Tim Trausch is a research associate in the Department of East Asian Studies at the University of Cologne. His research focuses on Chinese media culture and aesthetics. He has published essays on Chinese-language film and television, and a book on the aesthetics of martial arts cinema. His current work focuses on photography and modernity in late imperial and Republican-era China.

Scholars have traditionally separated the study of the ‘Asian martial arts’ as bodily practice from the examination of the ideas and images that uphold them. This collection expertly problematizes that notion while showcasing innovative insights from media and cultural studies. Fresh and always fascinating, it will be critical reading for anyone curious about the place of the martial arts in the modern world.

• Introduction: Martial Arts and Media Culture in the Information Era: Glocalization, Heterotopia, Hyperculture (Tim Trausch) The Demise of the Wuxia Film? - The Mutation of a Genre from Manifestation of Crisis to Postmodern Pastiche and Reaffirmation of Centralized Power (Clemens von Haselberg) Transposing Jianghu in Chinese Martial Arts Cinema From the 20th Century to the 21st Century (Helena Wu)A Touch of Sin, Translation, and Transmedial Imagination (Carlos Rojas)The Effortless Lightness of Action: Hong Kong Martial Arts Films in the Age of Immediacy (Man-Fung Yip)Imagining Transcultural Mediascapes: Martial Arts, African Appropriation, and the Deterritorializing Flows of Globalization (Ivo Ritzer)From the Boxers to Kung Fu Panda: The Chinese Martial Arts in Global Entertainment (John Christopher (Chris) Hamm)Bruce Lee, Bruceploitation, and Beyond: Renegotiating Discourses of Original and Copy (Tim Trausch) David Henry Hwang's Kung Fu in Cross-Cultural Perspectives (Kin-Yan Szeto)In Search of the 36th Virtu

Tim Trausch is a research associate in the Department of East Asian Studies at the University of Cologne. His research focuses on Chinese media culture and aesthetics. He has published essays on Chinese-language film and television, and a book on the aesthetics of martial arts cinema. His current work focuses on photography and modernity in late imperial and Republican-era China.

Scholars have traditionally separated the study of the ‘Asian martial arts’ as bodily practice from the examination of the ideas and images that uphold them. This collection expertly problematizes that notion while showcasing innovative insights from media and cultural studies. Fresh and always fascinating, it will be critical reading for anyone curious about the place of the martial arts in the modern world.

• Introduction: Martial Arts and Media Culture in the Information Era: Glocalization, Heterotopia, Hyperculture (Tim Trausch) The Demise of the Wuxia Film? - The Mutation of a Genre from Manifestation of Crisis to Postmodern Pastiche and Reaffirmation of Centralized Power (Clemens von Haselberg) Transposing Jianghu in Chinese Martial Arts Cinema From the 20th Century to the 21st Century (Helena Wu)A Touch of Sin, Translation, and Transmedial Imagination (Carlos Rojas)The Effortless Lightness of Action: Hong Kong Martial Arts Films in the Age of Immediacy (Man-Fung Yip)Imagining Transcultural Mediascapes: Martial Arts, African Appropriation, and the Deterritorializing Flows of Globalization (Ivo Ritzer)From the Boxers to Kung Fu Panda: The Chinese Martial Arts in Global Entertainment (John Christopher (Chris) Hamm)Bruce Lee, Bruceploitation, and Beyond: Renegotiating Discourses of Original and Copy (Tim Trausch) David Henry Hwang's Kung Fu in Cross-Cultural Perspectives (Kin-Yan Szeto)In Search of the 36th Virtu

Tim Trausch is a research associate in the Department of East Asian Studies at the University of Cologne. His research focuses on Chinese media culture and aesthetics. He has published essays on Chinese-language film and television, and a book on the aesthetics of martial arts cinema. His current work focuses on photography and modernity in late imperial and Republican-era China.

Scholars have traditionally separated the study of the ‘Asian martial arts’ as bodily practice from the examination of the ideas and images that uphold them. This collection expertly problematizes that notion while showcasing innovative insights from media and cultural studies. Fresh and always fascinating, it will be critical reading for anyone curious about the place of the martial arts in the modern world.

• Introduction: Martial Arts and Media Culture in the Information Era: Glocalization, Heterotopia, Hyperculture (Tim Trausch) The Demise of the Wuxia Film? - The Mutation of a Genre from Manifestation of Crisis to Postmodern Pastiche and Reaffirmation of Centralized Power (Clemens von Haselberg) Transposing Jianghu in Chinese Martial Arts Cinema From the 20th Century to the 21st Century (Helena Wu)A Touch of Sin, Translation, and Transmedial Imagination (Carlos Rojas)The Effortless Lightness of Action: Hong Kong Martial Arts Films in the Age of Immediacy (Man-Fung Yip)Imagining Transcultural Mediascapes: Martial Arts, African Appropriation, and the Deterritorializing Flows of Globalization (Ivo Ritzer)From the Boxers to Kung Fu Panda: The Chinese Martial Arts in Global Entertainment (John Christopher (Chris) Hamm)Bruce Lee, Bruceploitation, and Beyond: Renegotiating Discourses of Original and Copy (Tim Trausch) David Henry Hwang's Kung Fu in Cross-Cultural Perspectives (Kin-Yan Szeto)In Search of the 36th Virtu