trigger warning debates – Katariina Kyrölä3 Trigger happy: from content warning to censorship – Jack Halberstam4 Feminist hurt/feminism hurts – Sara AhmedPart II: Vulnerability and visibility5 Little Pink: white fragility and black social death – Ylva Habel6 Visibility and vulnerability: negotiating transgender representation and encounters with translatina worlds in The Salt Mines and Wildness – Laura Horak7 White vulnerability and the politics of reproduction in Top of the Lake: China Girl – Johanna Gondouin, Suruchi Thapar-Björkert and Ingrid Ryberg8 Spectacularly wounded: white male vulnerability as heterosexual fantasy – Susanna PaasonenPart III: Vulnerability and cultural policy9 The invulnerable body of colour: the failure and success of a Swedish Film Diversity initiative – Mara Lee Gerden10 Naming, shaming, framing? The ambivalence of queer visibility in audio-visual archives – Dagmar Brunow11 Abortion prevention: lesbian citizenship and filmmaking in Sweden in the 1970s – Ingrid Ryberg12 The caring nation: Don’t Ever Wipe Tears Without Gloves as a reparative fantasy – Anu KoivunenIndex

Anu Koivunen is Professor of Cinema Studies (Department of Media Studies) at Stockholm University, SwedenKatariina Kyrölä is Lecturer in Gender Studies at Åbo Akademi University, FinlandIngrid Ryberg is Senior Lecturer in Gender Studies at Gothenburg University, Sweden

• List of figures1 Vulnerability as a political language – Anu Koivunen, Katariina Kyrölä and Ingrid RybergPart I: Vulnerability as a battleground2 Negotiating vulnerability in the trigger warning debates – Katariina Kyrölä3 Trigger happy: from content warning to censorship – Jack Halberstam4 Feminist hurt/feminism hurts – Sara AhmedPart II: Vulnerability and visibility5 Little Pink: white fragility and black social death – Ylva Habel6 Visibility and vulnerability: negotiating transgender representation and encounters with translatina worlds in The Salt Mines and Wildness – Laura Horak7 White vulnerability and the politics of reproduction in Top of the Lake: China Girl – Johanna Gondouin, Suruchi Thapar-Björkert and Ingrid Ryberg8 Spectacularly wounded: white male vulnerability as heterosexual fantasy – Susanna PaasonenPart III: Vulnerability and cultural policy9 The invulnerable body of colour: the failure and success of a Swedish Film Diversity initiative – Mara Lee Gerden10 Naming, shaming, framing? The ambivalence of queer visibility in audio-visual archives – Dagmar Brunow11 Abortion prevention: lesbian citizenship and filmmaking in Sweden in the 1970s – Ingrid Ryberg12 The caring nation: Don’t Ever Wipe Tears Without Gloves as a reparative fantasy – Anu KoivunenIndex