Marie Geissler, PhD, is an Honorary Associate Fellow of the Faculty of Law Humanities and the Arts at the University of Wollongong, Australia. She is a curator, lecturer and writer on Australian contemporary art with specialist interests in contemporary Indigenous Australian art and its relationship to cultural heritage, sustainability and the law. Her recent publications include "Cultural Tourism: Aboriginal Art Promoting Australia in Post-war USA" in Arts (2019); "Bark Painting of Arnhem Land, Australia: The Western Reception 1960-1990" in World Art (2019); and "Ulli Beier, The Aboriginal Arts Board and Aboriginal Self Determination" in Australian and New Zealand Journal of Art (December, 2020).

Marie Geissler, PhD, is an Honorary Associate Fellow of the Faculty of Law Humanities and the Arts at the University of Wollongong, Australia. She is a curator, lecturer and writer on Australian contemporary art with specialist interests in contemporary Indigenous Australian art and its relationship to cultural heritage, sustainability and the law. Her recent publications include "Cultural Tourism: Aboriginal Art Promoting Australia in Post-war USA" in Arts (2019); "Bark Painting of Arnhem Land, Australia: The Western Reception 1960-1990" in World Art (2019); and "Ulli Beier, The Aboriginal Arts Board and Aboriginal Self Determination" in Australian and New Zealand Journal of Art (December, 2020).

Marie Geissler, PhD, is an Honorary Associate Fellow of the Faculty of Law Humanities and the Arts at the University of Wollongong, Australia. She is a curator, lecturer and writer on Australian contemporary art with specialist interests in contemporary Indigenous Australian art and its relationship to cultural heritage, sustainability and the law. Her recent publications include "Cultural Tourism: Aboriginal Art Promoting Australia in Post-war USA" in Arts (2019); "Bark Painting of Arnhem Land, Australia: The Western Reception 1960-1990" in World Art (2019); and "Ulli Beier, The Aboriginal Arts Board and Aboriginal Self Determination" in Australian and New Zealand Journal of Art (December, 2020).