Kate Daloz received her MFA from Columbia University, where she also taught undergraduate writing and served as assistant director of the Writing centre. She teaches in the writing centre at Baruch College and works as a freelance writing consultant. Daloz grew up in Vermont's Northeast Kingdom, in the geodesic dome her parents built after coming home from the Peace Corps. She was also a research assistant for Ron Chernow (Washington: A Life) and Stacy Schiff (Cleopatra: A Life), as well as Brenda Wineapple (White Heat: The Friendship of Emily Dickenson and Thomas Wentworth Higginson) and is a founding member of Neuwrite: Columbia Scientists and Writers. Her work has appeared in The American Scholar among other publications. Kate Daloz lives in Brooklyn with her husband and children.

"A loving but honest history...Daloz has the journalist's gift for getting people to explain themselves, the historian's ability to explain the context in which they made their choices, and the novelist's power for revealing character through action, plot, and the perfectly chosen detail." --Reason "In an engaging, novelistic style, Daloz traces the founding and growing pains of Myrtle Hill Farm -- the pseudonym for a real commune in the Northeast Kingdom, and a microcosm of the 1970s movement that reversed America's urban migration pattern. The book maintains a delicate balance, neither an expose of back-to-the-landers nor a celebration of them." --Seven Days "Ms. Daloz has written a book that is both scholarly and intimate. It's sometimes grim, sometimes funny, and always fascinating." --Tena Starr, Barton (VT) Chronicle "A hang-onto-your-seats ride back to the early 1970s, and onto the commune at Myrtle Hill in the Northeast Kingdom...We Are As Gods bubbles like a fermenting batch of kombucha, full of wild life and audacity, youthful energy, inventiveness and success, missteps and tragic accidents." --The North Star Monthly "Daloz's careful documentation of the movement manages to be both respectful and critical. Keep this book close by for those moments when you think about giving it all up and moving to a goat farm in Montana." --The Frisky "A fascinating account of a utopian movement made even more relevant by the author's personal perspective." --Booklist, Starred Review "A fascinating, well-told exploration of the 1970s back-to-the-land movement." --Santa Fe New Mexican "In this deep study...Daloz gives an intimate look into the social dynamics and experiences [of the Myrtle Hill Farm], putting names and faces on the ambitions, hopes, and failures of the back-to-the-land movement...An informative look at an era that laid the groundwork for the modern organic movement and its relatives." --Publishers Weekly "Engaging...Daloz's frank account is revealing; she doesn't shy away from documenting the many problems that plagued the fervent communards, including a lack of diversity and reliance on unacknowledged privilege...Perhaps the wave of like-minded idealists venturing forth today will learn from both their historical mistakes and successes. Memoir lovers and social historians will enjoy this account of radical living." --Library Journal "Joni Mitchell once said that we've got to get back to the garden, and tens of thousands heeded; in the years surrounding Woodstock, communes sprouted like mushrooms across America. Born to back-to-the-landers but now a denizen of Brooklyn, Daloz writes with firsthand knowledge of the good and bad of these wishfully self-reliant places... Well written and full of firsthand insight." --Kirkus Reviews "How do you move a geodesic dome? A deft, delightful history of the back-to-the-land movement, when a generation of young people turned their idealistic backs on urban life. Kate Daloz is at once clear-eyed and personal; in an artful narrative, she explores the origins of this attempt to live deliberately and its enduring legacies." --Stacy Schiff, Pulitzer Prize-winning author of Cleopatra: A Life "The educational rise and educational fall of rural communes in the 1970s was melodrama to live. Kate Daloz tells the story truly." --Stewart Brand, Editor, Whole Earth Catalog