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    1. Samhälle och politik
    2. Samhälle och kultur
    3. Kultur och medier
    4. Kulturvetenskap

    Sex, Drugs, and Rock 'n' Roll

    The Rise of America’s 1960s Counterculture

    AvRobert C. Cottrell

    Häftad, Engelska, 2017

    464 kr

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    Beskrivning

    Sex, Drugs, and Rock ‘n Roll: The American Counterculture of the 1960s offers a unique examination of the cultural flowering that enveloped the United States during that early postwar decade. Robert C. Cottrell provides an enthralling view of the counterculture, beginning with an examination of American bohemia, the Lyrical Left of the pre-WWII era, and the hipsters. He delves into the Beats, before analyzing the counterculture that emerged on both the East and West coasts, but soon cropped up in the American heartland as well. Cottrell delivers something of a collective biography, through an exploration of the antics of seminal countercultural figures Allen Ginsberg, Jack Kerouac, Timothy Leary, and Ken Kesey. Cottrell also presents fascinating chapters covering “the magic elixir of sex,” rock ‘n roll, the underground press, Haight-Ashbury, the literature that garnered the attention of many in the counterculture, Monterey Pop, the Summer of Love, the Death of Hippie, the March on the Pentagon, communes, Yippies, Weatherman, Woodstock, the Manson family, the women’s movement, and the decade’s legacies.

    Produktinformation

    • Utgivningsdatum:2017-11-01
    • Mått:151 x 228 x 26 mm
    • Vikt:603 g
    • Format:Häftad
    • Språk:Engelska
    • Antal sidor:452
    • Förlag:Bloomsbury Publishing Plc
    • ISBN:9781538111116
    • Utmärkelser:Washington Book Publishers 2015 Book Design & Effectiveness Competition: Typographic Cover (Tied First Place)

    Utforska kategorier

    • Kulturvetenskap inom Samhälle och politik
    • Socialhistoria och kulturhistoria inom Historia och arkeologi
    • Amerikas historia inom Historia och arkeologi

    Mer om författaren

    Robert C. Cottrell has written over twenty books, including biographies of the radical journalist I. F. Stone, ACLU icon Roger Nash Baldwin, and Negro League founder Rube Foster. He is the author most recently of Two Icons: How Hank Greenberg and Jackie Robinson TransformedBaseball and America. Cottrell, professor of history and American studies at California State University, Chico, has also taught in London; Puebla, Mexico; and Moscow, Russia, in the latter instance as a Distinguished Fulbright Chair. He is currently working on a collective biographyof four key members of the early twentieth-century American left: Crystal Eastman, John Reed, Inez Milholland, and Randolph Bourne.

    Recensioner i media

    This massive and impressively researched look at the cultural revolutions in the U.S. in the post-WWII years is a perfect text for a college class on 1960s culture. Fully aware that 'the hippies of the 1960s, of course, were hardly the first countercultural figures to appear in the United States,' Cottrell (Icons of American Popular Culture) begins with detailed looks at four early seminal countercultural figures: Allen Ginsberg, whose poetry attacked the 'conservatism and conformity' of American 1950s culture; Jack Kerouac, whose novel 'On The Road' popularized the youthful image of 'the restless wanderer;' Timothy Leary, the most notable proselytizer for LSD; and author Ken Kesey, whose Merry Prankster commune 'kicked off the liberal employment of psychedelics.' Cottrell expertly shows how their outlaw images and ideas influenced almost every aspect of the 1960s counterculture: the political shift from traditional protest to the violence of the Weathermen; the popularization of the use of psychedelics for personal liberation; and the move from cities into country communes as an escape from the collapsing countercultural ideals in the 1970s. Cottrell believes that the positive aspects of Sixties culture live on, quoting Whole Earth Catalog editor Stewart Brand’s belief that 'the counterculture’s scorn for centralized authority provided the philosophical foundations of not only the leaderless Internet but also the entire personal-computer revolution.'

    Innehållsförteckning

    • PrefaceAcknowledgments Chapter 1: The Precursors: From Utopia to Huxley Chapter 2: Troubadours for a New American Bohemia: Allen Ginsberg, Jack Kerouac, and the Beats Chapter 3: The Continued Reception of the Beats Chapter 4: From Harvard to Millbrook: Timothy Leary Chapter 5: The Merry Prankster: Ken Kesey Chapter 6: The Magic Elixir of Sex and a Touch of Anarchism Chapter 7: The Magic in the Music Chapter 8: California Dreaming and Haight-Ashbury Chapter 9: Spreading the Word: Alternative Media Chapter 10: People of the Book Chapter 11: From the Human Be-In to the Summer of Love Chapter 12: The Death of Hippie and Early Postmortems Chapter 13: Alternative Living Chapter 14: From Hippie to Yippie on the Way to Revolution Chapter 15: Fighting in the Streets and the Latest Battle of the Bands Chapter 16: COINTELPRO and the Millennium Chapter 17: The Conspiracy, Street Fighting Man, and the Apocalypse Chapter 18: The Not So Slow Fade Chapter 19:It’s All Over Now Notes Bibliography Index About the Author