Homer B. Pettey is Professor of Film and Comparative Literature at the University of Arizona

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• 1 Introduction: Costa-Gavras and microhistoriography: the case of Amen. (2002) – Homer B. Pettey2 Un homme de trop (1967) and Section spéciale (1975): justice unravelled, a tale of two Frances (1941 and 1943) – Susan Hayward3 Z (1969) and nationalism – Homer B. Pettey4 The political efficacy of torture in The Confession (1970) – Hilary Neroni5 Thriller and performance in State of Siege (1972) – Elizabeth Montes Garcés6 What’s missing from Missing (1982) – Thomas Leitch7 Selim Bakri’s quest for a Palestinian identity: Hanna K. (1983) and the Palestinian ‘permission to narrate’ – Matthew Abraham8 Family Business (1986) and La Petite Apocalypse (1993) – Jennifer L. Jenkins9 Betrayed (1988) and the ruptures of race and religion – Ian Scott10 Music Box (1989): melodramatizing the Hungarian Holocaust – R. Barton Palmer11 ‘Make humans the center of everything’: a cinema for conscious capitalism: Mad City (1997) and The Ax (2005) – Allen H. Redmon12 Eden à l’Ouest (2009): border-crossing odyssey and comedy – Isolina Ballesteros13 Representing the economy and neo-liberal subjectivity in Le Capital (2012) – Mark BouldIndex

Homer B. Pettey is Professor of Film and Comparative Literature at the University of Arizona

Select Guide Rating

• 1 Introduction: Costa-Gavras and microhistoriography: the case of Amen. (2002) – Homer B. Pettey2 Un homme de trop (1967) and Section spéciale (1975): justice unravelled, a tale of two Frances (1941 and 1943) – Susan Hayward3 Z (1969) and nationalism – Homer B. Pettey4 The political efficacy of torture in The Confession (1970) – Hilary Neroni5 Thriller and performance in State of Siege (1972) – Elizabeth Montes Garcés6 What’s missing from Missing (1982) – Thomas Leitch7 Selim Bakri’s quest for a Palestinian identity: Hanna K. (1983) and the Palestinian ‘permission to narrate’ – Matthew Abraham8 Family Business (1986) and La Petite Apocalypse (1993) – Jennifer L. Jenkins9 Betrayed (1988) and the ruptures of race and religion – Ian Scott10 Music Box (1989): melodramatizing the Hungarian Holocaust – R. Barton Palmer11 ‘Make humans the center of everything’: a cinema for conscious capitalism: Mad City (1997) and The Ax (2005) – Allen H. Redmon12 Eden à l’Ouest (2009): border-crossing odyssey and comedy – Isolina Ballesteros13 Representing the economy and neo-liberal subjectivity in Le Capital (2012) – Mark BouldIndex

Homer B. Pettey is Professor of Film and Comparative Literature at the University of Arizona

Select Guide Rating

• 1 Introduction: Costa-Gavras and microhistoriography: the case of Amen. (2002) – Homer B. Pettey2 Un homme de trop (1967) and Section spéciale (1975): justice unravelled, a tale of two Frances (1941 and 1943) – Susan Hayward3 Z (1969) and nationalism – Homer B. Pettey4 The political efficacy of torture in The Confession (1970) – Hilary Neroni5 Thriller and performance in State of Siege (1972) – Elizabeth Montes Garcés6 What’s missing from Missing (1982) – Thomas Leitch7 Selim Bakri’s quest for a Palestinian identity: Hanna K. (1983) and the Palestinian ‘permission to narrate’ – Matthew Abraham8 Family Business (1986) and La Petite Apocalypse (1993) – Jennifer L. Jenkins9 Betrayed (1988) and the ruptures of race and religion – Ian Scott10 Music Box (1989): melodramatizing the Hungarian Holocaust – R. Barton Palmer11 ‘Make humans the center of everything’: a cinema for conscious capitalism: Mad City (1997) and The Ax (2005) – Allen H. Redmon12 Eden à l’Ouest (2009): border-crossing odyssey and comedy – Isolina Ballesteros13 Representing the economy and neo-liberal subjectivity in Le Capital (2012) – Mark BouldIndex