Reverse Shots

Wendy Gay Pearson is an associate professor in the Department of Women's Studies and Feminist Research at Western University in London, Ontario. Her current research project involves the impact of modes of distribution on the politics and aesthetics of Indigenous film. She is co-editing a volume on the politics of representation of Indigenous girls and women.Susan Knabe is an associate professor in both Media Studies and Women's Studies at the Western University in London, Ontario. Her research covers the construction of gender and sexuality in discourses of health and disease as well as the representation of gender, sexuality, race, and ethnicity in film and media. Her forthcoming book is titled Affective Traces: AIDS Cultural Production and the Legacy of the Holocaust.

• Reverse Shots: Indigenous Film and Media in an International Context, edited by Wendy Gay Pearson and Susan KnabePart I. Dream MakersIntroduction: Globalizing Indigenous Film and Media Wendy Gay Pearson and Susan Knabe1. He Who Dreams: Reflections on an Indigenous Life in Film Michael GreyeyesPart II. Decolonizing Histories2. Speakin' Out Blak: New and Emergent Aboriginal Filmmakers Finding Their Voices Ernie Blackmore3. Taking Pictures B(l)ack: The Work of Tracey Moffatt Susan Knabe4. The Journals of Knud Rasmussen: Arctic History as Post/Colonial Cinema Kerstin Knopf5. Australian Indigenous Short Film as a Pedagogical Device: Introducing Wayne Blair's The Djarn Djarns and Black Talk Colleen McGloin6.""Once upon a Time in a Land Far, Far Away"": Representations of the Pre-Colonial World in Atanarjuat, Ofelas and 10 Canoes Wendy Gay PearsonPart III. Mediating Practices7. Ka Whawhai Tonu Mātou: Indigenous Television in Aotearoa/New Zealand Jo Smith and Sue Abel8. Superhighway across the Sky ... Aboriginal New Media Arts in Australia: A Remix and Email Conversation between Adam Szymanski and Jenny Fraser Jenny Fraser and Adam Szymanski9. On Collectivity and the Limits of Collaboration: Caching Igloolik Video in the South Erin Morton and Taryn SirovePart IV. Documentary Approaches10. The Prince George Métis Elders Documentary Project: Matching Product with Process in New Forms of Documentary Stephen Foster and Mike Evans11. ""Whacking the Indigenous Funny Bone"": Native Humour and Its Healing Powers in Drew Hayden Taylor's Redskins, Tricksters, and Puppy Stew Ute Lischke12. Situating Indigenous Knowledges: The Talking Back of Alanis Obomsawin and Shelley Niro Maeghan Pirie13. ""I Wanted to Say How Beautiful We Are"": Cultural Politics in Loretta Todd's Hands of History Gail VanstonePart V. Other Perspectives14. Filming Indigeneity as Flânerie: Dialectic and Subtext in Terrance Odette's Heater Tanis MacDonald15. Playing with Land Issues: Subversive Hybridity in The Price of Milk Davinia ThornleyGlossaryBibliographyIndex