Andrew Ginger is Professor of Comparative Studies and Vice Provost for International Engagement at Northeastern University

'It is is a lavishly illustrated and ambitiously interdisciplinary volume. Ginger’s range of references is impressive, flitting between preserved insects from the Americas and brain images from France. Charles Baudelaire and Gustave Flaubert sit with Gustavo Adolfo Bécquer and Augusto Ferrán; Friedrich Nietzsche finds himself in the company of Rosalía de Castro and Juana Manuela Gorriti. London’s Crystal Palace stands alongside José Augustín Arrieta’s mirror paintings... it succeeds admirably in substantiating its conviction that the inclusion of the Hispanic world in narratives of modernism and modernity enables the identification of resonant patterns of cultural production. Distinctiveness thus transforms the appreciation of similarity, rather than being simply eclipsed by it.'Modern Language Review'Instead of Modernity certainly performs an important service by reincorporating the Hispanosphere into modern culture, and by upending simplistic understandings of modernity in turn. The world it portrays is certainly Quixotic, but in the manner stressed by Borges’s ‘Pierre Menard’: as something more fragmentary, moresubtle, more incongruous than previously imagined – and ‘infinitely richer’ for it.'Romance, Revolution & Reform'From this new vantage point, both temporality and the concept of modernity are blown out of the water ... [the] broad outlook transcends the limits of what we understand by Hispanism ... and in this quest for the shared and the disruptive, [Ginger] works with pieces of art, turns of language, figures of speech, images from the past and the present, on a surface that as soon opens out to an infinite horizon as it shrinks to a specific time and place.'Jesusa Vega, Anales de Historia del Arte

• Introduction: From modernity to the aesthetic appreciation of history1 Meeting: Coming together and taking shape2 Departure: To leap beyond yet nearer bring3 Sacrifice: Everyone must die4 Repose: Forms of shared distractionIndex

Andrew Ginger is Professor of Comparative Studies and Vice Provost for International Engagement at Northeastern University

'It is is a lavishly illustrated and ambitiously interdisciplinary volume. Ginger’s range of references is impressive, flitting between preserved insects from the Americas and brain images from France. Charles Baudelaire and Gustave Flaubert sit with Gustavo Adolfo Bécquer and Augusto Ferrán; Friedrich Nietzsche finds himself in the company of Rosalía de Castro and Juana Manuela Gorriti. London’s Crystal Palace stands alongside José Augustín Arrieta’s mirror paintings... it succeeds admirably in substantiating its conviction that the inclusion of the Hispanic world in narratives of modernism and modernity enables the identification of resonant patterns of cultural production. Distinctiveness thus transforms the appreciation of similarity, rather than being simply eclipsed by it.'Modern Language Review'Instead of Modernity certainly performs an important service by reincorporating the Hispanosphere into modern culture, and by upending simplistic understandings of modernity in turn. The world it portrays is certainly Quixotic, but in the manner stressed by Borges’s ‘Pierre Menard’: as something more fragmentary, moresubtle, more incongruous than previously imagined – and ‘infinitely richer’ for it.'Romance, Revolution & Reform'From this new vantage point, both temporality and the concept of modernity are blown out of the water ... [the] broad outlook transcends the limits of what we understand by Hispanism ... and in this quest for the shared and the disruptive, [Ginger] works with pieces of art, turns of language, figures of speech, images from the past and the present, on a surface that as soon opens out to an infinite horizon as it shrinks to a specific time and place.'Jesusa Vega, Anales de Historia del Arte

• Introduction: From modernity to the aesthetic appreciation of history1 Meeting: Coming together and taking shape2 Departure: To leap beyond yet nearer bring3 Sacrifice: Everyone must die4 Repose: Forms of shared distractionIndex

Andrew Ginger is Professor of Comparative Studies and Vice Provost for International Engagement at Northeastern University

'It is is a lavishly illustrated and ambitiously interdisciplinary volume. Ginger’s range of references is impressive, flitting between preserved insects from the Americas and brain images from France. Charles Baudelaire and Gustave Flaubert sit with Gustavo Adolfo Bécquer and Augusto Ferrán; Friedrich Nietzsche finds himself in the company of Rosalía de Castro and Juana Manuela Gorriti. London’s Crystal Palace stands alongside José Augustín Arrieta’s mirror paintings... it succeeds admirably in substantiating its conviction that the inclusion of the Hispanic world in narratives of modernism and modernity enables the identification of resonant patterns of cultural production. Distinctiveness thus transforms the appreciation of similarity, rather than being simply eclipsed by it.'Modern Language Review'Instead of Modernity certainly performs an important service by reincorporating the Hispanosphere into modern culture, and by upending simplistic understandings of modernity in turn. The world it portrays is certainly Quixotic, but in the manner stressed by Borges’s ‘Pierre Menard’: as something more fragmentary, moresubtle, more incongruous than previously imagined – and ‘infinitely richer’ for it.'Romance, Revolution & Reform'From this new vantage point, both temporality and the concept of modernity are blown out of the water ... [the] broad outlook transcends the limits of what we understand by Hispanism ... and in this quest for the shared and the disruptive, [Ginger] works with pieces of art, turns of language, figures of speech, images from the past and the present, on a surface that as soon opens out to an infinite horizon as it shrinks to a specific time and place.'Jesusa Vega, Anales de Historia del Arte

• Introduction: From modernity to the aesthetic appreciation of history1 Meeting: Coming together and taking shape2 Departure: To leap beyond yet nearer bring3 Sacrifice: Everyone must die4 Repose: Forms of shared distractionIndex