The Sage Handbook of Promotional Culture and Society

Lee Edwards is Professor of Strategic Communications and Public Engagement in the Department of Media and Communications at the London School of Economics and Political Science. She is particularly interested in the relationship between strategic communications and inequalities, social justice, democracy, and media literacy. She has published a wide range of articles, books, chapters and reports on topics including deliberative engagement in media policymaking, media literacy, public relations as a cultural intermediary, diversity in public relations, and public relations and democracy. Clea Bourne is a Reader in the Department of Media, Communications and Cultural Studies at Goldsmiths, University of London. She founded and directs the MA Promotional Media: Public Relations, Advertising and Marketing at Goldsmiths. She also designed and teaches the undergraduate module ‘Future of Media Work’. Clea’s research explores how digital economies and markets are mediatised, exploring public legitimisation of discourses surrounding digital technologies, including the impact of AI and automation in media and promotional industries. Her latest book, Public Relations and the Digital: Professional Discourse and Change, was published by Palgrave Macmillan in 2022.   Jason Vincent A. Cabañes is Senior Lecturer in Postcolonial Media and Culture at Goldsmiths, University of London. He holds a PhD in Communications Studies from the University of Leeds. His research focuses on the entangled mediations of cross-cultural intimacies and solidarities across the world. As part of this work, he was recently Principal Investigator for the project “Imaginaries of Intimacy and Cultural Diplomacy”, funded by The Korea Foundation. He is also co-editor of the book "Mobile Media and Social Intimacies in Asia" (Springer) and co-author of the short monograph "Consuming digital disinformation: How Filipinos engage with racist and historically distorted online political content" (ISEAS-Yusof Ishak Institute). His other publications have appeared in top-tier journals such as Communication, Culture, and Critique, the International Journal of Cultural Studies, and the Journal of Ethnic and Migration Studies.Gisela G. S. Castro holds a PhD in Communication and Culture (Federal University of Rio de Janeiro), and a BSc in Psychology from the same University in her hometown Rio. She is a full professor at the Graduate Studies Program in Communication and Consumption Practices she helped found at the Advanced School of Advertising and Marketing (ESPM, São Paulo). Gisela was a Visiting Fellow at Goldsmiths, University of London. Her work was funded by FAPESP and supervised by Mike Featherstone. She investigates the production of subjectivities and modes of sociability in a media-saturated world. Her current research examines the commodification of ageing and longevity in the logics of promotional culture. She publishes regularly, mostly in Brazil. She is an author in Virpi Ylanne’s edited collection Ageing and the Media: international perspectives (Polity Press, 2022).

• Editors′ Introduction: What is promotional culture today? - Lee Edwards, Clea Bourne, Jason Vincent A. Cabañes, Gisela CastroPart 1: Promotional Culture and Industry LogicsChapter 1: Emotion and humanisation in the UK branding industry - Nicolás ArenasChapter 2: Creating cultural weavers: Reimagining the pedagogies and curricula of the promotional occupations in service of producing sustained social change - Nicola A. CorbinChapter 3: Promotional industries, capitalism and market society: the changing relationship of ‘value’ to ‘values’ - Anne M. CroninChapter 4: Explaining promotional culture: An institutional logics approach - Lee EdwardsChapter 5: AI ethics are not enough. public relations, social justice and artificial intelligence - Clea Bourne and Michaela JacksonChapter 6: High-tech storytelling: a typology for technology marketers - Yoko Maki Chapter 7: Brand journalism: perspectives from Ghana - Kobby Mensah and Joscelyne AhiableChapter 8: Creative inclusivity: the narrative of diversity in the tourism media promotion - Desideria Cempaka Wijaya MurtiPart 2: Promotional PracticesChapter 9: Changing landscape of advertising and promotional industries in Bangladesh - Khorshed Alam Chapter 10: Disinformation promotion on social media - Fatima GawChapter 11: Understanding social media marketing manager’s intermediary role: A Middle Eastern case study - Zoe HurleyChapter 12: Propaganda and Promotional Culture: Catalysts of disinformation in Malaysian politics - Pauline Pooi Yin Leong and Benjamin Yew Hoong LohChapter 13: Public relations within the promotional work of human rights activists in Portugal - Naide MüllerChapter 14: Between socialites and promotional logics: How international volunteers in Bali craft their ′voluntourist′ selfies - Kadek Tomi Kencana PutraChapter 15: Regimes of visibility in Disney’s CSR: Corporate wokeness, neoliberalism, and promotional Industries - Kailin Regutti, Zane Willard, Mahuya Pal Part 3: Promotion and IdentitiesChapter 16: Plus size fashion promotional culture in Brazil as a biopolitical strategy of consumption - Aliana Aires and Tânia Hoff Chapter 17: Promotional culture(s): Rediscovering and revisiting ideology: the case of Jamaica - Nova Gordon-BellChapter 18: First Nations public relations, activism, and feminism in Australia - Treena Clark, Yvonne Clark, Shannon Foster, Tiffanie Ireland and Aiesha SaundersChapter 19: Breaking invisibilities: Race, racism, and Brazilian advertising in a changing world - Laura Guimarães Corrêa, Pablo Moreno Fernandes, Francisco Leite, Fernanda CarreraChapter 20: Enter the ‘sci-fluencer’? Personal branding, race and gender in online science communication - Mehita Iqani Chapter 21: Racialising my voice: Narrative and commercial challenges for black influencers - Nessa KeddoPart 4: Promotion and Popular CultureChapter 22: Silent or silenced pain? Women with endometriosis caught between neglect and acknowledgement - João Freire Filho and Júlia dos AnjosChapter 23: Cruise ships as sales machines: A new promotional practice? - Maria Manuel Baptista and Telma Medeiros Brito Chapter 24: Public relations as ‘tour of duty’: ‘Dis’embodying PR work in Criminal Minds - Clea BourneChapter 25: K-Dramas as a space for cross-cultural exchange? Counter-flow and its entanglements with soft power and promotional culture - Jason Vincent A. Cabañes and Cecilia S. Uy-TiocoChapter 26: Negotiating the media(ted) reality and marginalization: Exploring the lived experiences of LGBTQ consumers from the Global South - Dibyangana Biswas, Himadri Roy Chaudhuri and Anindita ChaudhuriChapter 27: Riding on the wave of popular culture: Croatia’s soft power and Game of Thrones fandom - Bruno LovricChapter 28: Promoting sustainability: Resisting capitalist frames of promotional cultures through climate fiction - Debashish Munshi and Priya KurianPart 5: Promotion and Institutional PowerChapter 29: The animal-industrial complex and the promotion of animal exploitation - Núria AlmironChapter 30: The promotional pillar of enduring authoritarian-populist regimes: The case of Islamic charities in Erdogan’s Turkey - Burçe CelikChapter 31: The political economy of environmental communication: The Chinese context - Sibo ChenChapter 32: A quest for unity: Promoting Caribbean "oneness" by creating a regional public sphere - Zoë M.K. HagleyChapter 33: The Spanish promotional culture: reflections of a mature sector and an evolving society - Charo Sádaba and Jorge del Río Chapter 34: Promotional culture, children, and social media: considerations from the Brazilian context - Renata Tomaz and Brenda GuedesChapter 35: High tech pauperism: Fintech, promotionalism, and the creation of financial subjects - Alison Hearn