'If you’ve ever felt on shaky ground describing your experience of inequality in the arts, if you’ve ever wondered if it’s really true that some people are excluded from participation in cultural production and representation, if you’d like something to wave in the face of naysayers who think the cream always rises to the top, this is it. Culture is bad for you. This book does more than it says on the tin.'Kit de Waal, author of My Name is Leon'The Janus-faced character of culture lies at the core of this wonderful new text. The big and diverse world of culture and entertainment brings joy, health, connection and catharsis to billions, but often at the expense of the talented few who labour to produce it. Culture is bad for you is a sweeping, empirical investigation of what it takes to “make it” as a British culture producer, but also of the forces that “break it”: unequal access for people with fewer resources. Essential reading for citizens, policy makers, employers, artists and fans – and for those who study them.'Jennifer C. Lena, Columbia University'As Raymond Williams long ago argued, culture is all around us, and it is ordinary. Brook, O'Brien and Taylor show us that ordinary culture is bad for us. It is bad for us as workers, as consumers, and as a society. This excellent book will be the go-to source on the extraordinary inequality in the creation and consumption of ordinary media for a long time to come.'Clayton Childress, University of Toronto Scarborough'Provocatively titled, carefully argued, and accessibly written, Culture is bad for you demolishes our cherished myths about culture. The vaunted cultural industries are not open or egalitarian. Culture has never been meritocratic, neither today nor in some mythical golden age. Culture excludes, pop culture as much as posh culture. An enlightening read for all producers and consumers of culture – that is: all of us.'Giselinde Kuipers, Catholic University Leuven, Belgium‘If we truly believe that culture is a force for good in our communities and our lives, we need to urgently address our own shortcomings when it comes to inequality around who gets to experience, and who gets to make, art in this country. The data and testimonies in this important book are just the ammunition we need.’ James Graham, playwright and screenwriter‘Vital reading for anyone working in culture and interested in equality – this book gives us the reasons to make change, the actions are up to us. Take action.’ Stella Duffy, Co-Director Fun Palaces‘Culture is bad for you is a sobering, enraging picture of the creative industries and the inequalities at their heart. Using data, case studies and sharp analysis, the result holds to account a culture that isn’t just a reflection of a rigged society – but an engine of it. For anyone who works in British culture, or cares who does, or simply values true equality of opportunity, this is essential reading.’ Danny Leigh, journalist for the Financial Times and the BBC ‘Culture is bad for you has given me a much better understanding of everything I was already feeling, and confirmed so many of my class-anxious suspicions — that entry schemes don’t work as blanket fixes for social inequality, that creative workers only really know middle-class people, that pantos are attended by three times as many people as the opera, and that video games are more popular than plays, exhibitions and musicals.'Gabrielle de la Puente, The White Pube'There really is an arts emergency, the reality of the class crisis is shocking, but this book shows how we can do something right now to change things.' Josie Long, writer and stand-up comedian'Culture is Bad for You is a welcome and necessary addition to the literature on cultural production and consumption. In a period when there is growing interest in inequality in the creative sector and beyond, it provides both an accessible and comprehensive overview of what inequality looks like in cultural fields.'Patricia A. Banks, Journal of Cultural Economy'This is the most vital book in cultural affairs I have read in years.'Michael Rushton, The Journal of Arts Management, Law, and Society
