Kate Keohane is Career Development Fellow in Art History and Wellbeing, St Edmund Hall, University of OxfordDaniella Rose King is a curator, writer and Lead Curator, Collections Galleries at Wellcome CollectionGiulia Smith is an art historian, curator and Senior Tutor in Contemporary Art History and Theory at the Ruskin School of Art, University of Oxford

• Introduction — Kate Keohane, Daniella Rose King, Giulia SmithPart I: Caribbean livingness1 Hurricane praxis: visual conversations about hurricanes and climate change in the Caribbean — Lizabeth Paravisini-Gebert2 Between the stars, the sea and the soil: ecological poetics in art of the Caribbean and its diasporas — Daniella Rose King3 Earthkin precarious and heroic: La Vaughn Belle’s Crucian ancient futures — Genevieve Hyacinthe4 Offshore imaginations: Nadia Huggins and Kimberly Palmer in conversation — Nadia Huggins and Kimberly PalmerPart II: Sacred spaces5 The sacred undersea in Caribbean eco-aesthetics — Mimi Sheller6 I, Ixora — Andil Gosine7 Antonius Roberts: sacred spaces — Giulia SmithPart III: Extraction and repair8 Ecologic entanglements: artistic interventions in the Plantationocene — Annalee Davis and Kate Keohane9 Sonia E. Barrett’s bodies of evidence — Catherine Spencer10 All that grounds us — Diana McCaulayPart IV: Art ecologies11 Visualising the Capitalocene and creating a planetary art world from an artist atelier in Santo Domingo — Carlos Garrido Castellano12 Rhizomatic research and curatorial ecologies in Trinidad and Tobago and Barbados — Natalie McGuire13 The geography of production: a conversation between Tatiana Flores and Christopher Cozier — Christopher Cozier and Tatiana Flores

Kate Keohane is Career Development Fellow in Art History and Wellbeing, St Edmund Hall, University of OxfordDaniella Rose King is a curator, writer and Lead Curator, Collections Galleries at Wellcome CollectionGiulia Smith is an art historian, curator and Senior Tutor in Contemporary Art History and Theory at the Ruskin School of Art, University of Oxford

• Introduction — Kate Keohane, Daniella Rose King, Giulia SmithPart I: Caribbean livingness1 Hurricane praxis: visual conversations about hurricanes and climate change in the Caribbean — Lizabeth Paravisini-Gebert2 Between the stars, the sea and the soil: ecological poetics in art of the Caribbean and its diasporas — Daniella Rose King3 Earthkin precarious and heroic: La Vaughn Belle’s Crucian ancient futures — Genevieve Hyacinthe4 Offshore imaginations: Nadia Huggins and Kimberly Palmer in conversation — Nadia Huggins and Kimberly PalmerPart II: Sacred spaces5 The sacred undersea in Caribbean eco-aesthetics — Mimi Sheller6 I, Ixora — Andil Gosine7 Antonius Roberts: sacred spaces — Giulia SmithPart III: Extraction and repair8 Ecologic entanglements: artistic interventions in the Plantationocene — Annalee Davis and Kate Keohane9 Sonia E. Barrett’s bodies of evidence — Catherine Spencer10 All that grounds us — Diana McCaulayPart IV: Art ecologies11 Visualising the Capitalocene and creating a planetary art world from an artist atelier in Santo Domingo — Carlos Garrido Castellano12 Rhizomatic research and curatorial ecologies in Trinidad and Tobago and Barbados — Natalie McGuire13 The geography of production: a conversation between Tatiana Flores and Christopher Cozier — Christopher Cozier and Tatiana Flores

Kate Keohane is Career Development Fellow in Art History and Wellbeing, St Edmund Hall, University of OxfordDaniella Rose King is a curator, writer and Lead Curator, Collections Galleries at Wellcome CollectionGiulia Smith is an art historian, curator and Senior Tutor in Contemporary Art History and Theory at the Ruskin School of Art, University of Oxford

• Introduction — Kate Keohane, Daniella Rose King, Giulia SmithPart I: Caribbean livingness1 Hurricane praxis: visual conversations about hurricanes and climate change in the Caribbean — Lizabeth Paravisini-Gebert2 Between the stars, the sea and the soil: ecological poetics in art of the Caribbean and its diasporas — Daniella Rose King3 Earthkin precarious and heroic: La Vaughn Belle’s Crucian ancient futures — Genevieve Hyacinthe4 Offshore imaginations: Nadia Huggins and Kimberly Palmer in conversation — Nadia Huggins and Kimberly PalmerPart II: Sacred spaces5 The sacred undersea in Caribbean eco-aesthetics — Mimi Sheller6 I, Ixora — Andil Gosine7 Antonius Roberts: sacred spaces — Giulia SmithPart III: Extraction and repair8 Ecologic entanglements: artistic interventions in the Plantationocene — Annalee Davis and Kate Keohane9 Sonia E. Barrett’s bodies of evidence — Catherine Spencer10 All that grounds us — Diana McCaulayPart IV: Art ecologies11 Visualising the Capitalocene and creating a planetary art world from an artist atelier in Santo Domingo — Carlos Garrido Castellano12 Rhizomatic research and curatorial ecologies in Trinidad and Tobago and Barbados — Natalie McGuire13 The geography of production: a conversation between Tatiana Flores and Christopher Cozier — Christopher Cozier and Tatiana Flores